I was about to say that how would they ever go beyond LTIA the answer is Fracture. Red had no instrumental opus similar. Though l greatly enjoyed most of the Disipline era KC the same magic of the three Wetton albums could not be reproduced
@@Jlipnicki Its rock based on poly-rhythms and loops, tends to be very technical, I am not a fan of it really. I tend to think overly "mathy" sounding rock loses all of its soul. I think king crimsons poly-rhythmic stuff is infinitely more appealing because its unpredictable, and to me the complex structure doesn't hurt the musicality of the songs like how I feel about the songs I hear in most "math rock" playlists. But you should look up math rock and find a spotify playlist or two to checkout and see how you feel about it
@@ytho5863 Thanks for the informative reply. It does not sound like something that would appeal. None of the so-called prog rock bands that sprang up in the States in the 90s get it right somehow. I saw Crimson twice around the time of ' Larks Tongues ' and that is hard to beat.
I think Bill Bruford and John Wetton were some of the greatest musicians to ever play in King Crimson. Robert Fripp sure did have some great band mates.
It’s crazy to me how Wetton went from KC to Asia. He went from being an essential member of the hardest lineup KC ever had to being the frontman of one of the cheesiest prog bands ever. The still totally respect that dude but I simply don’t get it.
@@NamelessFacelessWhoa was also in Family, Roxy Music,Mogul Thrash , Uriah Heep, UK...Wetton, the ultimate journeyman....loved John Wetton, although he's looked at as a poor man's Greg Lake in some respects..,followed other bassists such as Ric Grech and the great Gary Thain..
@@wispycirrus9907 - Ok, I just listened to the part (at around the 02:07 mark) I thought had 7/8 time, but it seems more like 5/8. 13/8 sort of fits too moving into the odd fills in a different signature... I may be wrong. As YOU say, there's probably a lot of different ways to count it, and it makes my head hurt trying to actually count the time sig'... Just go on the feel of it, I guess. As a musician myself, feel is fundamental. :)
@mk smith Well, first of all I couldn't even see his face. I couldn't see his face; he was holding a gun against me. Uhm... I was thinking, this is a dangerous place. Oh, this is a dangerous place.
9 дней назад+2
saw Crimson in Liverpool early 70s as they toured with Larks tongues, When they did Larks tongues 2 it was like being involved in an explosion,Never forgot the effect,Still love them
@@LS-tw4rj For best ELP album endings, I'd go with the finale of Karn Evil 9 Third Movement, when the super-computer takes over and cycles at faster and faster speeds through a repeating tonal sequence. Either that or the ending of Lucky Man.
The "Terror Segments" (a Term I Created For The Ever so Heavy And Compliacted Riff Sequences Presesnt in Every Part of The Larks' Suite) Are The Best Parts of Any Larks' Song.
It's sort of from the gutter compared to King Crimson, but Into The Void by Black Sabbath is on par with LTIA2. And came out two years before. And NIB on the Black Sabbath album gives it a good run.
Fripp was a pioneer, he saw the potentials of Heavy Metal before a lot of other musicians and started experimenting with it as far as In The Court... no doubt so many metal bands today sounds so dissonant and technical.
@@wispycirrus9907 Van der Graaf generator have much heavier stuff (see White Hammer) before this. Sometimes I even think they help Fripp on his way to this sort of thing. But VDGG are not using guitars.
@@LudwigHollywood66 just messing with you mate :) it's also my favourite. But it's a tough a pick since the other parts are amazing also. I know some people who swear by part 3 and even 4. A LOT of people love part 1. I hear some psychos prefer level 5 even :D
The ascending soft sections that are sandwiched between the angular, dissonant heavy sections is the most heroic thing I've ever heard. This song burns with a righteous fury
The ascending soft sections like you call it....and the way you describe them as heroic maybe it is because they are major chords with relations in octatonic scales. Bartok/Stravinsky/Messiaen feel.
