Tutorial: Ambient Guitar “A Feedback Glide” (Chase Bliss Blooper, Mood MK2, Strymon Volante, BigSky)
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- Опубликовано: 25 авг 2024
- Here I make use of two loopers technique I described earlier in this video:
• Ambient Talk #1: 2 Loo...
My Godin guitar was modified with Fernandes Sustainer in bridge. This weird modification makes a wild overdriven sound in bridge and bridge/middle position.
More about this modification:
• Ambient Guitar - Susta...
I have split the signal after the Strymon Iridium amp sim. The stereo output from the rear side of the pedal goes to the Strymon Volante. The stereo from the headphones output goes to the Strymon BigSky.
This is where the kill-dry state is handful. Otherwise I would end up with 2 stereo guitar signals that run parallel through different pedals. It takes different time for every signal to pass through those pedals and leads to a very slight delay in one of the signal lines comparing to the other. That is known as phase shifting - something you would normally like to avoid.
Gear used:
Godin Solidac with Fernandes Sustainer
Strymon Riverside
DemonFX King of Drive
Chase Bliss Audio Blooper
Chase Bliss Audio Mood MK2
Strymon Iridium
Strymon Volante
Strymon BigSky
Strymon Zuma
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Shot with Blackmagic Pocket Cinema Camera 6K + Canon 35 mm IS f2 + Fotga IR CUT filter
love that haunting blusey vibe..............................with all that 'soup'..........awesome manipulations in the last segment......nice disappearing act.............................
Ambient blues! Sounds great!
Wow this is beautiful! Thats a great trick on the iridium. Didn’t know you could do that! 👌
Sounds great!
Please tell me your post production plugins lol jk. Seriously though tell me.
That's fair! I do normally use some plugins in post. Mostly to clean the audio from noise if there is any noticeable (often because of wrong input record levels), EQ and some final compression. It depends, but these days most of the plugins that come with the software are good enough to make the job. It's just a matter of time and experience. I would recommend izotope mastering plugins. DMG audio EQ plugins are great either. On the other hand I know that if my incoming signal is bad nothing will help (shit in makes shit out). So I do my best to have a proper line signal with minimum of noises (commutation), right record levels... I often cut all that's less than 40-50 Hz (uncontrollable hum and low freqs from the guitar) and higher than 16-18 kHz (hiss). Never compress too much.
@@MikhailMedvedev oh awesome man thanks i really appreciate the advice. I will follow this and keep working on my mixes. I am missing something not sure what it is to get it to sounds so wide and clear.