King Crimson - Larks' Tongues In Aspic Part III
HTML-код
- Опубликовано: 6 сен 2024
- Full Playlist: • Three Of A Perfect Pai...
LARKS' TONGUES IN ASPIC PART III
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
Adrian Belew: Voice, Fretted and Fretless guitars
Robert Fripp: Guitar
Tony Levin: Bass, Stick, Synth and Background Voice
Bill Bruford: Acoustic and Electric Drumming
Music by King Crimson
Words by Adrian Belew
Produced by King Crimson
Engineer: Brad Davis
With Tony Arnold (Arny’s Shack) on “Industry” and “Dig Me”
“Sleepless” mixed by Bob Clearmountain
Assistant Engineers: Nick James, Ray Niznik and Peter Hefter
Social Services: Tex Read
Cover Symbol From a design by Peter Willis of the Trevail Mill Studio
Cover Art by Timothy Eames
#KingCrimson
#RobertFripp
Fun fact: actually this intro solo wasn't solo at all. Actually, it was an exercise for right-handed guitar that Robert Fripp was playing on his foot fingers while drinking tea
foot fingers
Bill Bruhford
Bruford
Bruh
Yes
Br00f
@@bradleyanderson8311 Genesis
Just here to revisit the piece after Steve Vai tells the press he's having a seriously hard time learning it :)
Steve was just being courteous. He could play this with one finger
Me too!
He implied that since his shoulder surgery this would take him a year, and he’s going to try another approach. He sort of indicated tapping, or something about using the implied chords to do a Vai-like thing.
Same here
Me too
This intro is so difficult to play that it can be compared to fracture and fraktured. But the real challenge is to create pieces of music like this, thanks Fripp, Belew, Levin and Brufford.
The best line up of King Crimson !
Easily the toughest 30 seconds of guitar in the King Crimson discography. Only parts of the Terror section from FraKctured even come close. The held notes make this intro ridiculous to play
@@lucasimmons075 Agree 100%
Yes, it requires a lot of endurance.@@J2HATMgoo
Difficult to play? It's almost difficult to listen to and wrap your ears around it without spinning out. . . Epic stuff. . . Amazing track. . .
Austro-Hungarian Emperor: Too many NOTES, Mr Fripp, Mr Bruford!
Bob/Bill (looking at each other): that was just the sound-check....
Imagine if this is all leading up to a new album.
be still my beating heart
@@arekhautaluoma4276 Think about it, we get a new upload of each album every week. Once 'Power to Believe' is uploaded, everyone thinks it's over.
And then seven days later...
@@raydarable oh that would be so fucking cool.
@@raydarable I would legitimately scream like a school girl if that happened
@@raydarable We need to wait to all the live albums to be uploaded now just to see if you are right...
Good heavens, it’s been a while. TOAPP is an album that really grew on me over the years.
Why do we have the same profile pic
man i hate album abbreviations
@@ash_11117wanna listen to R while in ITCOTCM during the great ITWOP as TOAPP because of the PTL and our D in the LTIA then we'll go T with L. Ah the good ol' days of the COL
@@ash_11117 TO APP OR NOT TOAPP
The perfect ending to the Right Side: a journey into King Crismon's music. 🪐
Saw this tour in 73. Massey Hall Toronto. The Strawbs opened. Rearranged my DNA
This album didn't come out till 84.
Quite a few years off, man.
Well, he’s talking about the album of the same name, from which this is a heavy reimagining of Part 2. Structurally they sound about the same, though they rework it pretty radically
Yes remember it well sitting in Massey Hall waiting ....
Down by the Sea as background music Lambert’s epic guitar
When all 5 parts are out I will be happy to make a playlist of them :)
Technically you could say Level V is the 5th one
@@barackobama9552 I did imply that
@@alb1reo I’m an idiot 😭
How's that playlist coming around?
I know I have on Spotify in recent times
the intro is a 12 bar blues progression made by aliens
What a badass track. Love all the Larks Tongues parts. Part 2 is my fave, but damn this is good.
Part 2 especially on USA.