Not only is his drumming immaculate, his tone is PERFECT for the music. The pop of his drums complements the heavy clarity of Wetton's bass (and, previously, Squire's bass). Bruford had such amazingly good taste!
I still remember the day that, having to that point mostly heard ‘80s Crimson and their first record, I brought this album home from the second-hand record shop - a shop four blocks north of me which, by living close to it, I probably let define and even save my life - and when I got home and put this record on the platter and dropped the needle onto it… without exaggeration, by the last notes of this last track of side II, my entire idea of music had been redefined.
5:57 The cacophonous climax of noise that ends this piece - and the record - is simply, the sound of the original 21st Century Schizoid Man being destroyed and rebuilt and reborn, Darth Vader-style.
The guitar riff starting at 3:41 through the violin solo is one of the greatest moments in music history in my opinion. So fucking heavy for its time, beyond anything even Black Sabbath was doing back then. Fucking beast of a song and Robert is a damn genius
I got this album shortly after it came out. My wife and friends just DID NOT GET IT!! Until I flipped it over on the turntable! Bruford was perfect in prog rock with larks tongues pt. II.
First 10 sec and I heard Alice in Chains, Opeth, Carcass and the other great bands. Man…this song (and the entire album of course) inspired so many, many musicans… A masterpiece!
When I first discovered this band (and especially this album) 10 years ago, I realized that I have reached the climax of music and that no band will ever surpass King Crimson. I have to admit that nothing has changed since then which is on one hand sad but on the other hand, I feel very much privileged that I discovered this band. Jamie Muir adds A LOT to this album, such a talent.
i just saw them a few weeks ago live at ArtPark in Lewiston NY, They played part 1 and part 2. Totally AWESOME! The three drummers really make it amazing!
I got it at age 17, in 1983. This "heavy jazz" lineup continued to be excellent after Muir left (Fracture anybody?). But I can't help but think that Muir stretched Bruford to level up from an already fantastic place
@@David-iv6je Bruford has commented many times that Muir was a major influence on him and really helped him in expanding his horizons and stretching his playing.
@@russellmurray3964 Oh yes you can totally tell. Bruford did little real percussion player stuff before that collaboration with Muir. BB was a very different drummer after that.
I must say, standing not 3 feet from 'Bill Bruford' was something I've remembered thru Life: Not that anything bad could be said about 'Fripp' Wetton,' and the soul on whistle's & bells, whose name I can't write, but was incredibly busy. I was lucky they did "Larks tongue in Aspic" to a turn. This happened in Florida. I would bring you back there, but have not figured that part out... Yet ?
From the gorgeous violin playing to the fiery guitar guitar work to the sheer brutality of the rhythm section, this track really packed a hell of a punch and was the perfect way to close out the wildest King Crimson album ever.
5:10 is the start of some Zappa-esque drumming for a bit, sounds like a "break" he might put inbetween parts of a song to get the listeners attention back, letting them know things will change, but, its close to the finale. A wonderful composition for sure.
I just saw The Stickmen (Tony Levin, Markus Reuter, Pat Mastalotto) the other night at Muhlenberg College's Egner Chapel in Allentown, PA. this past Saturday. They opened with this. Absolutely fantastic show, just pure music, no lighting, pyrotechnics, or choreography. Extremely loud, but crystal clear. Just reminded me how much I love King Crimson and pro rock.
OK I am a black man, drummer who got a hold of King Crimson in the late 60s.I got to see them in concert at Tuffs University with Genisus in Boston in 72. My God what a show. I wanted to quit drums and go back to NJ. There is no band in the world like king crimson. Maybe Pink Floyd. The highest quality of music I have ever heard and seen. Exrodinary
Si sos uruguayo de unos 55 o más (y “pesado”) te acordarás del programa de radio “News Rock” en radio Independencia que salía al aire en la tarde como a las 6 y esta magnifica pieza era el intro.. Que tiempos..
@@daario4278 He was getting bored with Yes musically. And frustrated with Squire on several different levels -- constant tardiness to rehearsals/gigs/recording sessions, needless hours tweaking his tone in the recording studio, etc. Dr. Bruford wanted something more immediate and visceral. KC provided him that outlet.
