How to Eliminate Vocal Break - 16 Year Old Singer Eliminates Vocal Break - Before and After
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- Опубликовано: 24 авг 2024
- HOW TO ELIMINATE VOCAL BREAK: 16-YEAR-OLD MALE ELIMINATES SINGING BREAK - BEFORE AND AFTER. This video will also cover how to eliminate vocal break and cracking and how to eliminate vocal break and cracking in singing. You'll get vocal tips for singing exercises on how to eliminate voce break. These vocal exercises on how to eliminate vocal break will solve the vocal break problem and you will know how to get rid of vocal break in your voice.
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Chuck Gilmore
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Get rid of the vocal break using this video as a guide. Lex will demonstrate exercises to eliminate the break or crack. Watch his progress from nine months ago to today. This video is for everyone with a break or not, who needs help getting the larynx down so they don't break or pull chest. If a 16 year old young man going through his vocal change can do this YOU CAN DO IT TOO!
*I have not sung as well as I would like, nor do I have the basics of singing for the sake of studying little. But I have a problem in often singing and the voice cut and then I lose the rhythm and emotion of the song. Can this be a problem in the way of breathing or physiognomy? Not to mention salivation gets in the way a lot. Are problems related to the wrong way of breathing for singing?*
When the voice cuts out, it's usually the larynx rising not a breathing problem...nor salivating.
im a baritone right now. Sixteen years old. I practiced with these kind of exercises for 1 year. And now i dont have any break. Thank you very very much
Awesome! Way to go, Daryl!
You may get a faster connection on the EE vowel which kinda naturally makes you sing and navigate through the register building that clean noticeable break. And its not strenuous on the while singing the EE vowel it builds a beautiful ringing and resonance. With this exercise multiple vocal goals will be achieved.
Best online vocal coach on RUclips so far!! Keep the good content going sir.
Well....thank you very much Igin!
That should say “wouldn’t classify him as a bass at this stage anyway”. Are you basing this on where he’s breaking? his timbre? His range?
Yes.
I know this is the light and right approach, and keeping a stable larynx can assist in second harmonic going into second formant but it’s all so weak. I would just work on the concept of the spoken voice thinning as you go higher. Much more robust this way and then get a good m2 to maintain good ct function which will assist his overall flexibility
Thank you so much. It's very important to know that practicing the exercises both take time AND WORK when you put the effort in it. Greetings from Germany again. I am particularly practicing your flip falsetto exercises every day at the moment.
Thank you so much for your dedicated work, Chuck. It really is a blessing.
Holger
Thanks Holger. You make such a great point about the time and work. It does take time and work and if you do that you make progress. Are the flip falsetto exercises helping?
I would love to work with you Chuck, but my parents won't pay for lessons for me. I'll schedule lessons with you when I get older.
When the time it right. :)
Hey chuck I was wondering, how is the student a low bass? Because his timbre sounds alot like a medium tenors timbre
Really?
Exactly what i need right now😂 thought i stop having vocal breaks when i turned 15, I only do when doing high notes.
The vocal change lasts for several years. You don't think so...but it does. It will be different for you from day to day sometimes. But it get's better in your 20's for sure.
thanks for the lesson, its very usefull for me
Well done both Lex and Chuck! Chuck - I bet you wish you had this instruction when you were that age! Thanks,Colin.
You are exactly right Colin. It was so astounding to learn and experience what is really possible with our voices. I'm so thankful I found it...even if I was 43 years old!
Good exercise. Thanks for posting 🙏
Thanks!
Chuck, this was awesome! I am going to try for my second ever audition this month and this was very helpful! I’ll be practicing! Thank you!
Great! Good luck at auditions!
Thank you for upload this vd its help me a lot thank you!!
Thanks Dan! Glad it helped!
Tqsm Chuck. Great advice!
Did it help your voice?
Thank you for great video! 👍
You are welcome! Thanks Zoran.
I can make my voice sound in a higher pitch than usual is this mixed voice? How can I increase the "volume" without cracking (it starts at G4 and crack above C5).
You have to keep the larynx down so you don't crack. I doubt you are in mix if you crack. Watch this video and follow the directions. ruclips.net/video/d0Ob8WGmvPc/видео.html
Thank you sir!
You are welcome!
Why do I get dizzy when I do this exercise, I get dizzy when I flip to the headvoice
hummm. Not sure. Never happened to me or my students before. Sorry.
