Hi, I created some detailed notes so I can follow this routine myself and I'd figure I'd share since some people asked about a PDF in the comments. I also made up some names to go along with each exercise. If anything is wildly off post a comment and I'll correct it later. --- 1 - "Root Note Identification" Use the CAGED system to find common root notes in the different shapes and positions. Go all the way up the neck. Use the common notes as a guide, and make sure to play all of them every time you switch positions. Start with C, and work around the circle of fifths. Goal of this is to help fretboard visualization. 2 - "1-3-2-4 Exercise" Play across the fretboard using the finger pattern 1-3-2-4, one finger per fret. Start on the low E and work towards the high E. Once you play the last note, shift your hand up one fret then work back towards the low E, still using the 1-3-2-4 finger pattern and starting with a down stroke. Goal of this is to get your fingers in a good mood. 3 - "Chromatic Hand Synchronization" Starting from the A on the G string, play the chromatic scale up to and down from the A on the high E using alternate picking. On the way down from A, pick the Bb twice to the restart the pattern with a down stroke. Repeat this pattern until you reach A natural on the G string again, then work back down the neck. Goal of this exercise it to warm up the right hand and to get both your hands in sync. 4 - "Slide Pentatonic on the Big Strings" Play the Am pentatonic scale on the bottom 3 strings, starting from the E. Play the scale in one position, then on the last note, slide up to the next note in the next position. Play this new pentatonic scale down to the root. Repeat this pattern up the neck, then work your way back down. This exercise can be done with any key, Am is just an example. Goal is to view the guitar more horizontally instead of vertically. 5 - "Slide Pentatonic on All Strings" Same idea as exercise 4, but each pentatonic run spans 2 octaves and all 6 strings instead of 1 octave and the bottom 3 strings. Goal is same as well. 6 - "Hybrid Picking Workout" Hybrid pick by alternating between downstrokes with your pick and plucks with your middle finger. Skip a string when you pluck, i.e. if you pick the A pluck the G. Play the F major scale this way, alternating between triad arpeggios and pentatonic scales as your work down the neck. This means play the an F triad, Gm pentatonic, Am triad, Bb pentatonic, C triad, Dm pentatonic, Edim triad, and finally F pentatonic. Slide between the final note to next root note after your chord or pentatonic scale. The chord arpeggios only come down from the low E, and the pentatonics only work up. This is very weird sounding on paper, so reference this tab by Ben C-D to get a better idea of what's going on, postimg(dot)cc/SjTFSMDW. The goal is to work on both hybrid picking, and another unique way to look at scales. 7 - "Double-Stop Cascade" In a major key, play the melodic line of 1-2-b3-3-5-6 in 3 octaves with various double-stops up the neck. Start in 3rds for 1-2-b3-3, then 4ths for 5-6, then 3rds for the next 1-2-b3-3, then triads, then 6ths. Walk down in the pentatonic scale while still using double stops. Having fun with the voicings is the important part here. Think of a vaguely country sound and you'll be in the right territory. Goal is to explore different sounds and chord voicings.
I’ve implemented Asato’s routine for more than a week now. This routine really helps piece things together. The first exercise is great in learning octaves and their relationship on the fretboard. I know where the notes are but there’s a difference in letting your fingers memorize them. I’m still working on the 6 and 7th exercises. Currently I’m working on playing with less stress and more accuracy. I realize the importance of how you practice is how you play. I’m taking it slow. Allowing my fingers to be accurately placed, avoiding buzz and ensuring my notes are full. This routine is a daily keeper 🙏🏻
Thank you for this! I guess I’ve been living under a rock for the past several years. I just discovered Mateus a couple of weeks ago and my mind has been blown ever since. Been obsessed with his playing and wanted to learn more of how he thinks as a musician. This video is perfect for me! Forever grateful for you, Mateus and Joe. 🙏🏼
This was incredible. Just in terms of finger strength, & dexterity - Wow. Mateus Asato is next-level. I love his playing. Thanks for sharing. oNe LovE from NYC
OMG Asato lol. Every time he says "Oh i forgot to mention that part there, yeah" the WHOLE EXERCISE LEVELS UP. I love the difficulty in just learning the theory behind them. It's like concentrating a calculus textbook down to a 10 page cheat sheet. I am creating the tablature to each exercise in all keys eventually... it just takes a very long time.
