I was so happy to go to Muireanns concert a few weeks ago and hear her excellent versions of all those old songs that I've known too. Was lovely to have a chat with her and her dad afterwards. Thank you both 💛💚🎼
I continue to be impressed with new up and comers. This young lady certainly is refreshing to hear. Luckily for us, her Father was into Southern U.S. Negro music and his daughter picked up on it too. Obviously this Dylan song isn’t one of them but, her picking and singing are definitely top notch. I certainly wish her much success in her career choice.
Wow.. first thing that struck me was the awkward moment in the beginning but then I saw her smile about it.. Now that is class, I often miss the key and chuckle then sing it over.. LOL.. way to go Muireann love your music.
@@FenianYoshi Ok, nisam jos stigao pročitati biografiju. Baš sam kreten. Sad sam primjettio: Whelans, Dublin on May 5th 2024. Premda zvuči pomalo američki. Npr. kao Canen.
Well done. She's recreated his exact picking style and she's the first player I've seen who picked up on the 1st string hammer on E to F which for me is a signature tidbit of the song.
Wait, wait, await a minute - I picked up on that almost 50 years ago - and so did many of my Dylan-playing friends. Now that I finished bragging, I can say that it’s uncharacteristic of Dylan’s picking, is much more difficult to play than anything in his other fingerstyle accompaniments - I mean getting that hammer-on down rhythmically. The touch is different from the accompaniments to Girl From the North Country, Boots of Spanish Leather, Tomorrow is.a Long Time. So I think someone else is playing guitar, not Bob. By the way, the fact that you pointed out that interesting hammer-on thrilled me, because it brought back to the days when I was trying to figure out Dylan’s accompaniments. It’s how I learned to fingerpick, which ultimately led me to the country blues (the gifted Muireen’s true home).
@@haroldsteinblatt2567 Glad you understood the importance of that little sucker. The syncopation is so oddly different that I think it has to be him playing. He probably learned it the day before but got it wrong.
Sped up, but only very slightly - the original is a fast song (112bpm I think). I think this version sounds a lot faster because Muireann has embellished the picking a bit, and also does does an alternating baseline on the “when your rooster crows at the break of dawn” bit - Dylan doesn’t. I play it more like Muireann - but not to that speed (I’m not good enough).
I think a lot of people Dylan didn't even play it as fast as the record -- it was sped up by the producer, hence the higher capo if you try to match the original key
@bigjim2313 Ha. Apparently, the story goes Dylan, tracked Brady down for him to teach him the arrangement. Bob was lovely but quickly worked out he couldn't really play guitar after watching Paul Brady generally be a genius for an hour!
She lost it for a moment in the last few accords there. Which is quite undertsandable - it was the very last song in a long concert and she was prolly already very tired.
![Bob Dylan - Don't Think Twice, It's All Right (BEST LIVE VERSION) [Carnegie Hall 1963]](/img/1.gif)
What a marvelous musician this young lady is! She will go to the top very quickly, and deservedly so. Thank you Muireann Bradley. You are AWESOME!
I was so happy to go to Muireanns concert a few weeks ago and hear her excellent versions of all those old songs that I've known too.
Was lovely to have a chat with her and her dad afterwards.
Thank you both
💛💚🎼
I continue to be astounded by the talent of this young lady.
Very happy to see something more contemporary from a great artist like Bob Dylan. Well done, Muireann, well done.
Brilliant stuff.....pure class.................
Her picking is next level. Amazing.
The guitar playing is so clean . Love it.
When you sing and play, my heart and my soul feel better. Thank you dear ✌️
A new one for me to hear from this young woman. I’ll be excited to watch her grow. Thank You.
I used to play a lot of Dylan live, this was excellent! Keep it up, girl!
Incredible talent!
I continue to be impressed with new up and comers. This young lady certainly is refreshing to hear. Luckily for us, her Father was into Southern U.S. Negro music and his daughter picked up on it too. Obviously this Dylan song isn’t one of them but, her picking and singing are definitely top notch. I certainly wish her much success in her career choice.
Very fine rendition of a classic song. Quality.
Great version! Love it 😀 🎶🥰
She’s beyond awesome
thanks for posting, that was just pure fun
Love it!!!
Fantastic stuff Muireann
Everything she does is perfect
Bob would be proud 👏
Pure gold. Galánta!
Beautiful! I think even Bob would give this lady a warm accolade 😢
Wow.. first thing that struck me was the awkward moment in the beginning but then I saw her smile about it.. Now that is class, I often miss the key and chuckle then sing it over.. LOL.. way to go Muireann love your music.
That is a staggeringly hard song to play and sing
Talented blue girl
This young lady can clean pick..not easy.....
Bravo sestro. Šarm, mladost i ljepota. Rock and roll. USA još nije skroz potonula u dekadenciju.
She’s Irish!
@@FenianYoshi Ok, nisam jos stigao pročitati biografiju. Baš sam kreten. Sad sam primjettio: Whelans, Dublin on May 5th 2024. Premda zvuči pomalo američki. Npr. kao Canen.
Well done. She's recreated his exact picking style and she's the first player I've seen who picked up on the 1st string hammer on E to F which for me is a signature tidbit of the song.
Wait, wait, await a minute - I picked up on that almost 50 years ago - and so did many of my Dylan-playing friends. Now that I finished bragging, I can say that it’s uncharacteristic of Dylan’s picking, is much more difficult to play than anything in his other fingerstyle accompaniments - I mean getting that hammer-on down rhythmically. The touch is different from the accompaniments to Girl From the North Country, Boots of Spanish Leather, Tomorrow is.a Long Time. So I think someone else is playing guitar, not Bob.
By the way, the fact that you pointed out that interesting hammer-on thrilled me, because it brought back to the days when I was trying to figure out Dylan’s accompaniments. It’s how I learned to fingerpick, which ultimately led me to the country blues (the gifted Muireen’s true home).
@@haroldsteinblatt2567 Glad you understood the importance of that little sucker. The syncopation is so oddly different that I think it has to be him playing. He probably learned it the day before but got it wrong.
So good. Your picking technique is flawless. Same with your voice.
Sounds like the Dylan record has been sped up. Amazing plucking !
Sped up, but only very slightly - the original is a fast song (112bpm I think). I think this version sounds a lot faster because Muireann has embellished the picking a bit, and also does does an alternating baseline on the “when your rooster crows at the break of dawn” bit - Dylan doesn’t.
I play it more like Muireann - but not to that speed (I’m not good enough).
I think a lot of people Dylan didn't even play it as fast as the record -- it was sped up by the producer, hence the higher capo if you try to match the original key
Of course, the superb picking, but...that amazing voice.
Excellent, Muireann can play a good guitar, but please slow it down, it needs to be relaxed.
Lovely. I wonder if "Arthur McBride" a la Paul Brady might be a good project?
Maybe....
ruclips.net/video/j9K8OuhNsnc/видео.htmlsi=Yt8gdyomE4C8L-Jy
@bigjim2313 Ha. Apparently, the story goes Dylan, tracked Brady down for him to teach him the arrangement. Bob was lovely but quickly worked out he couldn't really play guitar after watching Paul Brady generally be a genius for an hour!
A little fast, but hell I can't play it at all. She's amazing.
She lost it for a moment in the last few accords there. Which is quite undertsandable - it was the very last song in a long concert and she was prolly already very tired.
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