Будучи маленькой девочкой, Я услышала по радио Марио Дель Монакано и навсегда влюбилась в этот неповторимый голос! Мне 70 лет, очень часто устраиваю праздник души - слушаю этот чудесный голос! ❤
Il tenore dei tenori unico nel mondo che ha interpretato l' otello in maniera così magistrale.Unico ad interpretarlo per ben 376 volte.E'stato un grandissimo ineguagliabile artista,una icona della musica lirica e non solo.
This is a beautiful compilation of Del Monaco's art. He was, in all probability, the most intense tenor, certainly in the 20th century. Just look at the footage and the body language. He was an exciting performer. Considering the firepower of his singing, it is worth noting, and in my opinion, essential, to point out that he was capable of producing exceptionally ravishing phrases. On balance, Del Monaco was an artist of considerable merit.
Mario Del Monaco to niedościgniony geniusz, to najlepszy tenor w historii. Już nieliczni żyjący pamiętają Go ze sceny - zostają nam tylko nagrania, nie zawsze dobrej jakości, ale przynajmniej dają pojęcie o perfekcji mistrza. Niepowtarzalny, niezapomniany na szczęście.
EL MEJOR TENOR DRAMATICO de la historia!!! una voz desenfrenada, indomable,irresistible, volcanico, electricizante.. unica en su regristo!!! y como artista... incomparable!!! nunca mas escucharemos en el regristro dramatico una Voz con Tanta riqueza!
The great technique and a really modern tenor. Power, wonderful expression and melodrama. The open pharynx as the true resonator. An exceptional artist.
@@Makenor13 yes and the real column has to be below the larynx, in other case you can not controle the air., that goes to the larynx and to the mouth. the trachea is hollow and has the high and low resonance and frequencies. the only fharynx can not be resonator. but the good singer forms the vowels a.e.i.o.u there, not in the mouth
@@santisramos5832 A resonator, by definition, can't be before the sound source. Since the air stream goes only in one direction (from the lungs to the mouth), and before getting to the vocal cords it's just silent air who brings no sound wave, everything that is below the larynx is not went through the sound, so it can't be a resonator
@@Makenor13 it is your opinion only, i said that the part of the larinx with trachea is the true resonator. and the trachea has to be secluded below. this is the column and resonator. and in this way the sound is produced, where were investigations that proved the trachea had the low and high frequencies that coincided with 3300 HRZ. the only farinx has not these frequencies and he is not hollow
What beautiful scenes!!!! I was deeply moved to tears. He is so vivid and beautiful!!!!!!! All scenes are amazing!!!!!!!!!!! Especially, I was deeply moved by the last scene of Andrea Chenier. They look really love each other. ❤ Mario and Antonietta's voices are so beautiful and blended together!!!! Thanks so much for editing and posting a wonderful video. from a Japanese fan of Mario del Monaco Fumiko ふみこ
ну это просто другое измерение: Ирина Архипова и Марио дель Монако. На разных языках и так натурально: она дерзкая, сама спровоцировала, а он "убил" так натурально, что даже выражение лица изменилось - лицо убийцы. Ну как они это делали?!
About the importance of good pronounce in opeea:Mario sings Don Jose in italian(and sometimes in frech in this performance) and Archipova sings in russian and nobody cares nothing for it! And I've heard that in Germany 9 things are important:1 language, 2 language 3 language and so on.. NO, 3 things are important for singer:1 Voice, 2 Voice, 3 Voice
Wow...so amazing to find my drawing of him as Othello in this video, minute 7:20...He is still my absolute hero...a man of incredible intensity and integrity! Truly Immortal Mario del Monaco!
L'ho trovato però è proprio un piccolo pezzetto. Peccato. Se a quell'epoca avessero saputo che noi oggi avremmo cercato questi video e che sarebbero diventati come delle reliquie, forse li avrebbero fatto meglio.
What can be said of a legend ! This is a Heifetz on vocals ! Open & shut case ! Had no rivals - sorry Franco Corelli, Placido Domingo, Enrico Caruso !!!!
I can see where others pale in comparison. Later he lost the ability to sing softer than forte. The unrelenting volume became fatiguing for the audience. (Well, me.) He had it all brains, looks, da voice, and great involvment in the dramatic situation.
This is a love duet from Andrea Chenier. This scene comes from RAI television recorded in 1956. Antonietta Stella as Magdalena. Also in the whole recording Giuseppe Taddei was Gerard. The whole opera with them you can find here in RUclips.
