Brahms: Symphony No. 4 in E minor, Op. 98 (with Score)

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  • Опубликовано: 21 ноя 2024

Комментарии • 200

  • @ClassicalMusicAndSoundtracks
    @ClassicalMusicAndSoundtracks 11 месяцев назад +18

    One of the best symphonies.

  • @KlausBambey
    @KlausBambey Год назад +46

    I listen to this with headphones and follow the scor and I am close to tears about this masterpiece.

  • @PaulGordonBusby
    @PaulGordonBusby 2 года назад +29

    What a fantastic piece and wonderful playing by the Berlin Philharmonic under Simon Rattle.

    • @christianweatherbroadcasting
      @christianweatherbroadcasting 8 месяцев назад

      Repent and trust in Jesus. We all deserve Hell for our sins, such as lying lusting coveting and more. We can't save ourselves, but Jesus can save us. He died on the cross to save us for our sins and rose from the grave defeating death and Hell. You must put your faith in him only. He is the only way to Heaven. Repent and trust in Jesus.
      Romans 6:23
      John 3:16❤❤

  • @fazivles
    @fazivles Год назад +82

    This piece is possibly the most well constructed work of art I have ever listened to. I swear, it's like Brahms doesn't even misplace a note. He uses every idea so much until it is rearranged and/or stripped completely clean of fat. How does he manage to make so much out of so little?

    • @pmlouisjuste
      @pmlouisjuste Год назад +10

      it's superbly crafted and inspired but Bach did compose incredibly well constructed masterpieces as well, the Goldberg variations for example.

    • @L1102
      @L1102 Год назад +3

      ​@@pmlouisjuste yes also kunst der fuge and mass in b minor are incredibly well crafted, almost godly

    • @L1102
      @L1102 Год назад +4

      His craftmanship is inspired by Monteverdi, Heinrich Schütz and of course Bach, who he studied intensively in the time he composed the symphony. He was strongly moved and inspired by those old masters whose craftmanship and perfectly balanced contrapuntal works arguably has never ever been surpassed. His goal with this symphony was to incorporate the incredible counterpoint, motivical work and double-choir-idea of their music into an piece for orchestra.

    • @Whatismusic123
      @Whatismusic123 Год назад +2

      So delusional. The piece is not structured at all, there is no form. The counterpoint is terrible. The development of themes is nonexistent, all he does is repeat them with slight variation.
      Why do you believe so much? It's very clear you know nothing about what you speak of.

    • @fazivles
      @fazivles Год назад +17

      @@Whatismusic123 Ah, it seems that poor old Brahms is still hearing criticisms he received even during his time! A lot of what I'm talking about is mainly related to his use of developing variations, which is widely considered as something being created by Brahms. This symphony is absolutely full of it! I will admit myself that developing variations is still something I don't fully comprehend, especially when the developing takes place on the microscopic, eighth note by eighth note level like how Brahms can sometimes do! Its so interesting to see how his different themes transform and take new contexts throughout the symphony, but especially in the first movement! In fact Leonard Bernstein did a commentary on the construction (and genius) of the first movement, and perhaps listening to that could give you a new perspective!