When I only had an acoustic guitar, I would always play the exercise 5 alteast 2 years before I got my electric guitar, it helped me visualize the fret board easier when starting out
Deve-se passar um filme na cabeça do Mateus, tendo treinado estes exercícios por tanto tempo e ter atingido um nível insano de técnica e depois repassá-los.
I think in #7 he actually switches to "4ths" for those transitions in between all the 3rds & 6ths. IF the lower held note is the next note from the scale.. so the note above it is a 4th. Of course they are indeed 5ths if the order was inverted. He is a wizard!!
Thanks for having me! That was fun! You’re one of a kind, Joe! ✨
Thank you so much for sharing this! I will definitely be putting this into practice every day!
Aô, Campo Grande! ❤️
Mateus! Thanks a million.. this has been a blast 😊🎶
Love u mateus !
Please do how you dial in your tones :)
I actually need to warm up to warm up the Mateus ‘s warm-ups
Hi, I created some detailed notes so I can follow this routine myself and I'd figure I'd share since some people asked about a PDF in the comments. I also made up some names to go along with each exercise. If anything is wildly off post a comment and I'll correct it later.
---
1 - "Root Note Identification"
Use the CAGED system to find common root notes in the different shapes and positions. Go all the way up the neck. Use the common notes as a guide, and make sure to play all of them every time you switch positions. Start with C, and work around the circle of fifths. Goal of this is to help fretboard visualization.
2 - "1-3-2-4 Exercise"
Play across the fretboard using the finger pattern 1-3-2-4, one finger per fret. Start on the low E and work towards the high E. Once you play the last note, shift your hand up one fret then work back towards the low E, still using the 1-3-2-4 finger pattern and starting with a down stroke. Goal of this is to get your fingers in a good mood.
3 - "Chromatic Hand Synchronization"
Starting from the A on the G string, play the chromatic scale up to and down from the A on the high E using alternate picking. On the way down from A, pick the Bb twice to the restart the pattern with a down stroke. Repeat this pattern until you reach A natural on the G string again, then work back down the neck. Goal of this exercise it to warm up the right hand and to get both your hands in sync.
4 - "Slide Pentatonic on the Big Strings"
Play the Am pentatonic scale on the bottom 3 strings, starting from the E. Play the scale in one position, then on the last note, slide up to the next note in the next position. Play this new pentatonic scale down to the root. Repeat this pattern up the neck, then work your way back down. This exercise can be done with any key, Am is just an example. Goal is to view the guitar more horizontally instead of vertically.
5 - "Slide Pentatonic on All Strings"
Same idea as exercise 4, but each pentatonic run spans 2 octaves and all 6 strings instead of 1 octave and the bottom 3 strings. Goal is same as well.
6 - "Hybrid Picking Workout"
Hybrid pick by alternating between downstrokes with your pick and plucks with your middle finger. Skip a string when you pluck, i.e. if you pick the A pluck the G. Play the F major scale this way, alternating between triad arpeggios and pentatonic scales as your work down the neck. This means play the an F triad, Gm pentatonic, Am triad, Bb pentatonic, C triad, Dm pentatonic, Edim triad, and finally F pentatonic. Slide between the final note to next root note after your chord or pentatonic scale. The chord arpeggios only come down from the low E, and the pentatonics only work up. This is very weird sounding on paper, so reference this tab by Ben C-D to get a better idea of what's going on, postimg(dot)cc/SjTFSMDW. The goal is to work on both hybrid picking, and another unique way to look at scales.
