Dudes... just noticed that two chords from the 4th bar are missing (as in, I play them, but they're not written in above the TAB)... so just for clarity, the first 4 bars (with the missing chords added in) are: F7 | Bb7 | F7 | Cm7 F7 || Again, thanks SO much for the support - it's because of you guys I keep getting to make the content for this channel. You ROCK! xoxox
Scott I love you man your fantastic. You are officially the bass genie always coming in on time. Your the teacher of a whole generation. No exaggeration your a huge influence. It's my first year of playing and you taught me so much. Definitely will be taking the online course later on. Thank you for your hard work man. My gratefulness is beyond words. Also thanks for showing us the tape wounds😉😂
I have been playing bass since I was 12. I’m 40. I feel like I learn something from every video I watch. Thank you Scott for everything you do for the bassists among us. I appreciate your channel.
One major concept Scott is missing in this video is that in 4/4 time most chord changes happen on beats 1 and 3. Because, this is where we hear harmonic changes, beats 1 & 3 are harmonically strong. Beats 2 and 4 are likewise weak beats. Beats 2 & 4 are where you should place chromatic notes as a general rule.
I watched his intro (where he basically said he could play any note of the chord) and I went on to pick my bass. I noticed what you said when I started play unconsciously chromatic notes.
This is stellar, Scott. I am a long-time guitarist who is excitedly stepping over to the "other side." My Fender Player Series Precision Bass (in Sea Foam Green) is arriving from Sweetwater today!
what this lesson does good, is the quickly getting to the point and letting out all other shait. Thus creating a clear few for boons like me :) Thanks man!
Dear Scott, thank you very much for a great video! Walking bass was always one of the most interesting ways of harmonizing the melody for me personally. But the only issue I have with the video is that here you have only illustrated what you're playing by tabs, and it makes it very difficult for me to understand instantly what you're playing. I have a classical education, currently I am studying early music, we learn harmony and theory very deeply, and my relationship with bass started not many years ago, the only people who were helping me to practice and to understand the way of thinking of jazz and pop musicians were the students here, my friends. After taking many lessons and practicing I've started playing with people, but till now, the biggest difficulty I am experiencing is that my ear is very much used to a classical harmony and counterpoint, and I'm not thinking shapes, but maybe I should. I have no problem sight-reading music, or understanding the chord structure, but I am still searching for the most efficient way of creating walking bass lines. When you've played these examples, were you thinking counterpoint, how the voices interact with each other? Or do you have more efficient, instant ways of harmonizing the chords, by bypassing the stage of thinking? Are the musical figures that you're playing, these typical micromelodies an outcome of just playing the right counterpoint? Or have you learned dozens of ways of harmonizing the individual chords by heart? Thank you so much!
I feel like I learned a lot from Scott, my progress is going up fast, and my knowledge is flying high. I’ve picked up the bass guitar since I was early16, and now I’m 16 almost 17 xD
This is great, and really breaks it apart nicely. Walking basslines always seemed really mysterious to me, but not anymore! I'll have to go check out this lesson! Thanks! -Laura
Man, you‘re great. I‘m a beginner, started late with 45 years and everytime I‘m so impressed by your bass skills and your capability to explain all the coherencies. Thank you very much and greetings from germany.
Scott! Thanks for the tools! Even if I AM rather a cheapskate and haven't purchased your course. I really enjoy the vids and your approach. I find your enthusiasm very refreshing. Have a great week ahead
Great video, Scott. I learned with the Ed Friesland book (and a teacher guiding me through it) and I couldn’t highly recommend that book enough. That said, I think they should put a link to this video in the next edition’s front cover as it really shows all of the techniques in that book quickly and clearly. It’s so helpful to be able to see and hear someone else doing it like this.
Great job Scott. As a subscriber of SBL I love what you do and keep learning from you. Ciao! P.S. Rubber meets the road is exactly what my problem still is, but working on it ;)
Hi Scott, greetings from Argentina!!!! Sadly , because of the money currency it's too expensive for us to take any of your courses. However I follow you as much I can .
Scott, you make me want to Chuck my Taylor six string and focus on bass... Which I have a nice old made in Japan fender squier jazz bass that I play on Sundays.
Thanks Scott. Speaking of walking bass lines, I'm thoroughly enjoying Ed Friedland's SBL course on the subject. A great investment of my money and time.
Thanks for this. The best thing I ever did for my Bass playing was joining SBL. The 2nd best thing was taking your 26-week course. Keep up the great work.