Think on this: Bruford made 6 records between February’71 thru October’74. And not just any records: the yes album; fragile; close to the edge; larks tongues in aspic; starless and bible black and red. What an underachiever
I just copped a poster of KC from '74. Very rare indeed. It is b&w and shows them onstage with mirrors behind them pointed slightly downward. On the reverse side of the poster is Quincy Jones on the right & Roberta Flack on the left. I believe it to be an Atlantic Records promo poster for use in America at the time..... I've never seen this poster before & had to own it !!
This is like a precursor to Fracture. It's amazing to hear the birth of math rock, it's moving and divine!
Math rock ? Never heard that term before.
I was about to say that how would they ever go beyond LTIA the answer is Fracture. Red had no instrumental opus similar. Though l greatly enjoyed most of the Disipline era KC the same magic of the three Wetton albums could not be reproduced
@@Jlipnicki Its rock based on poly-rhythms and loops, tends to be very technical, I am not a fan of it really. I tend to think overly "mathy" sounding rock loses all of its soul. I think king crimsons poly-rhythmic stuff is infinitely more appealing because its unpredictable, and to me the complex structure doesn't hurt the musicality of the songs like how I feel about the songs I hear in most "math rock" playlists. But you should look up math rock and find a spotify playlist or two to checkout and see how you feel about it
@@ytho5863 Thanks for the informative reply. It does not sound like something that would appeal. None of the so-called prog rock bands that sprang up in the States in the 90s get it right somehow. I saw Crimson twice around the time of ' Larks Tongues ' and that is hard to beat.
Lenguas de alondra en espliego parte 2
I think Bill Bruford and John Wetton were some of the greatest musicians to ever play in King Crimson. Robert Fripp sure did have some great band mates.
Bruford and Wetton's parts are so syncopated in the main mixed count sections that it is Fripp's rhythm guitar that defines the structure of the song.
It’s crazy to me how Wetton went from KC to Asia. He went from being an essential member of the hardest lineup KC ever had to being the frontman of one of the cheesiest prog bands ever. The still totally respect that dude but I simply don’t get it.
Oh also Bruford is a better drummer than Neil Peart, just putting that out there
@@NamelessFacelessWhoa he wanted to make money, as did Steve Howe, Geoff Downes and Carl Palmer.
@@NamelessFacelessWhoa was also in Family, Roxy Music,Mogul Thrash , Uriah Heep, UK...Wetton, the ultimate journeyman....loved John Wetton, although he's looked at as a poor man's Greg Lake in some respects..,followed other bassists such as Ric Grech and the great Gary Thain..
The heavy and math style of King Crimson is contained in these avant-garde 7 minutes. 🌞
math ? music ? öh nö v v?
i ? | ? ..?
🌞
🌞larls🌞
math?
@@michaeljones1686 time signatures other than 4/4 = math i guess. i think it's basically a substitute for progressive.
For anyone wondering about the time signatures, this song alternates between 5/4, 4/4, and 11/8.
thats so cool
epic
Hmm... I thought these time signatures 11/8, 10/8, 7/8, 5/8, 5/4 - even good old 4/4 is in there. :)
A complex and a truly remarkable track for sure.
@@DaveLennonCopeland there's probably a lot of different ways to count it. Where exactly is 7/8 used though? I think I might've missed some parts.
@@wispycirrus9907 - Ok, I just listened to the part (at around the 02:07 mark) I thought had 7/8 time, but it seems more like 5/8. 13/8 sort of fits too moving into the odd fills in a different signature... I may be wrong. As YOU say, there's probably a lot of different ways to count it, and it makes my head hurt trying to actually count the time sig'... Just go on the feel of it, I guess. As a musician myself, feel is fundamental. :)
"At this stage in your training an album like that could turn you into an evil scientist"
Nobody warned me about the dangers of prog rock as a child.
venture bros?
