To hear a _film version_ is always a better experience. And hearing the _cue_ "To Berlin" extracted direct from the motion picture has no price. Thank you, Ray.
A expanded edition from Last Crusade with a _film version_ of "To Berlin" would be a great deal. It is so charged of feelings.. On the other hand, the _concert version_ from "To The Blimp", for me, is still appropriate.
Henry: The quest for the Grail is not archaeology. It's a race against evil. If it is captured by the Nazis, the armies of darkness will march all over the face of the Earth. Do you understand me?
If I remember correctly, it was originally composed as a celebratory March to celebrate a very decisive victory in a war between Austria and Prussia (the predecessor of Germany).
@@jacobissigno it doesn’t make sense. If you listen to a lot of John Williams scores you will often hear a lot of similarities and sometimes his music will sound almost note-for-note exactly like something he’d composed for another film. Luke and Leia was a theme he’d written as a way to musically represent the 2 characters and their familial bond as Brother and Sister. This music similarly captures the strained relationship between Indy and his father. This is something that Williams likes to do when scoring films. He often starts by writing a main theme for the movie but then he’ll also write a leitmotif for the key characters in the film. You hear this in Harry Potter, Star Wars, Indiana Jones, Superman and many others. Characters in Williams films have their own theme music that accompanies them when they appear onscreen and sometimes Williams reuses the same chord progressions in his music, which other composers do as well. The Reuse of one particular bar from Return of the Jedi has nothing to do with the fact that Star Wars is based off of World War II and Indiana Jones is set during the Pre-war Era.
To hear a _film version_ is always a better experience. And hearing the _cue_ "To Berlin" extracted direct from the motion picture has no price. Thank you, Ray.
A expanded edition from Last Crusade with a _film version_ of "To Berlin" would be a great deal. It is so charged of feelings.. On the other hand, the _concert version_ from "To The Blimp", for me, is still appropriate.
My boy we are pilgrims in an unholy land
"You stood up to be counted with the enemy of everything that the Grail stands for. Who gives a DAMN what you think?!"
You do!
@@westube3493 Indy: Grabs Elsa's neck: "All I have to do is squeeze!"
Elsa: "All I have to do is scream!"
@@masumi8237 "I got the book, lets get the hell out of here!"
*and then gets pushed into the crowd, straight to silly man with mustache himself*
@@Cynderfan35 😊😊😊😊
@@Cynderfan35 That was one of the most awesome scenes in movie history.
Henry: The quest for the Grail is not archaeology. It's a race against evil. If it is captured by the Nazis, the armies of darkness will march all over the face of the Earth. Do you understand me?
Indy: This is an obsession, Dad. I never understood it. Never.
Neither did mom
Henry: Oh yes she did, only to well.
Unfortunetly she kept her illness from me. All i could do was mourn her.
Jesus Christ…Two selfless martyrs…
Imitation is the most sincere form of flattery.
I love the Koniggratzer Marsch, it sounds so happy.
Some silly germans in the fourties might had the same opinion :DDDDDD
If I remember correctly, it was originally composed as a celebratory March to celebrate a very decisive victory in a war between Austria and Prussia (the predecessor of Germany).
@@SouRwy4501Productionsyes, the song is from the 1860s.
And it always will be.
It may be a German song but it’s quite catchy. Imagine the British marching to this.
It's such an interesting scene to have Hitler autograph the Grail diary.
I have a screen-accurate copy of the grail diary, and it’s surreal
@@tomwilson1006so does it have Hitler's signature? lol
This is the movie the song and the scene that created me when I saw it in theaters when I was 10 years old. It’s been a dark road ever since.
To Berlin is probably my favorite part of this whole soundtrack.
3:59 I always hear this music when I'm walking around an airport
Great version.
We are pilgrims in an unholy land.
i would say the same thing at a trump rally
@@wwb16 🙄 not EVERYTHING has to be about Trump.
@@wwb16 Orange man bad!!!
@schizo1337 well he is a terrible human being
@@wwb16 Literally how lol
0:53 me encanta esta parte
Bien muchacho somos peregrinos en tierra profana
Well boy, we are pilgrams in a unholy land
0:36 to 0:49 this sounds like “Luke and Leia” from Return of the Jedi.
star wars was based off of WW2 so it makes sense
@@jacobissigno it doesn’t make sense.
If you listen to a lot of John Williams scores you will often hear a lot of similarities and sometimes his music will sound almost note-for-note exactly like something he’d composed for another film.
Luke and Leia was a theme he’d written as a way to musically represent the 2 characters and their familial bond as Brother and Sister.
This music similarly captures the strained relationship between Indy and his father. This is something that Williams likes to do when scoring films.
He often starts by writing a main theme for the movie but then he’ll also write a leitmotif for the key characters in the film. You hear this in Harry Potter, Star Wars, Indiana Jones, Superman and many others.
Characters in Williams films have their own theme music that accompanies them when they appear onscreen and sometimes Williams reuses the same chord progressions in his music, which other composers do as well.
The Reuse of one particular bar from Return of the Jedi has nothing to do with the fact that Star Wars is based off of World War II and Indiana Jones is set during the Pre-war Era.
@@stoneyboyd I get what you mean but star wars is based off of WW2
Into the Lions den they went!
0:54
👍👍👍👍👍👍👍👍👍👍👍👍👍👍👍
#gogetherray
You came back for the book?
Germans day for adventure.