so are snare bombs something the sound engineer will do manually, or is it usually a tracked effect. I noticed when I saw alpha wolf that every band had the same snare bomb effect, maybe they had a trigger on the drum kit or something?
For me it's always something I do manually/most audio people will. There's sometimes song specific "must have" moments that will be on tracks but for TH there isn't much of that for Snare fx.
So for this are you just taking there AES lines and plugging them into your console? How do you end up knowing where your drive lines are and how the sub is situated (matrix or mono bus) , Does the venue have an AV sheet sent previously with drive line and matrix routing information so you can prepare your outs?
We do a full analogue split. This allows me to send Drive lines from stage or FOH (Foh preferred) . Always running Left, Right, Sub, Fill on matrixes and any extra Outputs I deal with on the day.
![Jack Harlow - Hello Miss Johnson [Official Music Video]](http://i.ytimg.com/vi/Q86_nlRoIGw/mqdefault.jpg)
Awesome demonstration and editing, cheers
Glad you like it! Might try more in the future
Love the use of the 360 cam to show us your perspective!!
Glad you like it!
As the saying goes, not all heroes wear capes
Thanks for sharing!
Never can go wrong with the m32 😂
Great little workhorse
Awesome video.
Thanks for watching!
SICK! 🔥 Great Content!
so are snare bombs something the sound engineer will do manually, or is it usually a tracked effect. I noticed when I saw alpha wolf that every band had the same snare bomb effect, maybe they had a trigger on the drum kit or something?
For me it's always something I do manually/most audio people will. There's sometimes song specific "must have" moments that will be on tracks but for TH there isn't much of that for Snare fx.
@@joel_adamsFOHsound Thanks!
What is the fx you are using for the snare bomb..
@@michaeltjin679 Its not his answer, but personally I like the m32s hall verb with the decay cranked to oblivion for bombs
Hey man
How did you create that snare bomb. Can you walk me tithe process?
It's a large reverb effect with both snare top and bottom mics sent to it. I unmute the send whenever I want to hear the effect. Hope that helps!
So for this are you just taking there AES lines and plugging them into your console? How do you end up knowing where your drive lines are and how the sub is situated (matrix or mono bus) , Does the venue have an AV sheet sent previously with drive line and matrix routing information so you can prepare your outs?
We do a full analogue split. This allows me to send Drive lines from stage or FOH (Foh preferred) . Always running Left, Right, Sub, Fill on matrixes and any extra Outputs I deal with on the day.
RIP