"a chromatic approach note is where you approach a note chromatically" Wow really Scott never would've guessed that... like John Myung who has a bass solo in metropolis where he plays a bass solo... Great video, very informative, better explained than my teacher at college did
Scott's the mann, very educative. He has helped in a lot of areas if my playing💯. I'm a bassist youtuber and I'd love to grow my platform. You're support is greatly appreciated 🙏🙏
as a jazz sax player, walking bass lines actually seem to be the best thing to work on to learn how to improvise in a way that covers the harmony correctly. I'm sure it mainly because it's so similar to arpeggio exercises for songs, but the chromatic approaches help a lot make it sounds more like an improv exercise than a wasteland of arps.
Honestly by the time you get to chromatic notes, it feels a lot like “you know what, just play what you want” 😂 love this lesson, this is something I completely skipped over learning as a punk/rock bass player.
The hardest part about playing walking bass lines for me personally is that I always tend to play the root note on the 1. I gotta get a bit more confident to get out of that.
I'm taking my first lesson in a week and it seems like it is more complex than rocket science . Chromatic , root notes blah blah. I don't even know what a chord is. Oh well I'm 76 and somebody said "You better start playing while you are still young." So I guess he is right
I guess I don't understand which key this in .. F or C ?? My limited understanding of Key signature thinks this is key of C since there are no sharps of flats indicated on the staff.?
Hi, I think my left index finger has some sort of injury. I've been playing for about a year now and have calloused fingers. It start to hurt for about twenty minutes of playing (I usually play for two hours which is why it's weird). After watching your videos, I'm thinking of getting a glove for my fretting hand temporarily (can't go see a doctor due to movement restriction). What gloves do you use? What material are they? I'm currently using disposable latex which is helping but I'm not used to it.
Dudes... just noticed that two chords from the 4th bar are missing (as in, I play them, but they're not written in above the TAB)... so just for clarity, the first 4 bars (with the missing chords added in) are: F7 | Bb7 | F7 | Cm7 F7 ||
Again, thanks SO much for the support - it's because of you guys I keep getting to make the content for this channel. You ROCK! xoxox
Scott's Bass Lessons just came to the comments to clarify! Good stuff!
@@TheMahaffeymg Lol, he broke the fifth wall.
Thanks this is great! Is the chart/tab available to download/print?
Scott I love you man your fantastic.
You are officially the bass genie always
coming in on time. Your the teacher of a whole generation. No exaggeration your a huge influence. It's my first year of playing and you taught me so much. Definitely will be taking the online course later on. Thank you for your hard work man. My gratefulness is beyond words. Also thanks for showing us the tape wounds😉😂
?????? Where is the TAB above?
I have been playing bass since I was 12. I’m 40. I feel like I learn something from every video I watch. Thank you Scott for everything you do for the bassists among us. I appreciate your channel.
One major concept Scott is missing in this video is that in 4/4 time most chord changes happen on beats 1 and 3. Because, this is where we hear harmonic changes, beats 1 & 3 are harmonically strong. Beats 2 and 4 are likewise weak beats. Beats 2 & 4 are where you should place chromatic notes as a general rule.
I watched his intro (where he basically said he could play any note of the chord) and I went on to pick my bass. I noticed what you said when I started play unconsciously chromatic notes.
This is stellar, Scott. I am a long-time guitarist who is excitedly stepping over to the "other side." My Fender Player Series Precision Bass (in Sea Foam Green) is arriving from Sweetwater today!
Awesome dude! Enjoy the journey 🤘🏻
Thank you! BTW, I got the bass and it is STELLAR!
No one else can explain this more clear than Scott.
If you like clear explanations of bass and music in general i suggest you check out Rick Beato if you havent. Learned so much from him and scott
Eric blackmon
Yeah i definitely agree!
I've been a Bass player for 30 years and learned so much from this guy it's crazy! Thank you bro 👊
Best walking bass tuition I have ever seen on line. Exactly the way I teach my students. Thank you Scott.
By far the best bass teacher on the internet! Thanks for everything you do scott
havent checked your channel in years... i subd LONG ago you had hardly any subscribers... LOOK AT YOU NOW !! AWESOME
what this lesson does good, is the quickly getting to the point and letting out all other shait. Thus creating a clear few for boons like me :) Thanks man!
