Death; the brain is releasing chemicals to create a euphoric signal to the body to relax all of its functions, but your brain is also aware and conscious of you dying and slowly fading into the abyss of the unknown, away from all that you have known…
This makes me think of pure terror, the essence of fear, a living nightmare creeping up on me, like obsidian lava. To accept and be given to absolute horror, the howls remind me of the sounds of nightmares.
I got a weird case of perfect pitch which allows me to hear if a tune is in the same tonality as another ruclips.net/video/zJExuGtRBok/видео.html play this track over this one. fits perfectly.
I've just noticed that this sounds like the Tool's Eon Blue Apocalypse! ruclips.net/video/75hGl9stdQI/видео.html Even the higher note of Obsidian is the same as the repeated one on Tools song. And the ideia of the session is kind of the same too, almost feels like if the bands took diferent paths at a crossroads, after following the same road till there.
And, after choosing that path, the repeated note in the original Obsidian is only a semitone higher than one before the crossroads, haha. Or a bicord of D and D#, sounds like. It would be nice to hear the comments about both bands about this!
What Im trying to say is: both have the same pedal tone with lower explorations. In Obsidian, there is some kind of change between Dm and D, using D F# F and B notes but putting more or less importance in F and F# in diferent times of the section, and confirming Dm in the next section, but with the adition of D#/Eb played repeatedly with the same D, that causes the dissonance feeling. Both of this things make us fell kind of a non-tonal space, but its totally tonal, haha. Also, the first section has a full spectrum, because the pedal is not made only by the D, but also by the fifth and some kind of lower octave of D, kind of without ressonance, stuffy, but present. There are some efects too (sure much reverb) that help this full sonority, and it kind of sounds like there is another guitar playing some "rub like" sounds, opening and closing the volume knob, with spacialization. In Eon Blue Apocalypse the lower explorations are simplier (in the sence of harmony), in Dm tone. And also the parts are much drier, having less ressonance and empty sonority than Obsidian. But the basis is the same!
It has a sense of relaxation to it now, but an uneasy kind of relaxation, so you want to relax but still be alert for something.
Death; the brain is releasing chemicals to create a euphoric signal to the body to relax all of its functions, but your brain is also aware and conscious of you dying and slowly fading into the abyss of the unknown, away from all that you have known…
Great job. There's a world, a whole universe inside us. Remember who you are and tap into it.
Just a light flange effect on the guitars..exquisite
and the light harmonic when the waves intersect, it's so good
@@himbourbanist masterfully engineered....
This makes me think of pure terror, the essence of fear, a living nightmare creeping up on me, like obsidian lava. To accept and be given to absolute horror, the howls remind me of
the sounds of nightmares.
favorite track to zone out to, while soaking a 30lb bait. waiting for a behemoth
the literal calm before the storm, very relaxing
Everytime I listen to this, I get the feeling of being in an endless coil, which is never ending, moving on and on and on and on.............
It's like a cosmic horror, infinite and incomprehensible
There is some type of feeling you get that should let you be proud And grateful for reaching it and only a few can get that state ..
Menacing tranquility. You want to relax and go with it but you know it’s a trap set by your darkest fears come true.
im using this to try and learn to meditate, very hypnotic
Thank you for making this friend.
longer! :)
Thank you so much
Nice!
Yeah exactly :D
Epic !!!!
This is what i imagine the mind of a psychopath/sociopath/narcissist is like. Just...nothingness.
I got a weird case of perfect pitch which allows me to hear if a tune is in the same tonality as another
ruclips.net/video/zJExuGtRBok/видео.html
play this track over this one. fits perfectly.
Wow, that's awesome!
I've just noticed that this sounds like the Tool's Eon Blue Apocalypse!
ruclips.net/video/75hGl9stdQI/видео.html
Even the higher note of Obsidian is the same as the repeated one on Tools song. And the ideia of the session is kind of the same too, almost feels like if the bands took diferent paths at a crossroads, after following the same road till there.
And, after choosing that path, the repeated note in the original Obsidian is only a semitone higher than one before the crossroads, haha. Or a bicord of D and D#, sounds like.
It would be nice to hear the comments about both bands about this!
What Im trying to say is: both have the same pedal tone with lower explorations.
In Obsidian, there is some kind of change between Dm and D, using D F# F and B notes but putting more or less importance in F and F# in diferent times of the section, and confirming Dm in the next section, but with the adition of D#/Eb played repeatedly with the same D, that causes the dissonance feeling. Both of this things make us fell kind of a non-tonal space, but its totally tonal, haha. Also, the first section has a full spectrum, because the pedal is not made only by the D, but also by the fifth and some kind of lower octave of D, kind of without ressonance, stuffy, but present. There are some efects too (sure much reverb) that help this full sonority, and it kind of sounds like there is another guitar playing some "rub like" sounds, opening and closing the volume knob, with spacialization.
In Eon Blue Apocalypse the lower explorations are simplier (in the sence of harmony), in Dm tone. And also the parts are much drier, having less ressonance and empty sonority than Obsidian.
But the basis is the same!
looks like a RE4 theme
*.*