Beautiful playing, by both the soloist and the accompanist. Tempos are beautifully relaxed, bringing out the musicianship of both artists. Way too often I hear speeds that are just too pushed. Thank you for this!
You play nicely.. If you want to improve your legato then don't throw your bow at the frog. It came in the mid 70s into the violin Prof everywhere and since then it's a bad habit of Violinists and violists. Secondly try to magically find more piano passages; with the pianoforte you need not press as if you are competing against an Orch. Otherwise read more poetry from Czech authors to feel the simplicity of Dvorak. Thirdly be careful one hears the open strings before you reach for the flagellet. (or however you write that word) ..
Beautiful playing, by both the soloist and the accompanist. Tempos are beautifully relaxed, bringing out the musicianship of both artists. Way too often I hear speeds that are just too pushed. Thank you for this!
You play nicely.. If you want to improve your legato then don't throw your bow at the frog. It came in the mid 70s into the violin Prof everywhere and since then it's a bad habit of Violinists and violists. Secondly try to magically find more piano passages; with the pianoforte you need not press as if you are competing against an Orch. Otherwise read more poetry from Czech authors to feel the simplicity of Dvorak. Thirdly be careful one hears the open strings before you reach for the flagellet. (or however you write that word) ..