I really cannot tell you how much it means to me to have this information. I've been trying so hard, every day for hours, for over 2 years since I started singing, to figure this out. The techniques you demonstrated in this video have given me the most success I've ever had with this, and I'll be practicing them every single day going forward until I can navigate this area of the voice with reasonable freedom. Thank you so much. I really appreciate it. No one else has been able to help me with my extremely persistent and very harsh break.
Thank you for making this video! The integration of head voice seems to be part of all great singers technique. I remember Nillsons book " head voice first". Thanks for sharing this knowledge....
I have a question: why do higher voice types use more head voice than lower voice types? Are their registers just more directly coordinated (covered chest, coordinated chest, girare head voice)?
Try and imitate a siren like sound and bring that down as low as you can and back up, use the vowel U (OO)...like the sound of an owl. Best regards, R M.
@@FitxFreshfalsetto will be breathy and thin, head voice will have more fullness, but without a metallic aspect like chest voice. Maybe try it with an open o or u sound?
I really cannot tell you how much it means to me to have this information. I've been trying so hard, every day for hours, for over 2 years since I started singing, to figure this out. The techniques you demonstrated in this video have given me the most success I've ever had with this, and I'll be practicing them every single day going forward until I can navigate this area of the voice with reasonable freedom. Thank you so much. I really appreciate it. No one else has been able to help me with my extremely persistent and very harsh break.
I am glad I could help.
Magnífica clase propia de un magnífico cantante. Thank you so much
2:53 - oh yes chiaroscuro, that’s key. Chest voice without head resonance is dull and overdarkened.
Thank you for making this video! The integration of head voice seems to be part of all great singers technique. I remember Nillsons book " head voice first". Thanks for sharing this knowledge....
Glad you enjoyed it!
Here watching thanks for sharing
I have a question: why do higher voice types use more head voice than lower voice types? Are their registers just more directly coordinated (covered chest, coordinated chest, girare head voice)?
I struggle to find the head voice. I just get a falsetto sound
Try and imitate a siren like sound and bring that down as low as you can and back up, use the vowel U (OO)...like the sound of an owl.
Best regards,
R M.
@@raymondmodesti thanks for the reply. i feel like I can do that but what makes that uniquely different from falsetto?
@@FitxFreshfalsetto will be breathy and thin, head voice will have more fullness, but without a metallic aspect like chest voice. Maybe try it with an open o or u sound?
Watching here
Do you do lessons
Yes, please send me your details: raymond. Modesti@gmail.com