  • @asd-du3ey
    @asd-du3ey Год назад +49

    MVT I: Allegro non troppo
    EXPOSITION
    0:06 - Theme 1. Falling, then rising thirds. At 00:23 motif (a), C-B-C-A and C-A-E-D. Motif (b) at 00:30 , falling fourths.
    00:41 - Theme 1 is repeated with embellishment.
    00:56 - Transition. Motifs (a) and (b) are used to reach B minor.
    1:28 - Theme Group 2, Theme 1. The cadence is frustrated and ends up in D major. 5 descending notes and a fourth, then fast upwards arpeggio and the theme is repeated in G major.
    1:42 - Preview of TG2, T3. In B minor, a military like fanfare with triplets and dotted rhythms. Still not fully developed.
    1:49 - TG2, T2. Dance-like melody in the cello, then repeated in upper strings. Reminiscent of a tango. Falling thirds in the bassline.
    2:15 - TG2, T3. The offbeat syncopation is presented. Note motif (c), arpeggiated triad.
    2:44 - T3. In F-sharp major (!). Gliding high strings, followed by sweet flute and oboe melody. At 3:15 motif (d), mysterious arc
    3:21 - Preview of Closing Theme. (d) follows and transitions to
    3:37 - Closing Theme. Triumphant, based on TG2, T3. B major
    DEVELOPMENT
    4:06 - Transition back to E minor using head of Theme 1
    4:23 - Theme 1. (a) is used to transition to 5:05, which leads to G major at
    5:33 - where TG2, T3 takes the shady character of (d). At 5:41 the woodwinds introduce a diminished version.
    6:17 - The dramatic diminished version of TG2, T3 comes in with fortissimo, and at 6:29 motif (e), E-D-C, D-C-B, etc. triplets.
    6:38 - (e) morphs into a tender melody with T1 in pizzicato strings (!). At 6:52 (a) is used to transition from B major back to E minor
    7:40 - The slowed down first part of theme 1 (falling thirds) the woodwinds is fused with (d) in the strings.
    RECAPITULATION
    8:10 - Theme 1 picks up again just like in the exposition, with the embellished repeat.
    8:52 - Transition
    9:04 - TG2, T1 in E minor/G major
    9:19 - Transition using TG2, T3
    9:25 - TG2, T2 in E minor
    9:51 - TG2, T3
    10:19 - T3 in B major. At 10:49 (d) used to transition to closing theme, which erupts at
    11:11 - Again the triumphant closing theme, but now repeated in G-sharp minor, which leads to
    CODA
    11:28 - The diminished version of the Closing Theme, as presented in the development. (e) is presented in the strings in imitation displaced by 3rds, and accompanied by (c)
    11:48 - Inversion of (e) leading to fortissimo, aggressive repeat of T1 at 12:00. (b) is used to transition to
    12:30 - TG2, T1 in a completely opposite manner as presented before, with piercing strings and woodwinds. At 12:41 a VI - i progression with syncopation is introduced, as well as dotted G-F#-E closing motif
    12:54 - The G-F#-E motif is repeated in high register, while bassoons and basses imitate it offbeat, climbing higher every time, leading to the final cadence, and the notorious iv - i resolution

  • @friday1954
    @friday1954 7 месяцев назад +14

    Хвоина 1Love
    1 часть:
    0:08 ГП
    1:43 предыкт к ПП (фанфарная тема)
    1:50 ПП
    7:42 реприза (ГП в хоральном варианте)
    12:00 Кода (канон на теме ГП)
    2 часть:
    13:24 вступление
    13:48 ГП
    Реприза
    21:50 ПП
    3 часть:
    25:38 ГП
    26:22 ПП
    4 часть:
    32:05 тема
    34:45 лирическая вариация
    35:22 вариация с соло флейты

  • @AP47735
    @AP47735 Год назад +39

    Interesting that the variation at 34:12 bears so much similarity to the e minor fugue of Bach’s well tempered clavier

    • @leoribic1691
      @leoribic1691 Год назад +11

      It's probably not a coincidence! Brahms studied Bach religiously, (NPI) and drew much inspiration from him. The final movement is essentially just a passacaglia/chaconne!

  • @ethanhcomposer
    @ethanhcomposer 5 месяцев назад +1

    This is some of the most incredible music that a living being could ever create. Every single moment is amazing. I'm hoping I get to perform this with my youth orchestra eventually!

  • @sudoku47
    @sudoku47 8 месяцев назад +3

    Many thanks! Infinite gratitude!

  • @jakubedwardschiffauermedraj
    @jakubedwardschiffauermedraj Год назад +55

    I am awe-struck. This symphony is just..... a masterpiece. No other word to describe it.
    By the way, I have just realized that the theme of the second movement is suspiciously similar to the theme of the opening movement of Dvořák's Cello Concerto..... It could be a coincidence, but nonetheless, the similarity is striking.
    Thank you for this upload! The score is perfect, and extremely useful! Keep up the great work!