Not really, Corelli a spinto tenor had a warm organ sounding voice full of feeling. Lanza had a most beautiful lyric quality. Del Monaco had a Bronze like dramatic sound with impeccable diction, but all 3 had great voices.Enjoy
@@santisramos5832 When Del Monaco was in his 30s, He was already a spinto tenor with dramatic impact when needed, also debuting in Otello at age 35. When MDM got into his 40s, his voice transcended into a full dramatic tenor voice. Imo, the dramatic tenor should have a rich constant powerful, dark ringing voice which describes MDM. Zenatello, Vinay, Merli,Vickers, Slezak are perhaps examples of dramatic tenors. Even Corelli had some dark dramatic quality to his voice but I don't believe he was a dramatic tenor. Domingo was a medium spinto voice who sung Otello many times, but I think he fell short in some of the more fiery portions of the opera like the Esultate, Ora Per Sempre and the Si Per Ciel, where he didn't have the driving phrasing and wielding force required to be a great Otello. But he was respectable.
@@sugarbist del monaco did not have baritonal colour in his was. he was liric spinto. domingo was a full liric tenor that wanted to sing everything. merli, vinaj zenatello were dramatic tenor, yes
@@santisramos5832 Del Monaco is constantly referred to as a dramatic tenor. Even his obituary claims he was a dramatic tenor. After 1960 his repertoire consisted of mostly dramatic roles. I've heard some people say he was a spinto tenor, but never a lyric spinto. See Jerome Hines interview with Stefan Zucker & Corelli here on Y.T.. Hines says, Please excuse me Franco" When Del Monaco opened his mouth for the first time in an Aida rehearsal in 1951 at the Met, it was the most Gigantic brilliant sound I ever heard in my life and it was spectacular." Corelli said"It's true" MDM had a clean dark tenor voice and not necessarily a baritone sound. Vinay started out as a baritone, then became a tenor and then finished his career as a baritone but always considered himself a baritone. Domingo did sing everything but I believe he was either a lyric spinto or a medium size spinto. Zenatello was a phenominal dramatic tenor.
Будучи маленькой девочкой, Я услышала по радио Марио Дель Монакано и навсегда влюбилась в этот неповторимый голос!
Мне 70 лет, очень часто устраиваю праздник души - слушаю этот чудесный голос! ❤
Il tenore dei tenori unico nel mondo che ha interpretato l' otello in maniera così magistrale.Unico ad interpretarlo per ben 376 volte.E'stato un grandissimo ineguagliabile artista,una icona della musica lirica e non solo.
This is a beautiful compilation of Del Monaco's art. He was, in all probability, the most intense tenor, certainly in the 20th century. Just look at the footage and the body language. He was an exciting performer. Considering the firepower of his singing, it is worth noting, and in my opinion, essential, to point out that he was capable of producing exceptionally ravishing phrases. On balance, Del Monaco was an artist of considerable merit.
I agree.
Какая мощь!!!Титан!!Верха непоколебимые!!!!Красота тембра, настоящий на все времена!!!!
Mario Del Monaco to niedościgniony geniusz, to najlepszy tenor w historii. Już nieliczni żyjący pamiętają Go ze sceny - zostają nam tylko nagrania, nie zawsze dobrej jakości, ale przynajmniej dają pojęcie o perfekcji mistrza. Niepowtarzalny, niezapomniany na szczęście.
Io me lo ricordo bene fal vivo eravamo snche molto amici hrande immrnso cantamte .e uomo tvb.
EL MEJOR TENOR DRAMATICO de la historia!!! una voz desenfrenada, indomable,irresistible, volcanico, electricizante.. unica en su regristo!!! y como artista... incomparable!!! nunca mas escucharemos en el regristro dramatico una Voz con Tanta riqueza!
AGREED!
👍👍❤️
Daccordissimo
The great technique and a really modern tenor. Power, wonderful expression and melodrama. The open pharynx as the true resonator. An exceptional artist.
The true resonator is trachea and larinx. The faringeal space is only 20-25 % of resonance
@@santisramos5832 How can be trachea a resonator if it starts below the larynx?