I don't know how to feel about Rusty Venture being a prog rock fan honestly
@mk smith it should just be a pop museum since they add in public figures that have nothing to do with rock music. For shame
Welcome to the dark side padawan.
@mk smith Well, first of all
I couldn't even see his face. I couldn't see his face; he was holding a gun against me. Uhm... I was thinking, this is a dangerous place. Oh, this is a dangerous place.
saw Crimson in Liverpool early 70s as they toured with Larks tongues, When they did Larks tongues 2 it was like being involved in an explosion,Never forgot the effect,Still love them
The ending of this track never fails to make me smile. Such a perfect ending for a perfect album.
The ending to me says “MASTERPIECE”.
The greatest breakdown in music. A beautifully constructed cacophony of sound. Solid wall of music smashing you in the head.
@@paulahunt5621 I would put it in the same vicinity as the finales of 2112, Tarkus and Lateralus (title tracks).
@@LS-tw4rj For best ELP album endings, I'd go with the finale of Karn Evil 9 Third Movement, when the super-computer takes over and cycles at faster and faster speeds through a repeating tonal sequence.
Either that or the ending of Lucky Man.
I LOVE the ending - sort of controlled chaos - see my comment above.
67 years old now & still wear my “Lark’s Tongue” tee shirt. Love it forever!
I saw KC last night & I'm wearing my Fred Sanford t-shirt today (hee hee)!
me too! long sleeves softball jersey
Me toooo !!
The riff at 3:41 was so ahead of its time, my God. Still puts many metal bands to shame
That chord actually made me stop cold whatever I was doing when this started. That's probably the heaviest KC ever got.
The "Terror Segments" (a Term I Created For The Ever so Heavy And Compliacted Riff Sequences Presesnt in Every Part of The Larks' Suite) Are The Best Parts of Any Larks' Song.
It's sort of from the gutter compared to King Crimson, but Into The Void by Black Sabbath is on par with LTIA2. And came out two years before. And NIB on the Black Sabbath album gives it a good run.
Fripp was a pioneer, he saw the potentials of Heavy Metal before a lot of other musicians and started experimenting with it as far as In The Court... no doubt so many metal bands today sounds so dissonant and technical.
@@GabAssbreaker Metal always wants Crim to be part of them. Crim is uninterested.
3:41 This and Cygnus X-1 are in the podium of heaviest E Standard riffs EVER! What a punch that Fripp is giving in the guitar!
prö call wätt ???
Ok but which Cygnus X-1
When I think of a song being ahead of its time, this is the one I think about.
King Crimson were out here making a progressive metal song in 1973 while everyone else wasn't doing anything close
@@wispycirrus9907 Van der Graaf generator have much heavier stuff (see White Hammer) before this. Sometimes I even think they help Fripp on his way to this sort of thing. But VDGG are not using guitars.
Metallica was transcribing as fast as their minds could take them.
This is the best larks tongue in aspic imo.
Careful mate. Those are fighting words :D
@@JoaoMelo-vl4th that’s why I put imo. My favorite may not be everyone else’s favorite.
@@LudwigHollywood66 just messing with you mate :) it's also my favourite. But it's a tough a pick since the other parts are amazing also. I know some people who swear by part 3 and even 4. A LOT of people love part 1. I hear some psychos prefer level 5 even :D
@@JoaoMelo-vl4th all good 👍
I find Larks’ part one really interesting as it’s got a lot of percussion in there, but I do like part two as well.
The ascending soft sections that are sandwiched between the angular, dissonant heavy sections is the most heroic thing I've ever heard. This song burns with a righteous fury
It pavês the way for a devotional encounter
Burns with a righteous fury. Perfect.
well said
What u said is what all the alleged rock critics coulda shouda said
The ascending soft sections like you call it....and the way you describe them as heroic maybe it is because they are major chords with relations in octatonic scales. Bartok/Stravinsky/Messiaen feel.
been playing this for about a year, figured it out by ear, finally nailed the whole thing. i hope fripp doesn't take away my guitar privileges
He'll come to your house at night and kidnap you as the newest member of his League of Crafty Guitarists (which is totally not a cult)
Toyah's the boss in their house! Watch out for a woman scorned lol. Well done learning such difficult material (Y)(Y)
Try playing it on drums, bruh
the adrian belew way
respect.