    • @filippoarena454
      @filippoarena454 Год назад +6

      Dvorak wrote that concerto 10 years later then Brahms compose this Symphony

    • @abrahamjh5742
      @abrahamjh5742 Год назад +2

      The reason why is probably because that Brahms was Dvorak’s teacher

    • @Whatismusic123
      @Whatismusic123 11 месяцев назад

      masterpiece? lmao this is the lowest of the low garbage. Also comparing it to Dvorak is like comparing trash to garbage.

    • @dn7778
      @dn7778 11 месяцев назад

      You're suggesting Dvorak couldn't remember something from that long ago...? Seems a bit ludicrous

    • @sneddypie
      @sneddypie 9 месяцев назад +2

      @@dn7778i think they were saying that if there is a connection, dvorak took from brahms, not the other way around

  • @rons8332
    @rons8332 Год назад +8

    I think this video sets the record for the most commercials in any classical music video ever. At least they took the time to put most of them between movements or themes.

    • @pyotr-ilyich-tchaikovsky
      @pyotr-ilyich-tchaikovsky Год назад +3

      It's often not the uploader's fault; if a video is copyright claimed (which I believe this one was) RUclips puts ads automatically and none of the revenue goes to the uploader

    • @PinacoladaMatthew
      @PinacoladaMatthew 10 месяцев назад +1

      this made me reinstall adblock

  • @kir-iv
    @kir-iv 11 месяцев назад +17

    1 часть
    0:08 гп
    0:45
    1:29 кульминация
    1:43 сп
    1:50 пп 1 тема
    2:54 пп 2 тема
    3:22 мотивное развитие
    4:07 зп
    4:13 Р азработка (с тем же инструменталом)
    4:46 1 раздел
    5:34 2 раздел
    6:20
    (6:53 мотив из гп)
    7:42 Реприза гп
    9:19 пп 1 тема (виолончель)
    10:14 пп 2 тема (?)
    10:56
    12:00 Кода
    2 часть
    13:24 вступление
    13:48 гп
    14:50 вариационное развитие гп
    16:15 вариационное развитие
    16:55
    17:18 пп
    19:36 Реприза
    21:50 пп
    кода (?)
    24:51гп
    3 часть
    25:38 гп
    26:22 пп
    26:40
    27:08
    27:38 Разработка
    28:48 центральный раздел
    29:44 кульминация 1 тема
    29:51 кульминация 2 тема
    30:45
    4 часть
    32:05 1 тема
    32:40 2 вар
    34:00
    35:24 2раздел 12 вар

  • @НастяЛеонова-щ8и
    @НастяЛеонова-щ8и 6 месяцев назад +6

    1 часть
    тГП 1 элемент 00:06
    тГП 2 элемент 00:22
    вводный мотив в побочную 01:42
    1 тПП 01:49
    2 тПП 02:53
    Начало разработки либо 04:06, либо 04:22
    Кульминация 2 раздела 06:16
    3 раздел 06:52
    Начало репризы 07:40
    Кода 11:58
    2 часть
    Вступительные такты 13:23
    тГП 13:45
    тПП 17:16
    3 часть
    тГП 25:37
    тПП 26:24
    Переход к репризе 28:47
    Реприза 29:18
    4 часть
    Тема 32:04
    Вариации:
    1 32:20
    2 32:35
    3 32:52
    4 33:08
    11 35:03
    12 35:21
    13 36:06
    14 36:46
    30 41:01
    Кода 41:20

  • @detectivehome3318
    @detectivehome3318 3 года назад +33

    Thaaankk youuu!!!!!
    I have been waiting for a score video of this for so long!!

    • @claudiodalicarnasso6594
      @claudiodalicarnasso6594 3 года назад +1

      me too!!!!