Dear Scott, thank you very much for a great video! Walking bass was always one of the most interesting ways of harmonizing the melody for me personally. But the only issue I have with the video is that here you have only illustrated what you're playing by tabs, and it makes it very difficult for me to understand instantly what you're playing. I have a classical education, currently I am studying early music, we learn harmony and theory very deeply, and my relationship with bass started not many years ago, the only people who were helping me to practice and to understand the way of thinking of jazz and pop musicians were the students here, my friends. After taking many lessons and practicing I've started playing with people, but till now, the biggest difficulty I am experiencing is that my ear is very much used to a classical harmony and counterpoint, and I'm not thinking shapes, but maybe I should. I have no problem sight-reading music, or understanding the chord structure, but I am still searching for the most efficient way of creating walking bass lines.
When you've played these examples, were you thinking counterpoint, how the voices interact with each other? Or do you have more efficient, instant ways of harmonizing the chords, by bypassing the stage of thinking?
Are the musical figures that you're playing, these typical micromelodies an outcome of just playing the right counterpoint? Or have you learned dozens of ways of harmonizing the individual chords by heart?
Thank you so much!
This reminds me of the Ed friedland building walking bass lines book I had many many years ago. That was a solid 5 minute intro to walking bass lines.
Why do you have a glove on? Is it a tonal thing? It’s cool!
I feel like I learned a lot from Scott, my progress is going up fast, and my knowledge is flying high. I’ve picked up the bass guitar since I was early16, and now I’m 16 almost 17 xD
Brilliant discussion breaking this down. I love how you build up the process.
This is great, and really breaks it apart nicely. Walking basslines always seemed really mysterious to me, but not anymore! I'll have to go check out this lesson! Thanks! -Laura
Great explanation. This has always been a weak point in my skill set. This makes so much sense now. Thanks.
Man, you‘re great. I‘m a beginner, started late with 45 years and everytime I‘m so impressed by your bass skills and your capability to explain all the coherencies.
Thank you very much and greetings from germany.
Amazing Scott, remember when you started doing this lesson videos, old-scott-school vibe
You are a graet bass teacher...thanks for your amazing work!!!!
I love your video classes! (Oh and btw your accent is so cool!)
Scott!
Thanks for the tools!
Even if I AM rather a cheapskate and haven't purchased your course.
I really enjoy the vids and your approach. I find your enthusiasm very refreshing.
Have a great week ahead
Tom Susala thanks for watching, Tom! 🙌
thats the case for me too!
You can get a two week free trial if you're interested
Great video, Scott. I learned with the Ed Friesland book (and a teacher guiding me through it) and I couldn’t highly recommend that book enough.
That said, I think they should put a link to this video in the next edition’s front cover as it really shows all of the techniques in that book quickly and clearly. It’s so helpful to be able to see and hear someone else doing it like this.
Jeez, this was fun to fuck around with thanks scott!
Approach notes have opened my eyes to Arpeggios and made them so much more interesting.
Man, you are so fluid in your movements around the fingerboard. It also appears that you are plucking very lightly. Your action must be quite low.
Excellent. I have been curious about this for ages. Thanks!
Great job Scott. As a subscriber of SBL I love what you do and keep learning from you. Ciao! P.S. Rubber meets the road is exactly what my problem still is, but working on it ;)
Mustafa Neuktura keep grooving man! :)
Smashed the like! This is a great addition to the Beginning Jazz Survival guide! Great way to condense this information down into 5 minutes.
Hi Scott, greetings from Argentina!!!! Sadly , because of the money currency it's too expensive for us to take any of your courses. However I follow you as much I can .
I am glad I saw, this, - to the point, crisp, practical - well done.
I smashed the like button and broke my monitor! Great video Scott.
Scott, you make me want to Chuck my Taylor six string and focus on bass... Which I have a nice old made in Japan fender squier jazz bass that I play on Sundays.
Jazz Blues is what got me started in Bass and I still love it...
Thanks Scott. Speaking of walking bass lines, I'm thoroughly enjoying Ed Friedland's SBL course on the subject. A great investment of my money and time.
Fantastic lesson Scott - many thanks for this one!
Bloody 'ell! That is a brilliant explanation. Massive, massive thumbs-up. 👍🏻
Thanks for this. The best thing I ever did for my Bass playing was joining SBL. The 2nd best thing was taking your 26-week course. Keep up the great work.
This is an excellent lesson, easy to follow and understand I hate lessons that don’t explain the reasoning behind things this was perfect 👌
"a chromatic approach note is where you approach a note chromatically" Wow really Scott never would've guessed that... like John Myung who has a bass solo in metropolis where he plays a bass solo...