7 - "Double-Stop Cascade"
In a major key, play the melodic line of 1-2-b3-3-5-6 in 3 octaves with various double-stops up the neck. Start in 3rds for 1-2-b3-3, then 4ths for 5-6, then 3rds for the next 1-2-b3-3, then triads, then 6ths. Walk down in the pentatonic scale while still using double stops. Having fun with the voicings is the important part here. Think of a vaguely country sound and you'll be in the right territory. Goal is to explore different sounds and chord voicings.
You da man Gill
thank you so much gill
Massively helpful, thank you. Couldn't quite work out what I was supposed to do in 7 but that makes it a lot clearer.
THANKYOU 🙏
Thank you sooooooooooooo muuuuuuch Gill!!!! Really helpful indeed. Cheers from Brazil!
This is the most important guitar-practice video of the last decades... SO GOOD.
This was more educative in 30 minutes than a whole year in guitar classes. Thanks for that.
"I feel like i don't have a very good right hand" is the craziest thing I've ever heard come out of Mateus Asato's mouth
I’ve implemented Asato’s routine for more than a week now. This routine really helps piece things together. The first exercise is great in learning octaves and their relationship on the fretboard. I know where the notes are but there’s a difference in letting your fingers memorize them. I’m still working on the 6 and 7th exercises. Currently I’m working on playing with less stress and more accuracy. I realize the importance of how you practice is how you play. I’m taking it slow. Allowing my fingers to be accurately placed, avoiding buzz and ensuring my notes are full. This routine is a daily keeper 🙏🏻
Hi David! If it’s I’d be very grateful if you can send me too the files thanks a lot man! andrea.trabucco@hotmail.com 🙏🏻🎸🌅
@@ANDRETRABUCCO_TAI sent 🙏🏻
@@davidacosta3874 Can you send me too? andrelucashere@gmail.com
I appreciate a lot 🙏🏼
@@andrelucasai done 🙏🏻
David Acosta thank you very much My friend 🙏🏻☮️🎸
Man just covers the whole music theory with a warm up. This is extremely helpful. Thank you!
the whole music theory
-lol
I get the idea you don't really know what music theory is.
Thanks for these! Asato is a modern hero.
Thank you for this! I guess I’ve been living under a rock for the past several years. I just discovered Mateus a couple of weeks ago and my mind has been blown ever since. Been obsessed with his playing and wanted to learn more of how he thinks as a musician. This video is perfect for me! Forever grateful for you, Mateus and Joe. 🙏🏼
This was incredible. Just in terms of finger strength, & dexterity - Wow. Mateus Asato is next-level. I love his playing. Thanks for sharing. oNe LovE from NYC
Even Asato’s warmups sound awesome. Amazing.
I spent a LONG time figuring out what the pentatonic pattern is @24:42 Here's the notes from top to bottom: G-C-F-A#-D-G-C-F-B-D-G-C-F-A#-D-G.
Finally the secret is found
This was a great video! You are a great host.
Thew way his face lights up at 3:22 is real nice. Music is wholesome stuff
Big thanks for taking the time to do this and sharing it with us all :D Love both your energies! So gassed to get this warm up into my routine!
So happy I found this ❤
Thanks to both of you.💐
Thank you REVERB for arranging all these and THANK YOU MATEOUS, i have never seen guitarist like you its so juicy and melodic
OMG Asato lol. Every time he says "Oh i forgot to mention that part there, yeah" the WHOLE EXERCISE LEVELS UP. I love the difficulty in just learning the theory behind them. It's like concentrating a calculus textbook down to a 10 page cheat sheet. I am creating the tablature to each exercise in all keys eventually... it just takes a very long time.
Thank you so much for this
This literally became my new practice routine lol
Thank you for posting! And Thank you Mateus for sharing. 🙏🏽
Joe, you’re so rad. Can see the excitement of guitar playing in ya. Awesome to see! God bless!
1) 24:51 2) 24:56 3) 25:01 4) 25:08 5) 25:09 6) 25:15 / 28:10 / 28:27 / 28:29 / 28:32
Thanks joe, thanks lot Mateus🙏🏽😇
i need to do my 0-3-5 daily warmup to get to this warm up
These are unreal. So helpful
Wow! This gave me some really useful stuff to work on!