    • @talavb9301
      @talavb9301 3 года назад +3

      Guys, I love this upload too, but there's been a score vid of Brahms' fourth on YT for years lmao
      Edit: Granted, the sound quality on this one is prolly superior

    • @detectivehome3318
      @detectivehome3318 3 года назад +2

      @@talavb9301 *a new one

  • @uraganslez
    @uraganslez 11 месяцев назад +14

    Для викторины:
    1 часть
    0:08 ГП
    1:43 СП
    1:50 ПП 1
    2:38 ПП 2
    6:53 ГП в репризе
    12:00 Кода
    2-я часть
    13:24 ГП
    17:18 ПП
    3-я часть
    25:38 ГП
    27:22 ПП
    27:38 Разработка
    4-я часть
    32:05 и до конца

  • @thepoweroforchestra3870
    @thepoweroforchestra3870 3 года назад +13

    Very nice recording, thank you!

  • @MattCitrano
    @MattCitrano 7 месяцев назад

    21:49 is just unbelievable, particularly in this recording. Like a warm, loving blanket of strings.

  • @alyssathefellow3067
    @alyssathefellow3067 Год назад +7

    2:59 except 🎻
    33:10 excerpt 🎻

  • @bill3837
    @bill3837 Год назад +3

    the 2nd movement tears me up the ending

  • @GeraldNorman-vq9je
    @GeraldNorman-vq9je Месяц назад

    Let us celebrate❤ Brahms
    everyday. his music is 😮
    so sparkling.

  • @Dylonely_9274
    @Dylonely_9274 Год назад +4

    Great symphony… I like it.

  • @krusty4651
    @krusty4651 9 месяцев назад +1

    violin excerpt starts @ 11:56 for those who need it

  • @alexanderherrrera5809
    @alexanderherrrera5809 Год назад +3

    That was beautiful

  • @UC2Ek5EUq1j4JcWlaQ6D
    @UC2Ek5EUq1j4JcWlaQ6D Год назад +5

    36:59
    Bar 117 sounds a lot like the opening bars of tannhauser. If you look at bar 4 beat 3 of the horn part, the notes, and timbre are very similar. Though the rhythm is different, I believe wagner uses a similar rhythm to the one brahms uses here

    • @calebhu6383
      @calebhu6383 Год назад +2

      You're correct

    • @isaacgraham4867
      @isaacgraham4867 10 месяцев назад

      Beautiful soft horn/trombone textures in both compositions 🥰

  • @ivaylovassilev6450
    @ivaylovassilev6450 3 года назад +8

    That's wonderful!

  • @hyngrixOo
    @hyngrixOo 5 месяцев назад +1

    1 часть
    тГП 1 элемент 00:06
    тГП 2 элемент 00:22
    вводный мотив в пп 01:42
    1 тПП 01:49
    2 тПП 02:37
    Начало разработки 04:22
    Кульминация 2 раздела 06:16
    3 раздел 06:52
    Начало репризы 07:40
    Кода 11:58
    2 часть
    Вступительные такты 13:23
    тГП 13:49
    тПП 17:16
    3 часть
    тГП 25:37
    тПП 26:24
    Переход к репризе 28:47
    Реприза 29:18
    4 часть
    Тема 32:04
    вар 1 32:20
    вар 2 32:35
    вар 3 32:52
    вар 4 33:08
    вар 11 35:03
    вар 12 35:21
    вар 13 36:06
    вар 14 36:46
    вар 30 41:01
    Кода 41:20

  • @emanuel_soundtrack
    @emanuel_soundtrack 2 года назад +3

    omg thx for doing without ads, got a sub. Good recording as well. Need to do one with Mutti

  • @АлінаКостюк-ц4н
    @АлінаКостюк-ц4н День назад +1


    0:08 г п
    1:43 сп
    1:51 пп
    4:07 з п
    4:46 1р розробки
    5:34 2р розробки
    7:42 реприза гп
    12:00 кода

    13:24 вступ
    13:48 гп
    17:18 пп
    21:50 пп
    3 ч
    25:39 Рондо соната 3 ел
    26:23 пп
    32:06 4ч пасакалія
    35:21 12 варіація
    38:40 16 варіція

