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One of the last times I played music with real people, I intentionally played an F under the guitar player's Aminor chord (changing the chord to an Fmaj7) on an original song the guitar player had written. He hated it and I played an A the rest of the jam. Next time out we play that song again and this time I'm playing an A and he is playing an Fmajor. He said he listened back to the recording and liked it better that way so he changed the song.
Excellent advice. I love the idea of using rests as notes. Nothing wrong with playing less and letting the other instruments and vocals shine. And some great examples of bass lines with 4 notes or less. For me, I have no problem with driving 8th notes if that is what the song requires. No need to be flashy just for the sake of being flashy.
The piano roll tip is something I can relate to. Composing by using the piano roll expanded my note choices beyond what is normally comfortable for me on a real instrument.
I have rewatched this video several times over the past year as I learn more music theory, and each time I get a little more insight out of it. For example, I have taken your advice and started writing all my bass lines using MIDI at the same time as I write the chord progression. I primarily used 7th chords before, but now I use triads where the bass makes the chord into a 7th chord, and it sounds way better than just doubling an already-existing root note. Also, writing bass lines with MIDI helps me coordinate the bass with the drums, and know when to open up space for the snare.
This is great and succinct advise! Each of your points can be practiced so you’ll begin to automatically absorb them. For me top 3 you mentioned, keep it simple, don’t get in the way of singers and guitars and listen to other genres of music. Your channel has opened up heavy metal by focusing on the bassist and has given me an appreciation for the musicianship and creativity of a genre I wasn’t particularly interested in. Very valuable service provided, Paul! Thank you✌️❤️
To add to point number 7, what I tend to do is to write basslines in my mind after listening to a song many times without my bass at hand. If the bassline is good I should be able to remember it later and play it as it is by ear.
![Writing Music Off Of A Bass Line in 5 Styles [SONGWRITING - ARRANGEMENT - MUSIC THEORY]]](http://i.ytimg.com/vi/DaJRzT_NMXs/mqdefault.jpg)
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One of the last times I played music with real people, I intentionally played an F under the guitar player's Aminor chord (changing the chord to an Fmaj7) on an original song the guitar player had written. He hated it and I played an A the rest of the jam. Next time out we play that song again and this time I'm playing an A and he is playing an Fmajor. He said he listened back to the recording and liked it better that way so he changed the song.
Excellent advice. I love the idea of using rests as notes. Nothing wrong with playing less and letting the other instruments and vocals shine. And some great examples of bass lines with 4 notes or less. For me, I have no problem with driving 8th notes if that is what the song requires. No need to be flashy just for the sake of being flashy.
Man you're the best guy out there for being the most informative in the least amount of time! This channel is crushing it in my opinion
You’re the man Paul!
I’ve learned so much for your channel Paul! Really appreciate all that you do for the base community 🎉
The piano roll tip is something I can relate to. Composing by using the piano roll expanded my note choices beyond what is normally comfortable for me on a real instrument.
Excellent video ❤
I have rewatched this video several times over the past year as I learn more music theory, and each time I get a little more insight out of it. For example, I have taken your advice and started writing all my bass lines using MIDI at the same time as I write the chord progression. I primarily used 7th chords before, but now I use triads where the bass makes the chord into a 7th chord, and it sounds way better than just doubling an already-existing root note. Also, writing bass lines with MIDI helps me coordinate the bass with the drums, and know when to open up space for the snare.
Great video.
I don't even have a bass,why am I here
Because you want to be a bassist.
Great tips. Thnx !
Great advice. I'm going to remember
this.
Awesome tips!
This is great and succinct advise! Each of your points can be practiced so you’ll begin to automatically absorb them. For me top 3 you mentioned, keep it simple, don’t get in the way of singers and guitars and listen to other genres of music. Your channel has opened up heavy metal by focusing on the bassist and has given me an appreciation for the musicianship and creativity of a genre I wasn’t particularly interested in. Very valuable service provided, Paul! Thank you✌️❤️
Really liking these tips videos. Thank you!
Thanks this helps a lot.
Such great advice as always
now that's helpful!
Thanks, man! Great explanation.
To add to point number 7, what I tend to do is to write basslines in my mind after listening to a song many times without my bass at hand.
If the bassline is good I should be able to remember it later and play it as it is by ear.
Thank you
this has to be seen and heard by all the players in a band who don't play bass too! 😊
Can you do more vids on metallica? Thanks buddy!
Is "Slash chord" another term for "inversion"?
Any chance of a tutorial on Bernard Edwards?!
Is it okay to use 5 notes max???
Make a video speaking Italian
It's kinda astonishing how these are all really great tips, but if you look around, the "big ones" break these guidelines all the time. 🤷♂️
I kinda liked the version of another one bites the dust without rest.
Jeez... what a boring friggin way to play bass. Hard pass
I was thinking the same thing. Four notes? Nope. This is why bass is treated like an afterthought.