0:47 that scale Tony plays. Always loved it. Just sounds so random yet so right. Like he is just checking one last time whether or not he's in tune.
if you watch the live in Japan 84, you can see he plays that scale on his stick, which is lying down like a lap steel guitar. He plays the main lines slapping on his musicman
Whole tone scale
Took me way too long to realize that the part at 2:20 is almost identical to the opening, slowed down
My favorite album of the Discipline, Beat, Three era. Part of what I liked so much about this album at the time was that it could not have been done without the new electronic instruments (Nuages most of all). We're midway between footpedals and the super-setups that allowed Belew to do Guitar as Orchestra, and it's a really yummy exploration of those possible sounds. The sickness of the skysaw guitar (plus Belew quoting his solo album) was (is still) so delicious.
Wow ... I haven't heard this song in, like, forever. I love this song.
🌞larls🌞
Fripp do be speakin guitar tho😳
I expected Three of a Perfect Pair, but all I got was 🌞larls🌞
Three of a perfect 🌞larls🌞
🌞larls🌞 of a Perfect 🌞larls🌞
🚸threep
One of the most difficult songs ever written and recorded by human beings
I can't wait to hear Vai do this!
He said there isn’t time to learn this. They’ll do abbreviated opening. Recent interview with Anthony Garone. Aka fracture guy
Haha, that's actually funny.
This is epic live
Criminally underrated
My fav on this album ❤
Literally the ONLY thing wrong with this track (and what really steps it down from the other Parts for me, even if this is still amazing on its own) is the lack of a proper ending. You don't fade out Larks. You just don't. You either blow the whole studio up or bring the intensity down through composition and _then_ it's done
I agree that the it would be better served by bringing it down by some other compositional means, even if it's an alternate studio method. I could imagine, for example, dropping and/or fading the parts of the rhythm, and leaving the guitar parts that develop around the 5min mark to wash it into an epilogue of sorts.
but...larks tongues part 1 fades out. The only version that doesn't is larks pt 2 with the climax ending. I wouldn't really call a fade-out an improper ending or non-canon for larks since other versions end with fade-outs as well.
@@ledzeppelin1023 Larks I doesn't really fade out, at least not entirely. It ends in this little percussive (and conclusive) melody by Muir after the other band members have already brought the intensity of the previous part to a minimum
@@juankgonzalez6230 I think that you're changing the definition of fade out to fit your own bias. A fade-out is generally characterized by the band members bringing the intensity down, the difference in larks 1 being that it's a prog song and does so with taste and dynamic, as opposed to fading out a cliche verse or chorus. Regardless, that doesn't make it not a fade-out, but I digress.
@@ledzeppelin1023 Eh, but it has a little percussion solo at the end.
Damn, Tony Levin really is on fire on this one!
Tony is always on fire :)
That little bassline that alternates the notes between the synth bass and electric bass at 3:10....
I don't know why, but hot damn.
I thinks that’s a Chapman stick
@@primate68 Live, Tony Levin splits it between synth and regular bass.
I didn’t know that, need to watch my live dvds again
Bill Buford makes this tune.
b00ford
@@Aspartamebraintumor Wh00p!
Could be said about any song with Bruford involved
3:41 Subtle br00f wh00p
Never noticed that before
Not so sure that wasn't Adrian. He was always very into cheering on the others when they were in the groove!
名曲
All Crimson is a must...
The Only Larks' Piece Where The Whole Thing is The Terror Segment
What about part II
@@oliverhovde6605 LTIA II's Terror Segment is Around the 3:40 Mark or so, The Terror Segment is Defined by How Complicated And How "Brutal" it Sounds, LTIA III Doesn't Ever Stop What it's Doing From The Beginning, Thefore, it's an Extended Terror Segment
@Revolution Retribution Sorta, It's Just a Term I Created
THAT is some funny sh*t, right there
Best song on the album
is it a song?