  • @moderato1985
    @moderato1985 5 месяцев назад

    1 ч, е-moll:
    0:08 ГП e
    1:43 СП Fis
    1:50 ПП 1 h
    2:38 ПП 2 H
    6:53 ГП в репризi
    12:00 Кода
    2-га ч. Е:
    13:24 ГП Е
    17:18 ПП Н
    3-тя ч. С:
    25:38 ГП С
    26:29 ПП G
    27:38 Розробка
    4-та ч. е:
    32:05 - тема варіацій на basso ostinato, е
    35:21 - середина, 12-та варіація е

  • @ithebinman
    @ithebinman 2 года назад +6

    36:38 trombone excerpt

  • @antoniocarlosantunesantune3217
    @antoniocarlosantunesantune3217 3 года назад +5

    Great version!

  • @Elsie.Furman
    @Elsie.Furman Месяц назад

    1 часть:
    0:06 - ГП 1 Элем.
    0:22 - ГП 2 Элем.
    1:42 - ПП ввод. мотив
    1:49 - ПП 1 тема
    2:37 - ПП 2 тема
    4:22 - начало Разраб
    6:16 - кульмин. 2 Разд Разраб
    6:52 - 3 раздел Разраб
    7:40 - начало Репризы
    11:58 - Кода
    2 часть:
    13:23 - Вступ такты
    13:45 - ГП
    17:16 - ПП
    3 часть:
    25:37 - ГП
    26:24 - ПП
    28:47 - переход к Репризе
    29:18 - Реприза
    4 часть:
    32:04 -Тема
    32:20 - 1 Вар
    32:35 - 2 Вар
    32:52 - 3 Вар
    33:08 - 4 Вар
    35:03 - 11 Вар
    35:21 - 12 Вар
    36:06 - 13 Вар
    36:46 - 14 Вар
    41:01 - 30 Вар
    41:20 - Кода

  • @giancarlopiligp
    @giancarlopiligp 9 месяцев назад

    what an interpretation!

  • @cloverisfan818
    @cloverisfan818 Год назад +1

    The finale is basically variations on a short theme

  • @jimnoore493
    @jimnoore493 3 месяца назад +1

    That's good stuff.

  • @maxutko-vl2dh
    @maxutko-vl2dh 8 месяцев назад

    Как же потрясающе звучит валторна в самом начале второй части … !

  • @山村佳彦
    @山村佳彦 3 года назад +3

    ラトル指揮のベルリン・フィル。典雅な演奏。音がきれいでテンポが丁度いい。一昨年、福岡でベルリン・フィルの演奏を生で聴いた印象からすると、今現在の彼らもこれと似た演奏をすると思う。その時聴いたのはブラ4ではなくてブル8だったけど。

  • @lilahsenibaldi
    @lilahsenibaldi Год назад +2

    Flute excerpt-35:00

  • @lilaloaf
    @lilaloaf Год назад +1

    19:35 - 20:40 my practice area💪🏻

  • @lylecohen1638
    @lylecohen1638 3 года назад +9

    20:53 is very reminiscent of Mozart K394.

  • @llydiagao
    @llydiagao Год назад +4

    11:56

  • @deedumeday518
    @deedumeday518 Год назад

    MVT 1
    3 bars before [E] : 3:14
    [P] 11:33
    For now practice at 112 bpm.

  • @omiteehee9592
    @omiteehee9592 6 месяцев назад

    33:27
    33:36
    33:39
    33:43
    33:47
    33:50
    33:54
    34:10
    Runs
    34:26

  • @annkirilchuk
    @annkirilchuk 7 месяцев назад

    6:36 such a lovely

  • @dalnim9871
    @dalnim9871 Год назад +2

    19:35 - 21:04

  • @LukS626
    @LukS626 3 года назад +1

    Thank you

  • @_rstcm
    @_rstcm 8 месяцев назад

    7:47 sounds straight out of a Space movie.....