@@Makenor13 yes and the real column has to be below the larynx, in other case you can not controle the air., that goes to the larynx and to the mouth. the trachea is hollow and has the high and low resonance and frequencies. the only fharynx can not be resonator. but the good singer forms the vowels a.e.i.o.u there, not in the mouth
@@santisramos5832 A resonator, by definition, can't be before the sound source. Since the air stream goes only in one direction (from the lungs to the mouth), and before getting to the vocal cords it's just silent air who brings no sound wave, everything that is below the larynx is not went through the sound, so it can't be a resonator
@@Makenor13 it is your opinion only, i said that the part of the larinx with trachea is the true resonator. and the trachea has to be secluded below. this is the column and resonator. and in this way the sound is produced, where were investigations that proved the trachea had the low and high frequencies that coincided with 3300 HRZ. the only farinx has not these frequencies and he is not hollow
Voce Enorme! Armonici incredibili...Bellissima e Potente! Mario Del Monaco Sempre
Immortale! Artista Immenso...Infinitamente preparato...Viva Mario Del Monaco Sempre
Del Monaco was spectacular!
in questo file i più impressionanti esempi della grandezza interpretativa e della qualità di voce di Mario . grazie Radames
Grande grande grande .....il più grande
YOU ARE MISSED KING!
Del Monaco anni 50 inbattibile una vera goduria per le orecchie e i sensi. Viva Del monaco❤️
Vocalmente, Artísticamente ...
Un hombre único en el arte de la Opera
Una breve full immersion per i giovani che vogliono conoscere questo artista.
What beautiful scenes!!!!
I was deeply moved to tears.
He is so vivid and beautiful!!!!!!!
All scenes are amazing!!!!!!!!!!!
Especially, I was deeply moved by the last scene of Andrea Chenier.
They look really love each other. ❤
Mario and Antonietta's voices are so beautiful and blended together!!!!
Thanks so much for editing and posting a wonderful video.
from a Japanese fan of Mario del Monaco Fumiko ふみこ
Totalmente de acuerdo contigo amigo japonés. Saludos de un chileno
One of the few that could tackle Verdi’s Othello & live to tell about it !!! Just amazing !
in "sacerdote io resto a te" from Aida, he blasts the theater..
Grandissimo Mario ha divulgato la cultura italiana nel mondo
stupenda la Carmen dove lui canta in italiano e lei in russo....meravigliosa
❤❤❤Sin duda alguna él era Otello…grandioso Mario!!!!!!!
Prima di essere Otello,era Dick Jonshon,Sansone,Ernani,Radames,Chenier,Pollione...ecc
@@radames5855 Totalmente de acuerdo. Saludos cordiales
Imortal.Grandissimo Del Monaco.
The perfect Otello!
ну это просто другое измерение: Ирина Архипова и Марио дель Монако. На разных языках и так натурально: она дерзкая, сама спровоцировала, а он "убил" так натурально, что даже выражение лица изменилось - лицо убийцы. Ну как они это делали?!
Great Mario
Power and artistry!!!
About the importance of good pronounce in opeea:Mario sings Don Jose in italian(and sometimes in frech in this performance) and Archipova sings in russian and nobody cares nothing for it! And I've heard that in Germany 9 things are important:1 language, 2 language 3 language and so on.. NO, 3 things are important for singer:1 Voice, 2 Voice, 3 Voice
Tante belle "chicche"da gustarsi una dopo l'altra, compresi i filmati...grazieGenerale Radames!
Great post, Thank you. MDM & CORELLI are the best GOAT! Arnold Bourbon Amaral
Wow...so amazing to find my drawing of him as Othello in this video, minute 7:20...He is still my absolute hero...a man of incredible intensity and integrity! Truly Immortal Mario del Monaco!
Sorry. I hope you didn't mind? I just got random photos from Google images.
That's a wonderful drawing mate ♥️♥️🔥
@@RadamesAida2Operalovers Not at all, I feel very honoured! He's my hero! Thank you!
Once one gets addicted to Monaco’s voice. It is like narcotic. Cannot listen to any other tenor.
Everone is weak and pale in comparison.
perfectly describes my experience. the diction, the tone, the power all keep me coming back
Magnifico!!!!!!!!!!
Der Otello des Jahrhunderts! Ich habe ihn noch Live erlebt, 1966 Walküre in Stuttgart, unvergessen für immer!
Thank you for posting Mario. Golden voice, one and only. No one else!!! not even close,
All Italians care about now is football. Pity, Del Monaco's beloved art Opera is on it's death bed.
Il primo pezzetto di video e' incredibile. Dove lo hai preso? Non mi sembra che ci sia sul sito di istituto luce.
L'ho trovato però è proprio un piccolo pezzetto. Peccato. Se a quell'epoca avessero saputo che noi oggi avremmo cercato questi video e che sarebbero diventati come delle reliquie, forse li avrebbero fatto meglio.
Extraordinaire Mario Del Monaco, voix inégalable, le plus grand ténor du monde.