18:11 18:10
18:11 18:10
18:11 0,25 18:10 0,75x
Wow all of these lessons are amazing. Thank you!
GREAT video. Thanks very much for sharing.
Nice one Joe. 🤯
What a very nice collab and content by both of you guys🥰
Loving this video series! I'd love to see Julian Lage's Warm up routine. Anyone agree? Thank you once again! X
Big thanks! 🙏🏻
I love how Mateus Asato,,give the lesson for free❤️❤️❤️
Awesome video!!!
Next: Lari Basilio pls
good idea
When I only had an acoustic guitar, I would always play the exercise 5 alteast 2 years before I got my electric guitar, it helped me visualize the fret board easier when starting out
wow thanks so much for this man love it
Really great video and exercises. No 7 A and B you can hear alot of his normal style coming from that. Thanks mam
Wow great feature Reverb woooah gonna put this work on my own too🔥🔥🔥🎸🎸keep this content sir featuring great artist
Thx for the lesson. I like how he breaks it down
Very very good and new types of exercises thank you so much
Deve-se passar um filme na cabeça do Mateus, tendo treinado estes exercícios por tanto tempo e ter atingido um nível insano de técnica e depois repassá-los.
Can't tell you how long I've been waiting for this
Thanks for the tips. Great video !
This is great!!! Thank you guys!
Thank you both you guys are awesome!!!!
Some of these remind me of the lessons I have seen in the past on Pebber Brown’s channel.
I need these exercises. Thank you
I have it on my youtube pag - tabs and Guitar pro!
This was great thanks for sharing
Love this video series! Again, I would like to se Joes warm-up
missed ya Joe!
Refreshing, fun, and .... challenging....super great - thanks for sharing.
Wow! Such a great lesson, thank you. 🙂
Great!
Very intelligent exercises, doesn't take much time and really helps to understand the guitar
Awesome exercises.Feels like i wanna do this a routine.. Big thanks 🙏
Thank you for something to strive for
love this, thanks for sharing it
Thx bro
great series!
This is just excellent.
Very interesting and super helpful !!
I think in #7 he actually switches to "4ths" for those transitions in between all the 3rds & 6ths. IF the lower held note is the next note from the scale.. so the note above it is a 4th. Of course they are indeed 5ths if the order was inverted. He is a wizard!!
This is awesome.
Really helpful ✨
A PDF of all of these exercises would be a huge help
Just did it. It's the last video of my youtube channel. Hope you like it, cheers!
Thank you@@nicolasfresard!
I would love to see josh meader or Matteo mancuso on this series next
Yeees please!
that would be fantastic
That was excellent
Great stuff!
These are really great. Lots to chew on here.
Good job 👍
huge! big thx guys!
The exercise starting at 7:50 is really cool
This is Gold!
please do a Julian Lage warm up one :D
Yes! Julian Lage, please!
Thank you mateus
Learning the neck is the big one ,
Tosin Abasi's Warm Up pls
I watched this whole thing and I don't even play guitar
wow.
so this is how you reach Ultra Instinct Asato mode!!!
great exercises! thank you. also curious, what is the black hollow (or semi?) guitar with tailpiece at 35:20 for instance?
that's a guitar made by an exciting new company in Michigan - Midcoast Guitars.. check them out!
Carl Verheyen next, please!
How did you play that high C at 2:23! Insane...so cool. Love your style
Esse vídeo vale mais que muito curso na hotmart por aí
GreT
Wow
this is my first time hearing mateus speaking lol
what key is the way back on the second part of exercise 7 where he said that he does a Triad on the D key?
can someone explain the last exercise in a detailed manner, i cant understand what these fourths, sixths, thirds are,
you're here for the 7th warm-up, don't lie
Random question: Why does the image quality change when seen from the sides?
23:47 “Arpeggiato” :)
can someone tell me how to implement exercise 6 to my playing? is it just practicing hybrid picking?
What camera does Mateus use for his video ?