Rhythms, sounds, effects, variations, transitions that only King Crimson could create!
One of the peaks in the King Crimson catalog.
Agreed
agreed, and i'm currently on red. i have so much to listen to
It's so avant-garde, and Bill Bruford said about the "Red" album, that they wanted to sound "industrial"
One of the peaks in the history of music
The very peak in my opinion
Bruford drumming is awesome. Nobody plays like that anymore.
Not only is his drumming immaculate, his tone is PERFECT for the music. The pop of his drums complements the heavy clarity of Wetton's bass (and, previously, Squire's bass). Bruford had such amazingly good taste!
Nobody else CAN play like that.
Neil peart?
Tom Skinner.
@@V.G.F. Peart is dead.
Still listening 2023 blows my mind since your beginning im 65 now rocking with you til death
Unbelievable piece, so ahead of its time.
I still remember the day that, having to that point mostly heard ‘80s Crimson and their first record, I brought this album home from the second-hand record shop - a shop four blocks north of me which, by living close to it, I probably let define and even save my life - and when I got home and put this record on the platter and dropped the needle onto it… without exaggeration, by the last notes of this last track of side II, my entire idea of music had been redefined.
The greatest version of this band.
The way the bass and drums come in at the beginning- strongest entrance ever. The girth of it.
Sounds like it was recorded in a bedroom though.
@@thegoodguy44 the production is way better than In The Court Of The Crimson King
5:57 The cacophonous climax of noise that ends this piece - and the record - is simply, the sound of the original 21st Century Schizoid Man being destroyed and rebuilt and reborn, Darth Vader-style.
A true masterpiece.
The riff at 3:40 has Meshuggah written all over it. King Crimson were thall'n out before everybody else!
The guitar riff starting at 3:41 through the violin solo is one of the greatest moments in music history in my opinion. So fucking heavy for its time, beyond anything even Black Sabbath was doing back then. Fucking beast of a song and Robert is a damn genius
Ever listened to Sabotage?
@@guitaristssuck8979 yes i have. i still think this is heavier
@@travisfalk1241 Symptom Of The Universe, man
@@guitaristssuck8979 i still think this is heavier respectfully😭
@@guitaristssuck8979symptom of the universe Is more thrashier, while this sounds More modern un metal terms
I got this album shortly after it came out. My wife and friends just DID NOT GET IT!! Until I flipped it over on the turntable! Bruford was perfect in prog rock with larks tongues pt. II.
First 10 sec and I heard Alice in Chains, Opeth, Carcass and the other great bands. Man…this song (and the entire album of course) inspired so many, many musicans… A masterpiece!
I agree, I can clearly hear especially Alice in Chains, Soundgarden and Tool throughout the whole song, it's too far ahead of its time
Perfect
true♪
Bill ruled!
This is one of my favorite albums by King Crimson
When I first discovered this band (and especially this album) 10 years ago, I realized that I have reached the climax of music and that no band will ever surpass King Crimson. I have to admit that nothing has changed since then which is on one hand sad but on the other hand, I feel very much privileged that I discovered this band.
Jamie Muir adds A LOT to this album, such a talent.
Exactly how I felt when I got it in 1973.
i just saw them a few weeks ago live at ArtPark in Lewiston NY, They played part 1 and part 2. Totally AWESOME! The three drummers really make it amazing!
I got it at age 17, in 1983.
This "heavy jazz" lineup continued to be excellent after Muir left (Fracture anybody?). But I can't help but think that Muir stretched Bruford to level up from an already fantastic place
@@David-iv6je Bruford has commented many times that Muir was a major influence on him and really helped him in expanding his horizons and stretching his playing.