@@jan-martinulvag1953 No, it's a moving wheel
@@peterharrison699 it's a song
@@heatherperleberg7816 It's a 1952 Studebaker Coupe
🌞larls🌞 rating has reached 🌞🌞🌞
Now this is REAL music!
isreal music
@@kadavrexqis Israel 🤢🤢
Ok, Jeremy.
Cold and crazy metal fire!
Epic track. . . Love it at 2.42 when the elephants stampede. . . Blessings. . .
this track carries the album
Three of a Perfect Pair and Sleepless are bangers, too
Vaya guitarras punzantes.🙇 Creatividad original, genial y bajo-batería hacen lo suyo también 👏👏👏🙌🎵🎶
3:10 I ALWAYS LOVE THAT BASS
This is basically 90s alt metal
This could be from a Mr. Bungle and co. Production
Ahead of its time, then, since it was release in '84!
90's?
@@ericsierra-franco7802?
That absolutely no alt 90s band has the slightest chance to even understand.
'twas the summer of 84. I was 14, going on 15, and already knew and loved Discipline, but new little of the larger KC story (or whether they even still existed). i was on holiday in Morecambe with my parents and sister, and came across a window display in a record store, promoting Three of A Perfect Pair. Naturally I felt compelled to purchase, although I couldn't listen to it until we got home to Cumbernauld, there being no record player in the holiday flat. To say the Right Side opened up a whole new world for me would be an epic understatement.
Mindblowing!
Robert Fripp
Brilliant.
STEVE VAI BROUGHT ME HERE
La mejor lengua de todas...
¡En gelatina!
I often think that king crimson went beyond progressive rock with this album into jazz interpretation
Well in prog there's a lot of jazz involved so yeah...
There was always a powerful jazz element to KC. Check out the moments of chaotic improv on Lizard, which was the 3rd album, and as pure "Fripp" as anything ever recorded. Side 2, start around 7:00 if you need a map.
Curious about how Steve Vai will approach it...
If the guitars were tuned down and distorted, this would be the most metal KC song.
do a remix!
Well, Once I Figure Out How to do This Thing, I'll Cover it
Starless and Bibble Black or Devils'Triangle with your remix sounds very Metal
I got it on .75 speed now. Thanks
live it was of a very convincing stare.
ella tiene una forma de hacerme creer, que para mi es la mejor fruta
Dinamism a great number this is!
Fripp spraying
great
A dog gone good song. I was born 1963 and this band was wrong when I was young but wow have they improved
Cool.
600 views
60 likes
6 comments
Neat
Larks Tongues In Aspic Part 6 confirmed?????
Primus
Hi everyone im 9 and I just wanted to say please don't say anything bad about the fairness of the system. Thank you.
Isn’t the intro just a run of tritones?
Can someone do a mashup combining this with "Standing in the Way of Control" by the Gossip? 🤣
The intro to Symphony X - Iconoclast sounds almost identical
This crimson beat is, not ?
I have painted the first one in a very large and black 🔳 way and I think it's sid barret i saw a picture of him very similar 😀 😄 😆 😅 😳 😊 😀 😄 😆 😅 😳 😊 😀 😄 😆 😅 😳 😊 ❤❤❤❤❤❤❤❤❤❤❤❤❤
2.43 the parade of robots-dead begins
👍😁👍
It sounds sped up, I listen at 7/8
I'm supposed Tiscali frenzy and poof.
Frippertronics
I just realized now that the thrakking section of Level 5 is like a dilation of 1:21 to 1:44
Dog stit and bed lane.
I hear Scary Monsters.
That Synth Moan or Yell or Whatever it is Towards The Opening Always Reminded me of a Sperm Whale Getting Harpooned, Whitch Makes me Imagine Sperm Whales Teaching Each Other to Destroy Whaling Ships, Whitch Just Makes me Think of Moby Dick Going on a Killer Rampage While This is Just Playing in The Background
While Yes’ Don’t Kill The Whale plays
@@DavidAlejandroYT Real
😒
😏
This album was a little too 80's for my taste.
It wasn't 80s enough for my tastes
2180s ;)
I'm not on the right drugs to think this is good...
Man... Musicians praise the weirdest shit...😂
This is epic live