4:03 the kids just dont ha e a good stage oresence, unfortunately. Plus, dont know if it was done on purpose or just by mistake but, the octaves used to play Jessica were a bit off from the original.
The Allman Betts Family apple doesn't fall too far from the tree I always like to say. "Jessica" - Still the epitome of what Southern Rock is all about.
There's nothing like a big Ampeg 8x10 stack for bass. Nice to see and hear Tal using the best bass rig in the biz. And a great guitar solo from Duane Betts.
Saw them at the Ryman in Nashville this past Friday night. Hands down one the best live shows I have seen in years and an unbelievable tribute to the Allman Family music legacy. Every musician performed so well but Tal Wilkenfeld absolutely stole the show! I wish Jack Pearson or Warren Haynes had turned up, oh well maybe next year.
and I got to see Tal almost swat Chuck Leavell with her bass in Macon...we also had Butch's kids... was one helluva show... and Tal is amazing as usual...and do you all have any idea how many times Jimmy Hall has watched ABB and others play that sitting right about where he was that night?
Here is Tal with Jeff Beck circa 2007, shot during a week-long residency the guitarist undertook at the world-renowned Ronnie Scott's Jazz Club in London (they host more than just jazz). This tune was penned by Stevie Wonder and gifted to Jeff. Tal does a tasty solo within it. BTW, Jeff was the catalyst for Stevie Wonder's 'Superstition'. He was guesting on Wonder's 'Talking Book' album (check out 'Another Pure Love'; he also demoed other tracks) when wonder stepped into the studio whilst Jeff was have a go on the drums. Wonder told him to keep playing, sat down and started riffing on his clavinet. They recorded the idea, with Jeff adding his guitar to Wonder's riff. Stevie led the lyric writing, with Jeff adding ideas. Wonder gave the track to Jeff as a thank you. But when Motown Records boss Berry Gordy hear that demo he reminded Stevie that it was he, Gordy that owned the rights to whatever Wonder recorded, then insisted Stevie rush-record the tune and get it out before Jeff did. Which is exactly what happened. Beck's new band, Beck, Bogert & Appice, did a version on their only studio album but it is a heavy rocker, not a funky riffer, so Wonder's version reigned supreme. Watch Beck & Wonder doing 'Superstition' at the Rock & Roll Hall of Fame - it's on RUclips. And it is the best ever. Now here is Tal. ruclips.net/video/lw8fBR_XiPs/видео.html
I played along with this, its in standard tuning and exactly on key. Where did you hear the octave higher , you do know there is 2 guitar parts in the main theme that play in harmony , they are meant to be an octave apart to get that harmony
@frankquinn1296 They aren't playing an octave apart. Not on the main theme or turnaround, at least. That would mean they were both playing the melody. There are a few moments of octaves maybe in the bridge. I think the biggest interval in most of the harmony parts is a major 6th. Actually, the original harmonies were one guitar (Dickey), organ, (Gregg), and piano (Chuck Leavell). Three-part harmony. The lowest was the B-3, Dickey with the melody, and Chuck playing a higher part. That is a big part of the difference people are hearing.
Devon Allman (guitar, vocals), Duane Betts (guitar, vocals), Tal Wilkenfeld (bass, vocals), Johnny Stachela (guitar, vocals), John Ginty (keyboards), R. Scott Bryan (percussion, vocals), Alex Orbison ( drums)and John Lum (drums). Guests: LARRY MCCRAY, LUTHER DICKINSON, CODY DICKINSON, ALEX ORBISON, JIMMY HALL, JACKIE GREENE, ALLY VENABLE & ANDERS OSBORNE, JEFF AVELARO
They all have the passion...with this song how could they not...as for the energy, the original Allman Brothers Band didn't move around much but they played their asses off...
@@Cpayne30 Maybe so, but not in their prime when it was recorded. Needs to be faster. A crowd comes to a concert to be entertained not lulled to sleep.
Duane Betts plays with so much soul - definitely his fathers son!
Tal…badass bass player…great look too…
Really solid bass playing. Right on. 👍🏼
Yeah she had a pretty good teacher teacher Jeff Beck.Beck.
4:03 the kids just dont ha e a good stage oresence, unfortunately. Plus, dont know if it was done on purpose or just by mistake but, the octaves used to play Jessica were a bit off from the original.
The Allman Betts Family apple doesn't fall too far from the tree I always like to say.
"Jessica" - Still the epitome of what Southern Rock is all about.
There's nothing like a big Ampeg 8x10 stack for bass. Nice to see and hear Tal using the best bass rig in the biz. And a great guitar solo from Duane Betts.
so much heart and soul in that solo
Hi Tal, You sound so good, you look so happy every time your playing, you really get into the music,
I wish we meet some day 😘
Couldn't agree more,
Gold top
Dickey son is a split image of him, from the looks to the sounds. You can tell this Richard's son lil Dickey.✌️✌️✌️✌️
Spot on! I had the honor of being at one of the nights the original band recorded the famous live album at the Fillmore east
lucky bass
Saw them at the Ryman in Nashville this past Friday night. Hands down one the best live shows I have seen in years and an unbelievable tribute to the Allman Family music legacy. Every musician performed so well but Tal Wilkenfeld absolutely stole the show! I wish Jack Pearson or Warren Haynes had turned up, oh well maybe next year.