  • @claudiodalicarnasso6594
    @claudiodalicarnasso6594 3 года назад +1

    I love you. THANKS!!!!!!!!!!!!❤️❤️❤️❤️

  • @이하영-i4k
    @이하영-i4k 8 месяцев назад

    1. 3:38
    2. 9:33
    3. 11:30
    4. 12:12
    5. 27:36
    6. 33:17
    7. 39:00

  • @haysbrickell9579
    @haysbrickell9579 3 месяца назад

    Brahms symphony 4 is at the zenith of symphonic composition

  • @whonnyjang8448
    @whonnyjang8448 2 года назад +3

    33:08

  • @andynguyen3548
    @andynguyen3548 Год назад

    Audition reference:
    33:25

  • @единорогтиви
    @единорогтиви 5 месяцев назад +1

    4 ч
    35:20 2раздел 12 вар
    38:39 16 вар, (1 репр), 3 раздел

  • @michaelh.2666
    @michaelh.2666 Год назад

    17:10 excerpt

  • @andreauribe6454
    @andreauribe6454 Год назад +1

    Brahms in e minor...beethoven in c minor mozart in d major and bach in d minor.

  • @Robbytotty
    @Robbytotty Месяц назад

    Compass 62, the contrabass play the A sharp, not natural, is the melodic scale.

  • @marcc5353
    @marcc5353 3 года назад +4

    32:02 movt 4

  • @emo916
    @emo916 Год назад

    O for the days when even chaconnes were written eruditely!

  • @iijace9138
    @iijace9138 2 года назад +2

    what does H mean

    • @MrBrandenBurn
      @MrBrandenBurn 2 года назад +5

      H=B, B=Bb

    • @iijace9138
      @iijace9138 2 года назад

      oh thanks

    • @pyotr-ilyich-tchaikovsky
      @pyotr-ilyich-tchaikovsky Год назад +1

      H is a letter used in German notation to represent B as the letter B already respresented Bb. Because of this, Bach was able to write his name in music, I would recommend checking out a piece be wrote based on his name.

    • @iijace9138
      @iijace9138 Год назад +1

      @@pyotr-ilyich-tchaikovsky NO WAY TCHAIKOVSKY U'RE MY FAV COMPOSER

  • @DogecuReleto
    @DogecuReleto Год назад

    🤩

  • @viktortallone
    @viktortallone Год назад +1

    solo flute 35:15

  • @navinormusic
    @navinormusic 5 месяцев назад

    17:17 33:25

  • @zhixi9655
    @zhixi9655 Год назад +1

    why is rattle?😂

  • @user-TempeL
    @user-TempeL 11 месяцев назад

    브람스_교향곡 4번
    교향곡 4번은 본인의 모든 방법을 보여주는 종합판임
    (실내악 작곡가)
    em 쓰는건 흔하지 않음
    4번 4악장 샤콘느(파사칼리아)
    정해진 베이스 선율에 변주하는 형식

  • @ismackseagulls1604
    @ismackseagulls1604 Год назад +1

    8:02

  • @rileyplaysthebass4166
    @rileyplaysthebass4166 Год назад

    20:30, 41:20

  • @noahbaum1046
    @noahbaum1046 10 дней назад

    mvt 3 m151 28:08

  • @johnsharp7041
    @johnsharp7041 Год назад

    8:02
    30:50

  • @_t8512
    @_t8512 2 года назад

    34:40
    35:00

  • @aragornthebrave
    @aragornthebrave 7 месяцев назад

    Urgh adverts at the beginning, in between mvts and in the MIDDLE of mvts. Great job.

  • @Steinrunninn
    @Steinrunninn 9 месяцев назад

    6:53
    9:20

  • @rhona5797
    @rhona5797 Год назад

    35:00

  • @음악임용
    @음악임용 Год назад

    0:07

  • @Daeiwg
    @Daeiwg 4 месяца назад

    10:30

  • @annkirilchuk
    @annkirilchuk 7 месяцев назад

    36:48 isn't it beautiful

  • @tyty2tiethr335
    @tyty2tiethr335 Год назад

    7:41

  • @TGMGame
    @TGMGame 2 года назад +10

    idk why but in my opinion the very end isn't powerful enough for a piece like this. it just seems a little too small.

