33.- Bass Raymond Modesti on integrating head voice and tilting the larynx
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- Опубликовано: 19 мар 2024
- On how to integrate the head voice and tilting the larynx.
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Tenor writing here. Your way of singing absolutely demonstrates what I've always been saying: no matter the voice type, the singing technique is the same. From the perspective of classical singing there is just one technique. I am emphasizing that because on the journey to building the voice one meets so called singing teachers who come up with strange, confusing explanations that are not true, and thus do not support a student's development but rather hinder or prevent it. It could be so easy.....
True, but there are register differences with each voice type. A soprano will live in head voice much more than a bass, and a bass will be more comfortable in a fry mix than a tenor, who will be very comfortable with a covered chest production.
Bravo, maestro. Thanks for your helpful explanations. Very thankful..
You are very welcome
Mr. Modesti: You often use a familiar axiom, "Col fiato non sul fiato" -- or is it the reverse? In any case, the distinction between with the breath and on the breath is not something easy to understand without help. Can you offer a short explanation and demonstration? Thanks. - LP
Hello LP, it is "sul fiato", as one sings on the breath, not "col fiato" which is expelling air while singing ( with breath).
The idea then, is to use the breath stream on which one sings out. Using the breath economically.
At the risk of seeming like a pest, I must say that your explanation is more of a restatement than an explanation. You know what you mean, and I imagine the difference was shown to you ages ago. But for an amateur like myself, it is not clear. You say that it is not expelling air while singing. But if you do not expel air while singing, wouldn't you end every phrase with the need to expel it the air at that point in order to be able to take in breath for the following phrase? There is undoubtedly a real difference that you're insisting on, but just what it is remains a mystery -- to me at least. Thanks for your attention and your patience. - LP@@raymondmodesti
@Lawrence
I think you missed the term " economically.""
One uses only as much air as needed to sing the intended phrase, and then, of course, you have used the air and can start again.
I must emphasize that there is no cookie cut recipe for singing and a demonstration - life.... is essential for getting to the fundament.
Confusion is easily made by misinterpreting.
Thanks again. @@raymondmodesti