I play original 78 Rpm records for dances. I have the American pressing of this tune in excellent condition, it sounds great. I use Dual 1219-1229's for the 78's with a Shure V15III Suoertrak Cartridges with a Japanese stylus. For Speakers I use a set of BiAmped modified ALTEC 843 Malibu's 811-802-2ea12 woofers I built out of Altec Parts, a set of highly modified BiAmped 1205B's with 511E, , (9444 amps, 15581A electronic crossover), 511E with 288D's and 2ea 15" woofers made out of 416 parts, and a set of modified 9844's with 811-909, and 2ea modified 12" woofers. I am building up a modified set of Altec 1203's 811-802, 2 custom aluminum framed 14" woofers. I have 211 horns with 515's, 816's 416-515, 817's 311-60, 311-90, 203's, MR42's-Mr64's, Mr94's and a bunch or MRII 594's with 299 drivers for bigger events. All drivers have Pascolite Aluminum Diaphragms for higher power. Yes, whatever i use, it always sounds great.
Audio systems are great. But this is not Glenn Miller Orchestra. This is sound track recording by Universal Studio Orchestra for the "Glenn Miller Story" movie.
Brillant! Classics. . .both the turntable & the song played! You know, as the record was playing - an original discof that era - I could visualise the scene in the recording studio with Glenn Miller & orch playing with the 2 black dancers on backdrop behind the orch in "The Glenn Miller Story". Excellent sound. When I get done typing this, gonna listen again! Thanks much for posting these classics! J Peanutz Koenig
Amazing! WOW! You managed to suck every possible bit of sound out that record! The horns are so clear and bright too. Great match up. Funny how horn loaded drivers and horn instruments go together like a horse and carriage! I have 4 Altec Model 19's in my livingroom and playing recordings that contain brass gives me goose bumps! LOL.
Listened the 2nd time. Brillant! Forgot to mention, you must take good care of your discs, 'cause it appears shiny. Also, the arm is running "true" . . . .the 78 is a good copy with no wobble, or up & down. Thanks again. JPK
Hi, what you are listening too is a electrical recorded 78's. There are two big families of 78's the electrical recorded and the older which are mechanically recorded. So this one is from the last 78's produced, electrical recording, we are somewhere in the 40's 50's. Then my setup is also "electrical" I use an electrical cartridge, the needle lifetime is 1000 hours of playing. I use a variable equalizer phono stage, that's mean I can balance the sound by ear and remove the scratch's sound as well. This because this is a pre RIAA standard equalization recorded disc and the mastering was a bit of woodoo mainly dependable of the shellac production line sound, not very standard. I can preserve the musical message form the flaws induced by the technology used when making the recording by using the same method (but reverse). And as final touch the monitoring system is an iconic marvelous Altec mono speakers from the same period. Never say a recoding is bad, a good mastering is sometime the key. Cheers!
@@santapolenta I always think it is funny to see at time records for sale - like Elvis on 78 rpm. I guess plenty of people still played lots of 78 rpm records in the 50's and had not switched over to Long play 33's. Thanks for posting.
I like your floor and speakers -----------AND OF COURSE YOUR TURNTABLE !!!!! Great selection of music. Thanks for posting.
This music really sends me!
I play original 78 Rpm records for dances. I have the American pressing of this tune in excellent condition, it sounds great. I use Dual 1219-1229's for the 78's with a Shure V15III Suoertrak Cartridges with a Japanese stylus. For Speakers I use a set of BiAmped modified ALTEC 843 Malibu's 811-802-2ea12 woofers I built out of Altec Parts, a set of highly modified BiAmped 1205B's with 511E, , (9444 amps, 15581A electronic crossover), 511E with 288D's and 2ea 15" woofers made out of 416 parts, and a set of modified 9844's with 811-909, and 2ea modified 12" woofers. I am building up a modified set of Altec 1203's 811-802, 2 custom aluminum framed 14" woofers. I have 211 horns with 515's, 816's 416-515, 817's 311-60, 311-90, 203's, MR42's-Mr64's, Mr94's and a bunch or MRII 594's with 299 drivers for bigger events. All drivers have Pascolite Aluminum Diaphragms for higher power. Yes, whatever i use, it always sounds great.
Wow, great Glenn Miller tune on a beautiful turntable. Love it!
Audio systems are great. But this is not Glenn Miller Orchestra.
This is sound track recording by Universal Studio Orchestra for the "Glenn Miller Story" movie.
Wow,
Listen to the fidelity 😮😊❤
Wonderful sound.
EMT 930 ST, Japanese audiophiles' all-time favorite. very popular in Asia.
beautiful EMT
Brillant! Classics. . .both the turntable & the song played! You know, as the record was playing - an original discof that era - I could visualise the scene in the recording studio with Glenn Miller & orch playing with the 2 black dancers on backdrop behind the orch in "The Glenn Miller Story". Excellent sound. When I get done typing this, gonna listen again! Thanks much for posting these classics! J Peanutz Koenig
Amazing! WOW! You managed to suck every possible bit of sound out that record! The horns are so clear and bright too. Great match up. Funny how horn loaded drivers and horn instruments go together like a horse and carriage! I have 4 Altec Model 19's in my livingroom and playing recordings that contain brass gives me goose bumps! LOL.
Listened the 2nd time. Brillant! Forgot to mention, you must take good care of your discs, 'cause it appears shiny. Also, the arm is running "true" . . . .the 78 is a good copy with no wobble, or up & down. Thanks again. JPK
Great sound.
Thank you!
Wow this is great! thanx
Great!
I've never heard a 78 sound so good! Do you need to change the needle to play 78s?
Hi, what you are listening too is a electrical recorded 78's. There are two big families of 78's the electrical recorded and the older which are mechanically recorded. So this one is from the last 78's produced, electrical recording, we are somewhere in the 40's 50's.
Then my setup is also "electrical" I use an electrical cartridge, the needle lifetime is 1000 hours of playing. I use a variable equalizer phono stage, that's mean I can balance the sound by ear and remove the scratch's sound as well. This because this is a pre RIAA standard equalization recorded disc and the mastering was a bit of woodoo mainly dependable of the shellac production line sound, not very standard.
I can preserve the musical message form the flaws induced by the technology used when making the recording by using the same method (but reverse).
And as final touch the monitoring system is an iconic marvelous Altec mono speakers from the same period.
Never say a recoding is bad, a good mastering is sometime the key.
Cheers!
@@santapolenta I always think it is funny to see at time records for sale - like Elvis on 78 rpm. I guess plenty of people still played lots of 78 rpm records in the 50's and had not switched over to Long play 33's. Thanks for posting.
Ha ha ha :)... Love it!
M A G I C .... :)