I appreciate and understand your approach. Gee for keep closure, low larynx assist in connection, this is a very sls approach. I have a massive appreciation for what you do and your knowledge, but for me this is “bridging” way too early and not building any call or strength into the voice. I understand through and after the five stages of voice change co ordinating the voice can be tricky and very heavy in production but don’t believe this approach will help him sing better as he can’t lean in at all and still sounds like two completely different voices. I would classify either as bass, baritone etc at this age anyway. In my experience and opinion he’ll never be able to sing strong in the mid voice with this approach and has no real practical application to actual singing. Yes, he’s Improved in connecting to very light m2 but in no way does he sound truly connected to me. I think this approach also solidified a concept of “two voices” which I don’t think is very useful in the long run. I’m not trying to rant but after 9 months and RUclips video I expected betttr results
All in good time.
So cool 👍
Greetings from UKRAINE. You are really good teacher;)👍👍👍you're talented person
Thanks Vika. Did this help your voice?
@@PowerToSing Yes, of course. I started to sing higher;) Your rule 'ney ney ney"helped me.I subscribed to your channel only one week ago, but I found so many useful and interesting videos.👍👌😉
@@vikacvetkova3297 Great! Thanks Vika!
Omg! Is that sett rigs with you in the picture frame?
Yep :)
Wow...
You’re the guy who thought Chris Cornell?!
I don't think so.
Hi chuck how much are your 1 to 1 lessons over the phone?
Pricing info here: SCHEDULE YOUR LESSON HERE: www.powertosing.com/schedulelesson
Nice video, but I am confused, when it is connected, is the top note in M1 register (chest/full cords vibration) or M2 (head/falsetto/partial cords vibration)? Or it is just all M1 but just getting thinner?
Thank you very much!!!
The tone remains connected when the muscle in the vocal cords stays engaged. If this muscle disengages, I say there is a disconnected tone because when you want to get back to chest, you must reengage the muscle first. Otherwise, without the muscle your cords remain in falsetto.
@@PowerToSing so, technical speaking, it's all M1, am I correct?
@@PowerToSing so, technical speaking, it's all M1, am I correct? Therefore, even though there is no break, does not mean transiting to M2 smoothly, but stay in M1 all the way?
Thx for your help!!!
@@daimong4553 No. It's not all chest. As the pitch ascend, the lower overtones drop out as the resonance shifts into the head cavities . The upper overtones become the dominant sounds of the head voice...no chest overtones.
@@PowerToSing How about the mechanism of the vocal cord? Is the full body of the cord vibrating throughout the scale, or transiting from full body vibration to partial vibration (just the edge vibrating)? I might be wrong, but as i known, a crack is produced by shifting from whole cord vibration to partial cord vibration. Therefore, is there no crack, whether is full body vibration of the cord throughout a scale, or transiting from full cord vibration to partial cord vibration with "hiding" the crack?
Thank you very much!!!
The free pdf link does not work. pdf is not sent to email. And do not download the pdf on the site itself. 😢
Hi Everaldo: I just checked it myself and it worked on a mac, PC and iphone. What system are you using? Did you check your spam?
@@PowerToSing Android. Phone browser. I didnt receive the email. I looked at the spam box too.
9 months?! That's insane amount of time,honestly the moment I started doing ge mum no and bubs within a week I completely change my voice and got connected in a second! breath control and projection looking like they hold him back
How old are you?
@@PowerToSing 23
Knowing Lex like I do, I'm confident his progress would be similar to yours. There's no comparison between our voices when you are going through the vocal change. That being said, I have have students where the change wasn't that significant and they were able to get it faster and easier...but none of them were low basses like Lex. Do you know your classification? Tenor? Baritone?
I have a question... Is it possible to find your mixed voice without actually being able to connect your chest voice to your head voice?
The reason why I ask is because I think I have found my mixed voice, but I can't connect my chest voice to it. I can transition from my head voice to this mysterious voice, but not my chest voice. Can you please help me out, I would really appreciate it.
Here's a link to how I sound: ruclips.net/video/USSGVQTyxsA/видео.html
Yes it's possible to be in mix but not be able to blend back into your chest voice. If the larynx comes up even though you are descending in pitch, it can disconnect into falsetto on the way down...or you can pull the head voice down too low with is difficult to blend into your chest all at once. You want to do these exercises which will help you keep the larynx down and build the transition (bridge area) of your voice.www.powertosing.com/pulled-chest-high-larynx-2/ Good luck
@@PowerToSing
Thanks for the tips. It's very appreciatied.
Gosh hilarious!
Has your voice changed, Joseph?