  • @colinmoore317
    @colinmoore317 6 месяцев назад

    Great symphony 😂.

  • @МаргаритаМочалина-ц5т
    @МаргаритаМочалина-ц5т 7 месяцев назад

    2:54 2тПп
    3:36 зп

  • @josephreuss3762
    @josephreuss3762 3 года назад +89

    This is so terribly who even is brahms

  • @aidanstrong1061
    @aidanstrong1061 Год назад

    I struggle to understand... for example 0:40 to me doesn't sound like counterpoint, but just like an orchestra playing a mess. Unless thats the effect brahms wanted? And why do I find none of the themes particularly beautiful. For example 1:49 the theme starts so strong, but then it gets lost to my ears? :(

    • @aliciadalbey1201
      @aliciadalbey1201 Год назад +1

      maybe find a different recording? at 0:40 it might not be counterpoint in a fugal sense but its objectively polyphonic with accompaniment in the bass, the main melody in the strings and the second shorter more motivic melody heard mostly in the winds. At 1:49 the melody is repeated twice very clearly once in low strings and then in the high strings. It then gets adsorbed by the fanfare esc theme from before. If you don't find them beautiful thats fine, I think Beethoven doesn't have many things that are actually beautiful.

  • @fintaylor1645
    @fintaylor1645 3 года назад +17

    Swear this guy just copied Bachs cantata 150 🙄

  • @РоманШешуков-ж5ю
    @РоманШешуков-ж5ю 5 месяцев назад

    1 часть
    тГП 1 элемент 00:06
    тГП 2 элемент 00:22
    вводный мотив в побочную 01:42
    1 тПП 01:49
    2 тПП 02:37
    Начало разработки либо 04:06, либо 04:22
    Кульминация 2 раздела 06:16
    3 раздел 06:52
    Начало репризы 07:40
    Кода 11:58
    2 часть
    Вступительные такты 13:23
    тГП 13:45
    тПП 17:16
    3 часть
    тГП 25:37
    тПП 26:24
    Переход к репризе 28:47
    Реприза 29:18
    4 часть
    Тема 32:04
    Вариации:
    1 32:20
    2 32:35
    3 32:52
    4 33:08
    11 35:03
    12 35:21
    13 36:06
    14 36:46
    30 41:01
    Кода 41:20

  • @Jason-uq5lz
    @Jason-uq5lz Год назад +1

    19:36-20:44

  • @ismackseagulls1604
    @ismackseagulls1604 Год назад +2

    20:35

  • @ismackseagulls1604
    @ismackseagulls1604 Год назад +2

    7:46

  • @chuanyingyu8156
    @chuanyingyu8156 Год назад +1

    25:37

  • @jennifermai1589
    @jennifermai1589 Год назад

    33:39

  • @Dylonely_9274
    @Dylonely_9274 Год назад

    41:21

  • @Dylonely_9274
    @Dylonely_9274 Год назад +1

    42:07

  • @ismackseagulls1604
    @ismackseagulls1604 Год назад +1

    30:53

  • @TheTimeBeing
    @TheTimeBeing Год назад

    20:43

  • @dooloo7762
    @dooloo7762 Год назад

    11:50

  • @decaffy
    @decaffy 3 месяца назад

    21:49

  • @ismackseagulls1604
    @ismackseagulls1604 Год назад +1

    33:26

  • @olivia.swindler
    @olivia.swindler 10 месяцев назад

    30:05

  • @NoFaceOCHOCHAMA
    @NoFaceOCHOCHAMA 6 месяцев назад

    33:09

  • @tubbynite3135
    @tubbynite3135 2 месяца назад

    11:55

  • @Lolawestie
    @Lolawestie 10 месяцев назад

    33:22