Franco Corelli is 50 here,but"he could still sing like a hurricane:he transformed the sextet"Che mi frena in tal momento" into a tenor solo with a chorus of five"(Rene Seghers)
I love Corelli but I can't imagine him trying to do this role. It's so wrong for his voice. I imagine he figured it out after the first and only complete performance...
Why not? All other tenors like Pavarotti, Domingo and many others were capable of singing everything, dramatic roles, lyric roles and whatever tenor roles, only Corelli was limited to certain parts? So, Corelli was inferior to all others? I would have Corelli's voice anytime instead of Pavarotti and many others who came after him.
@@judithbereczky4114 @Judith Bereczky Spoken like a petulant fan. You seem to believe singing is a democracy, if one singer does a role, others should too, just because. Why do you mention Pav & co? The poster didn't say anything about them, just about Corelli, and didn't ask anyone to 'trade' Corelli's voice for Pav & co's voices, as you are inclined to do. And no, Pav & co weren't capable of singing everything, particularly the 'whatever tenor roles'. Singing something as in just singing the notes to the best of your ability (and cheating when your ability isn't enough) vs singing in the correct STYLE ain't the same thing.
Развлечения
Wow! It's a concerto for Corelli's voice!
Franco Corelli is 50 here,but"he could still sing like a hurricane:he transformed the sextet"Che mi frena in tal momento" into a tenor solo with a chorus of five"(Rene Seghers)
Lucia - Roberta Peters
Edgardo - Franco Corelli
Enrico - Matteo Manuguerra
Raimondo - Bonaldo Giaiotti
Arturo - Leo Goeke
Alisa - Carlotta Ordassy
Normanno - Rod MacWherter
Conductor - Carlo Franci
MET, 11th January 1971
Such a powerful voice : it must have been difficult for the other singers to be heard !
!Grandeeeeeee!
Sigo esperando tu respuesta roxalys ,solo quiero saber eso y ya no molestare mas.
Extraordinarios!!
Bella, semplicemente, bella...
Wonderful!
I want to hear him sing "Tu che a dio" at the end of Lucia. Bet he would have me in tears.
💖🎼💖
Bravi!
Merci
Tenor solo with 5 backup singers.
Um grande Enrico!Orfeu1950.
This was the only Lucia Corelli sang in his all life. In the second night he resingned after the 1st act.
why -- what happened
Indisposizione
How lucky we are that the first night was recorded! Otherwise it may also to to sink into oblivion like Corsair.
@@mariaruskova6054 Corelli didn' sing Verdi's Il Corsaro, but Bellini's Il Pirata.
Ah pois.
Does anyone know the cast and/or conductor?
@josemuso1 ¿Cúal es el significado de "muso"?
ist das mit roberta peters?
Si
Excellent singing, poor recording, bravo to each one ot hem...JRT
I love Corelli but I can't imagine him trying to do this role. It's so wrong for his voice. I imagine he figured it out after the first and only complete performance...
Why not? All other tenors like Pavarotti, Domingo and many others were capable of singing everything, dramatic roles, lyric roles and whatever tenor roles, only Corelli was limited to certain parts? So, Corelli was inferior to all others? I would have Corelli's voice anytime instead of Pavarotti and many others who came after him.
@@judithbereczky4114 @Judith Bereczky Spoken like a petulant fan. You seem to believe singing is a democracy, if one singer does a role,
others should too, just because. Why do you mention Pav & co? The poster didn't say anything about them, just about Corelli, and didn't ask anyone to 'trade' Corelli's voice for Pav & co's voices, as you are inclined to do. And no, Pav & co weren't capable of singing everything, particularly the 'whatever tenor roles'. Singing something as in just singing the notes to the best of your ability (and cheating when your ability isn't enough) vs singing in the correct STYLE ain't the same thing.
I've already heard worst.....