@@russellmurray3964 Oh yes you can totally tell. Bruford did little real percussion player stuff before that collaboration with Muir. BB was a very different drummer after that.
キングクリムゾンの音楽に出会えて本当に良かった🎉
もし 出会えていなかったら私の音楽体験は味けないものになっていたでしょう…🤔🤗🤗😚
Perhaps one of the best progressive rock albums...
The best
Perhaps? Even my son loves this! Karl
The birth of progressive metal was this record
Amazing. And created without drugs.
Allegedly.
Even in consideration of their other masterpieces, Larks' Tongues remains in a class by itself.
All that clanging metal is just so cool and avant-garde.
The Bruford " KECK" rimshot made it for me..we listened to this record all senior weekend at Atlantic Beach NC. In the 70s..
I must say, standing not 3 feet from 'Bill Bruford' was something I've remembered thru Life: Not that anything bad could be said about 'Fripp' Wetton,' and the soul on whistle's & bells, whose name I can't write, but was incredibly busy. I was lucky they did "Larks tongue in Aspic" to a turn. This happened in Florida. I would bring you back there, but have not figured that part out... Yet ?
Jamie Muir
From the gorgeous violin playing to the fiery guitar guitar work to the sheer brutality of the rhythm section, this track really packed a hell of a punch and was the perfect way to close out the wildest King Crimson album ever.
🌞
🌞larls🌞
@@HEHEHE_I_AM_A_MASKED_WARRIA 🌚Ulrich🌚
Now This is a Certified 🌞larls🌞 moment.
@j 🌚Ulrich🌚
🌞Larls🌞
Saw Bruford w/80s KC, solo w/Patrick Moraz, and w/ABW and H. He never ceased to amaze me. Just an incredible percussionist.
Every cookout I go to has this song blasting. No other song reminds me of summer as much as this one
I want to go to the same cookouts as you.
You have good friends😂
5:10 is the start of some Zappa-esque drumming for a bit, sounds like a "break" he might put inbetween parts of a song to get the listeners attention back, letting them know things will change, but, its close to the finale. A wonderful composition for sure.
the ending always makes me chuckle a bit, recording one of the best songs crimson has ever made and then going "can i do one more immediatley?"
Wetton and Bruford were amazing!
i saw K.C. one year after this album in Udine 19/3/1974...the concert of my life!
I just saw The Stickmen (Tony Levin, Markus Reuter, Pat Mastalotto) the other night at Muhlenberg College's Egner Chapel in Allentown, PA. this past Saturday. They opened with this. Absolutely fantastic show, just pure music, no lighting, pyrotechnics, or choreography. Extremely loud, but crystal clear. Just reminded me how much I love King Crimson and pro rock.
Wow. Would love to have seen that.
Only caught onto KC about a year ago but damn am I obsessed. It's reprogramming my brain.
Let me guess. JoJo fan?
That cymbal sound..! ♥
The beginning reminds me of Stravinsky's Rite of Spring introduction
Trueee, I see the similarities in it
I came here because I heard Fripp inspired by the Augurs of Spring section of the Rite of Spring when writing this
That riff is so great.
They got their name from beelzebubb how far out is that?
This is the best legendary music of the 20th century!!
Amazing track, great work by talented musicians. Thanks for sharing
This a great song to clap along to!
😂😂
or to headbutt plywood to
😂😂😂😂
I bough this album to my girlfriend as a present for her B-day. As expected, she soon gave it back to me. Those were hard times
Am I the only female on earth who listens to this kind of music???
@@XXX_xxxxxxxx No, since my wife likes it, two (at least).
@@russellmurray3964 sweet
kingcrimson🥰のみならず歴史に残るprogressiverock🥰の名盤👏🙌😉👍🎶🎵🤘👌☆！
life changing song
Amor eterno a ese álbum.
If you've never shed a tear to that last tone melting down into the final D major, then you're a fucking philistine. Period.
whatever
Incredible
Como AMO!! King Crimson
El bajo de Wetton RIP es un martillo.