EIN GROSSARTIGES ZEITDOKUMENT MIT EINEM FANTASTISCHEN MARIO DEL MONACO
Grandissimo,imitabile,,e'stato il piu' grande di tutti.Nessuno come lui ha reso grande
La lirica nel . mondo.
Meraviglioso il tuo Otello ne ho visti tanti a Roma tvb.
BRAVO
IL PIÙ GRANDE TENORE ED ARTISTA AL MONDO!!!!!!!!!!
In Radames,é stellare!!!
Bravo questo ragazzo
Brividi...
What can be said of a legend ! This is a Heifetz on vocals ! Open & shut case ! Had no rivals - sorry Franco Corelli, Placido Domingo, Enrico Caruso !!!!
Domingo doesn't belong in that exalted company.
I would rather choose to listen to Caruso and young Del Monaco any time.
Condivido .inpieno Mario eccezzionale
Giustissimo quello che é stato scritto unico non ha rivali
Thank you
quanto mi manca.
He takes your breath away.
Once one gets addicted to Monaco’s voice. It is like narcotic. Csnnot listen to any othet renot
Everone is weak and pale in comparison
I can see where others pale in comparison. Later he lost the ability to sing softer than forte. The unrelenting volume became fatiguing for the audience. (Well, me.) He had it all brains, looks, da voice, and great involvment in the dramatic situation.
Si los cantantes de hoy escuchan esto debieran meterse abajo de la cama y no cantar mas en su vida.
What’s the duet at 11? And who’s the soprano
This is a love duet from Andrea Chenier. This scene comes from RAI television recorded in 1956. Antonietta Stella as Magdalena. Also in the whole recording Giuseppe Taddei was Gerard. The whole opera with them you can find here in RUclips.
Who was/is the soprano in the excerpt from "Andrea Chenier", looks familiar but cannot remember name.
Antoinetta Stella.
I think the soprano is Antionetta Stella
nunca un piano, un pianisimo, un diminuendo, cero dinamicas
5:18 what is the aria?
"Or son sei mesi" from La fanciulla del West
Chenier x la tv del 55
What aria is this 5:23?
"La Fanciulla del west." "Or son sei mesi" ruclips.net/video/iuyaOm7pBpc/видео.html
Mario Del Monaco has similar sound to Lanza and Corelli.
Not really, Corelli a spinto tenor had a warm organ sounding voice full of feeling. Lanza had a most beautiful lyric quality. Del Monaco had a Bronze like dramatic sound with impeccable diction, but all 3 had great voices.Enjoy
@@sugarbist del Monaco was lirico spinto. Not dramatic
@@santisramos5832 When Del Monaco was in his 30s, He was already a spinto tenor with dramatic impact when needed, also debuting in Otello at age 35. When MDM got into his 40s, his voice transcended into a full dramatic tenor voice. Imo, the dramatic tenor should have a rich constant powerful, dark ringing voice which describes MDM. Zenatello, Vinay, Merli,Vickers, Slezak are perhaps examples of dramatic tenors. Even Corelli had some dark dramatic quality to his voice but I don't believe he was a dramatic tenor. Domingo was a medium spinto voice who sung Otello many times, but I think he fell short in some of the more fiery portions of the opera like the Esultate, Ora Per Sempre and the Si Per Ciel, where he didn't have the driving phrasing and wielding force required to be a great Otello. But he was respectable.
@@sugarbist del monaco did not have baritonal colour in his was. he was liric spinto. domingo was a full liric tenor that wanted to sing everything. merli, vinaj zenatello were dramatic tenor, yes
@@santisramos5832 Del Monaco is constantly referred to as a dramatic tenor. Even his obituary claims he was a dramatic tenor. After 1960 his repertoire consisted of mostly dramatic roles. I've heard some people say he was a spinto tenor, but never a lyric spinto. See Jerome Hines interview with Stefan Zucker & Corelli here on Y.T.. Hines says, Please excuse me Franco" When Del Monaco opened his mouth for the first time in an Aida rehearsal in 1951 at the Met, it was the most Gigantic brilliant sound I ever heard in my life and it was spectacular." Corelli said"It's true" MDM had a clean dark tenor voice and not necessarily a baritone sound. Vinay started out as a baritone, then became a tenor and then finished his career as a baritone but always considered himself a baritone. Domingo did sing everything but I believe he was either a lyric spinto or a medium size spinto. Zenatello was a phenominal dramatic tenor.
Да , господа современные тенора ...! Вам надо "удавиться" или уйти в пустыню и там издавать свои звуки !
😂😂