killer-set,superiore anche ai concerti in Giappone del giugno precedente ed ai successivi dell'autunno in Europa.Uno dei vertici del Miles elettrico periodo 1970/1975.In questi 94 minuti non c'e' nulla di superfluo,tutto scorre divinamente.
Minuto 36:30 brano Ife suonato magistralmente da Miles ,David Liebman e Pete Cosey da ascoltare con attenzione perché è una performance straordinaria del gruppo.Da ascoltare in cuffia o senza la moglie vicina all'impianto hi fi 😅
sono d'accordissimo e guarda il filmato che si trova di questa performance di"IFE" a cui ti riferisci per vedere anche visivamente la telepatia che esisteva tra questi incredibili musicisti:qualche detrattore potrebbe pensare che sia un maelstrom casuale ed invece il divino Miles aveva tutto sotto controllo,sapeva quello che voleva,tutto ha senso ...mi azzarderei a definirla architettura musicale piu' che improvvisazione,anche se ovviamente c'e' questa componente.SUBERBO!!!
He is-I always wondered if Miles told him to leave the high hat open like that to be opposite of all the 16th note funky tight hi hat sound everyone else used.
This is the first time I've heard this set. Simply, starting with Turnaroundphase, they couldn't find a groove. They tried, but as a whole, it didn't come together, in my lazy, humble view. And this is my favorite time period of The Miles Davis Band.
Davis and Leibman really push each other on Turnaround Phrase--that's one of the best solos I've ever heard Leibman play, and just listen to Miles on his return around 10 minutes in. That's as fierce as he ever played in his career.
What i like about this is Miles' command of his instrument. He is literally building on his entire career as a trumpeter of compelling instinct. After he lost this command in later years, I don't stand in awe as much. The whole band is of equal musicianship.
this was the first time I saw MD live. half of the crowd was very angry after the first set (me too), and funky claude had great difficulties to convince the master to play a second set after a break of half an hour ... and now, MD is my leading star in musical heaven ...
@@Rabithebengali No unfortunately I never went to any of Miles performances, I was in my late teens , Then I entered the service disco and rock then fusion Bitches Brew was to heavy but ironically there was something about On The Corner which I bought when it first came out that led me to Miles to this day and building up a good collection. Thanks for asking .
I think Pete Cosey is a mix of Jimi & John McLaughlin. He was a session player for Chess Records. Played with Billy Stewart, Muddy Waters' "Electric Mud", among others.
In all fairness, 1973 compared to 74 or 75 is more musically erratic. The themes, grooves, etc aren't as focused as they would be in the later aforementioned years. Listening to some 1973 performances are really a pain to listen to at times, compared to anything later on in the decade
![Miles Davis- July 8, 1984 Montreux Jazz Festival, Casino, Montreux [2nd Concert- audio version]](http://i.ytimg.com/vi/ujUofAnpmi0/mqdefault.jpg)
![Miles Davis- July 8, 1984 Montreux Jazz Festival, Casino, Montreux [2nd Concert- audio version]](/img/tr.png)
killer-set,superiore anche ai concerti in Giappone del giugno precedente ed ai successivi dell'autunno in Europa.Uno dei vertici del Miles elettrico periodo 1970/1975.In questi 94 minuti non c'e' nulla di superfluo,tutto scorre divinamente.
Minuto 36:30 brano Ife suonato magistralmente da Miles ,David Liebman e Pete Cosey da ascoltare con attenzione perché è una performance straordinaria del gruppo.Da ascoltare in cuffia o senza la moglie vicina all'impianto hi fi 😅
sono d'accordissimo e guarda il filmato che si trova di questa performance di"IFE" a cui ti riferisci per vedere anche visivamente la telepatia che esisteva tra questi incredibili musicisti:qualche detrattore potrebbe pensare che sia un maelstrom casuale ed invece il divino Miles aveva tutto sotto controllo,sapeva quello che voleva,tutto ha senso ...mi azzarderei a definirla architettura musicale piu' che improvvisazione,anche se ovviamente c'e' questa componente.SUBERBO!!!
Holy crap, Al Foster is a machine.
He is-I always wondered if Miles told him to leave the high hat open like that to be opposite of all the 16th note funky tight hi hat sound everyone else used.
This is the first time I've heard this set. Simply, starting with Turnaroundphase, they couldn't find a groove. They tried, but as a whole, it didn't come together, in my lazy, humble view. And this is my favorite time period of The Miles Davis Band.
Davis and Leibman really push each other on Turnaround Phrase--that's one of the best solos I've ever heard Leibman play, and just listen to Miles on his return around 10 minutes in. That's as fierce as he ever played in his career.
What i like about this is Miles' command of his instrument. He is literally building on his entire career as a trumpeter of compelling instinct. After he lost this command in later years, I don't stand in awe as much. The whole band is of equal musicianship.
Hats off too the sound engineers
It is much different from the concert in London in the same days. People were booing too.
Merci !! A ceux qui ont compris l importance d enregistrer , les concerts
funny cat ... or is it a dog ???
And to be sure, THANKS SO MUCH FOR POSTING THIS IMPORTANT MUSIC ❤️
Pure gold! Wonderful!
this was the first time I saw MD live.
half of the crowd was very angry after the first set (me too), and funky claude had great difficulties
to convince the master to play a second set after a break of half an hour ...
and now, MD is my leading star in musical heaven ...
That must have been a great show to see live. Who is Funky Claude?
Why were you angry?
The . Íjjjjj
@@dmellis That would be Claude Nobs, who founded the Montreux Jazz festival.
So busy booing they missed the incredible sensitivity and subtlety as well as the power of this brilliant band
This is the first time I’ve heard this and 73 was my year , wondering if there’s a video . Their playing off the rail . Miles was and is no joke .
There is video of part of the set. It only seems to be on RUclips in bits, part one is here: ruclips.net/video/E4PYJhh8ooo/видео.html
Thanks Milestone good looking out , most appreciated !
"my year" you saw him on tour?
@@Rabithebengali No unfortunately I never went to any of Miles performances, I was in my late teens , Then I entered the service disco and rock then fusion Bitches Brew was to heavy but ironically there was something about On The Corner which I bought when it first came out that led me to Miles to this day and building up a good collection. Thanks for asking .
best set ever
Вот нам и гений
Thanksss...!!!
my fav guitarist are jeff beck ,,and stevie, but he makes it look like childs play
I think Pete Cosey is a mix of Jimi & John McLaughlin. He was a session player for Chess Records. Played with Billy Stewart, Muddy Waters' "Electric Mud", among others.
I like this music
Sunni Ali --katrina has been my samsung phone
Impeccable.
Primal.
36:17 Some people in the audience just don't get it
50:00 and so on....
HOLY FUCK
🎶🎵 ❤ 💥 🌼👌 🐉⚡💜 🎵🎶
People were booing? People are historically stupid.
Not really, the Sound must have been incredibly bad. Watch the Montreux Video and you get an Idea of it.
the people that were booing, were the same people that got him to the place to where he was, and did not want to go farther ...not stupid people
In all fairness, 1973 compared to 74 or 75 is more musically erratic. The themes, grooves, etc aren't as focused as they would be in the later aforementioned years. Listening to some 1973 performances are really a pain to listen to at times, compared to anything later on in the decade
36:27
36:27
😉😎👑
52:30