Robert, King Crimson... ❤❤❤
Oh yeah thanks Mr Fripp!!!
Greatest album ending of all time.
OK I am a black man, drummer who got a hold of King Crimson in the late 60s.I got to see them in concert at Tuffs University with Genisus in Boston in 72. My God what a show. I wanted to quit drums and go back to NJ. There is no band in the world like king crimson. Maybe Pink Floyd. The highest quality of music I have ever heard and seen. Exrodinary
Nah, Pink Floyd are inferior
majestuoso!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Sheer bloody transcendence.
I was at Berkeley College of music at the time. Wow
Most badass intro
One of my fav, "getting ready for high school" lp's, back in the day. You had to be there..
Si sos uruguayo de unos 55 o más (y “pesado”) te acordarás del programa de radio “News Rock” en radio Independencia que salía al aire en la tarde como a las 6 y esta magnifica pieza era el intro.. Que tiempos..
Great mix! Now we can everything ... And truly understand and appreciate why Dr. Bruford left Yes for King Crimson.
Lol if I was him that would be the easiest discission of my life
@@daario4278 He was getting bored with Yes musically. And frustrated with Squire on several different levels -- constant tardiness to rehearsals/gigs/recording sessions, needless hours tweaking his tone in the recording studio, etc. Dr. Bruford wanted something more immediate and visceral. KC provided him that outlet.
Think on this: Bruford made 6 records between February’71 thru October’74. And not just any records: the yes album; fragile; close to the edge; larks tongues in aspic; starless and bible black and red. What an underachiever
What about Greg Lake, leaving Crimson to form Emerson Lake and Palmer?
Bruford once said it was the only band he could join where he could play in 17/16 time and stay in decent hotels.
Crystal clear even on my crappy Labtec speakers here at work... Wow...
Just listen in a row to The Talking Drum and Lark's Tongue...
I'm away. I won't be home for dinner.
This is absolutely fantastic!
I'm learning this song on bass right now its really fun to play
Outstanding!
Wow. Best song ever. I wonder how many times I have already commented on this video. John Salazar. Paul Burriss. Remember playing this at 6401?
lark's Tongues in Aspic II es una excelente obra magistral.
Gracias King Crimson por darnos y seguir dándonos tan buena música 🇨🇴
Deep and beautiful show tonight in Michigan THANK YOU!!!!
listening to this outside in a storm in florida hits different
"i'd like to take one more of each, please"
Been living with the righteous of this Lark for over forty years: Ever heard the song sparrow sing?
Put the playback to 1.5 from 2:06 onwards.and you have instant DEP!
BEST SOUN RECORDING IN THE 70S
Monster tune and quite businesslike in it's application.
3:53 starts the tango with the devil
My favorite track. I’m trying to collect every version out there.
Good Luck With That!! I've Been Trying my Hardest Too!
I just copped a poster of KC from '74. Very rare indeed. It is b&w and shows them onstage with mirrors behind them pointed slightly downward. On the reverse side of the poster is Quincy Jones on the right & Roberta Flack on the left. I believe it to be an Atlantic Records promo poster for use in America at the time.....
I've never seen this poster before & had to own it !!
larls🌞
larls🌞
Thank you fripp for uploading this to youtube! I have waited 4 no 4,000 years for this!
sorry I couldn't resist. I know SHAME!
5:55 I like how it’s as if they decided to end it with an ironic cliched “classical” arpeggio run played with fury then fade out
Un disco antológico.
Mi disco favorito de mi banda favorita, nada más. Y aguante Maiden...
My hat is off to Robert Fripp. He understood music to the fullest
the birth of math rock
King Crimson dando una catedra de como hacer y deshacer el Rock Progresivo, simplemente genial, autentico e innovador.
Thank you King Crimson for this Avant Garde masterpiece
Lo tocábamos con la banda hace 10 años. Fue un placer King's
0:45 reminds me of something Black Midi would do on their first album
pure joy