warning: unsolicited feedback below fine, but for such a subject with quite a funky feel (syncopation, chromatic motif) the rest of the fugue is so counter to this. harmonically it just stays relatively safe (baroque, 18-19th century ish). rhythmically there's no reuse of the 16-note syncopated motif to develop. see ruclips.net/video/ojZ0U4QZ9gI/видео.html for a fugue that uses modern subject material
The use of the "safe" stuff was fully intentional. It was also a deliberate choice to not make the one bar syncopation which occurs at the end of the example version at the start part of the subject or development, and instead reserve it for just one appearance.
This slaps. "Molto infuriatoso"
warning: unsolicited feedback below
fine, but for such a subject with quite a funky feel (syncopation, chromatic motif) the rest of the fugue is so counter to this. harmonically it just stays relatively safe (baroque, 18-19th century ish). rhythmically there's no reuse of the 16-note syncopated motif to develop. see ruclips.net/video/ojZ0U4QZ9gI/видео.html for a fugue that uses modern subject material
The use of the "safe" stuff was fully intentional. It was also a deliberate choice to not make the one bar syncopation which occurs at the end of the example version at the start part of the subject or development, and instead reserve it for just one appearance.
Nice, ha