Jeff I wuz there also I have seen the original Bros 30 + times but the Nashville show was as close as we'll ever get to the real thing
Can't wait to see them this Thurs. IN Macon! Gonna tour the Big House while there as well.
Nice. you guys rock, love ya Tal 😍
and I got to see Tal almost swat Chuck Leavell with her bass in Macon...we also had Butch's kids... was one helluva show... and Tal is amazing as usual...and do you all have any idea how many times Jimmy Hall has watched ABB and others play that sitting right about where he was that night?
Incredible and reminds me so much of the original members of their relatives legendary band!
Super video work! What an Amazing show. The women that played really shined. This was Smoking!
Tal wilkenfeld
Tal wilkenfeld is one of the best bass players of modern time. Enough to say she played with Jeff Beck.
Here is Tal with Jeff Beck circa 2007, shot during a week-long residency the guitarist undertook at the world-renowned Ronnie Scott's Jazz Club in London (they host more than just jazz). This tune was penned by Stevie Wonder and gifted to Jeff. Tal does a tasty solo within it.
BTW, Jeff was the catalyst for Stevie Wonder's 'Superstition'. He was guesting on Wonder's 'Talking Book' album (check out 'Another Pure Love'; he also demoed other tracks) when wonder stepped into the studio whilst Jeff was have a go on the drums. Wonder told him to keep playing, sat down and started riffing on his clavinet. They recorded the idea, with Jeff adding his guitar to Wonder's riff. Stevie led the lyric writing, with Jeff adding ideas. Wonder gave the track to Jeff as a thank you. But when Motown Records boss Berry Gordy hear that demo he reminded Stevie that it was he, Gordy that owned the rights to whatever Wonder recorded, then insisted Stevie rush-record the tune and get it out before Jeff did. Which is exactly what happened. Beck's new band, Beck, Bogert & Appice, did a version on their only studio album but it is a heavy rocker, not a funky riffer, so Wonder's version reigned supreme. Watch Beck & Wonder doing 'Superstition' at the Rock & Roll Hall of Fame - it's on RUclips. And it is the best ever.
Now here is Tal. ruclips.net/video/lw8fBR_XiPs/видео.html
The show was phenomenal!
Thank you!
Still waiting in Jersey for you 😋
Tal 🎵🎶🎵👍
💪
Would love to see Toby and Darwin of Foxes and Fossils do this. If you don’t know who they are search and be enlightened.
Wow you getting closer to Met Life
Can any tell me who all is on stage - of course I know Tal, Devon and Duane (know of that is ;).
Johnny Stachela ( I think I misspelled his last name?) And the man banging the keys is Mr John Ginty!
@@carolyndavis6002 Thanks! I'll check him out.
The signature guitar part seems about an octave too high.
I played along with this, its in standard tuning and exactly on key. Where did you hear the octave higher , you do know there is 2 guitar parts in the main theme that play in harmony , they are meant to be an octave apart to get that harmony
@frankquinn1296
They aren't playing an octave apart. Not on the main theme or turnaround, at least. That would mean they were both playing the melody. There are a few moments of octaves maybe in the bridge.
I think the biggest interval in most of the harmony parts is a major 6th. Actually, the original harmonies were one guitar (Dickey), organ, (Gregg), and piano (Chuck Leavell). Three-part harmony. The lowest was the B-3, Dickey with the melody, and Chuck playing a higher part.
That is a big part of the difference people are hearing.
So who are these people?
Just to name two of them: Devon Allman and Duane Betts
Jeff from Goose on center kit, John Ginty on keys who had a resume a mile long
Tal Wilkenfeld on Bass she was Jeff Beck's Bassist
Devon Allman (guitar, vocals), Duane Betts (guitar, vocals), Tal Wilkenfeld (bass, vocals), Johnny Stachela (guitar, vocals), John Ginty (keyboards), R. Scott Bryan (percussion, vocals), Alex Orbison ( drums)and John Lum (drums). Guests: LARRY MCCRAY, LUTHER DICKINSON, CODY DICKINSON, ALEX ORBISON, JIMMY HALL, JACKIE GREENE, ALLY VENABLE & ANDERS OSBORNE, JEFF AVELARO
REALLY?!
It’s disappointing to see them call this a revival without Derek or Warren!
Tal is fabulous. But it would be better to have seen Berry Jr in that spot.
Too bad they all don't have Tals energy and passion.
They all have the passion...with this song how could they not...as for the energy, the original Allman Brothers Band didn't move around much but they played their asses off...
Good but needs to be more up tempo like the Allman Brothers did it.
In their later years, this was more or less the tempo they did it.
@@Cpayne30 Maybe so, but not in their prime when it was recorded.
Needs to be faster. A crowd comes to a concert to be entertained not lulled to sleep.
Great band and show, but the stage hands are moving around so much they must think they're part of entertainment show.