Great video, very informative, better explained than my teacher at college did
Thank you for uploading such great content
Scott's the mann, very educative. He has helped in a lot of areas if my playing💯. I'm a bassist youtuber and I'd love to grow my platform. You're support is greatly appreciated 🙏🙏
This is THE MOST IMPORTANT lesson for bass player tks
Thanks Scott... another awesome vid!
as a jazz sax player, walking bass lines actually seem to be the best thing to work on to learn how to improvise in a way that covers the harmony correctly. I'm sure it mainly because it's so similar to arpeggio exercises for songs, but the chromatic approaches help a lot make it sounds more like an improv exercise than a wasteland of arps.
Honestly by the time you get to chromatic notes, it feels a lot like “you know what, just play what you want” 😂 love this lesson, this is something I completely skipped over learning as a punk/rock bass player.
I have a fairly beginner bass student. I’m going to save this one for later. Thanks
Scott, you never end emonstrating things a bassist should learn. But now I don't know how to walk bass properly.
Thank you very much for this Scott... It really answered some questions
Well done! This is helpful.
I thank you so much for this, It will be my practice for weeks to come.
Love your guy's videos. They're so helpful
Cam Oswald cheers, Cam 🙌
I love your lessons they are so detailed
This is awesome thank you sooo much!
I slapped the like button.
Whispy Woods 😜
I like that MOULONDER BASS!!!
Drawe Bajo 😜🔥
Thank you Scott.
Awesome Scott!
The hardest part about playing walking bass lines for me personally is that I always tend to play the root note on the 1. I gotta get a bit more confident to get out of that.
This video is excellent. Is the regular guitar laid out in such a way that I could find the 5th, 3rd and 7th notes by moving across a couple of frets?
Very much in the feel of Jethro Tull's Buré. :)
love your channel
your lessons are really good
Avisek H ahhhh cheers! 🙌
That sounds so much like Duck Dunn. Now I want to watch the Blues Brothers.
"They broke my watch!"
The rubber meet the road concept is awesome 😁
I Scott! Thanks for this video. Could you PLS explain me the chords progression used and what's the rules applied? Thanks so much
Good lesson but I think it's important to add that the 5th is in a different position when we have a half diminished or diminished chord.
maybe I missed something but in the first exercise you said only root notes , but for the Gm
7 chord you added in an A note ? is that correct?
Thanks a lot!
Clear and simple
Very helpful. Thanks!
Great video!
Could you.please do a video om glenn cornick of jethrotull? I feel like he was a very under apriciated bass player
Just look at lines like crosseyed mary and living in the past or we used to know
Absolutely! 🤘
I'm taking my first lesson in a week and it seems like it is more complex than rocket science . Chromatic , root notes blah blah. I don't even know what a chord is. Oh well I'm 76 and somebody said "You better start playing while you are still young." So I guess he is right
Hey Scott, I’m curious: what’s that bass? It looks like you stuck a Moolon neck on your custom shop ‘59 body.
Thank you very much.
Do you have any advice for adding in some runs or spicier rhythms in walking likes, ray brown style?
Thanks you! That's good to me !
What is the best app for drum and guitar or piano accompaniment while I play the bass line?
Scott, You don't happen to have the tab for the bass lines for download do you ? Make it a little easier to work with the backing track.
thanks a lot
this is very helpful
Great lesson, but the download link isn't working for me.
I guess I don't understand which key this in .. F or C ?? My limited understanding of Key signature thinks this is key of C since there are no sharps of flats indicated on the staff.?
solid gold!
Any chance of a vid specifically on 3rds and going between major and minor within your bassline?
WhT is the app or system you’re using in this video at the beginning?
I'm trying to download the backing track but the link appears to be broken. Anyone wants to share it with me? Thanks!
Scott what brand strings do u use on this video?
where's the link to the backing track???
Hi Scott, random question. What macbook do you use?
Is the chart/tab available to download/print?
Hi, I think my left index finger has some sort of injury. I've been playing for about a year now and have calloused fingers. It start to hurt for about twenty minutes of playing (I usually play for two hours which is why it's weird). After watching your videos, I'm thinking of getting a glove for my fretting hand temporarily (can't go see a doctor due to movement restriction). What gloves do you use? What material are they? I'm currently using disposable latex which is helping but I'm not used to it.
A good teacher Scott. Good lesson.
coooool stuff ^^
can you please do a section on chords
David Nedescu here’s one on chords I released a few weeks ago for ya - ruclips.net/video/uHXUtimJq5A/видео.html
That bass looks like a good, long-time friend.
download link doesn't work. It returns an XML file with an mp3 extension.
great video
I want that bass!
Without having a natural ear for music, would knowledge be the main way of writing a good bass line?
I tried to download the backing track but once I submitted my email the link is broken