Tommy Karevik (PelleK) (D2 to C6) 3 octaves, 6 notes Roy Khan (Bb1 to F#5) 3 octaves, 5 notes When compared to Geoff Tate (A1 to A5) 4 octaves or Freddie Mercury (F2 to F6) 4 octaves Source: @t
These ranges make no sense. When has Geoff Tate sung an A1, is he doing subharmonics now? And the only way Freddy might reach an F6 is by screeching without any actual control. Also how did Tommy gain half an octave over this video? Are you including squealing notes again? Why doesnt Roy get the squealing range boost? In his video in this channel we see C#2-F#5 all with great control, if you let roy squeal I'm sure he easily reaches a C6, even I do, but i dont count these notes as part of my range, neither should anyone.
if the open and close parenthesis means Tommy is PelleK then you are completely wrong. you don't even have to research that much to know that the two of them are completely different person. PelleK has his own RUclips Channel and they have completely different faces.
The Range Planet gives Geoff Tate F#1-G#5 (the F#1 being on a live performance of Silent Lucidity in 2018; the G#5 in full voice, he doesn't really do falsetto). 4 octaves, 1 note. It gives Freddie Mercury F2 - Eb6 (the Eb6, and everything he did above F#5, being falsetto/whistle notes) 3 octaves 1 semitone in full voice, plus another octave + 1 note in falsetto. Has Roy Khan as C#2-F#5 (as shown in his video, full voice). 3 octaves 3 notes. And Tommy Karevik as Eb2 -F#5 (as shown in this video, full voice). 3 octaves 1 note. Of course, this is over their entire careers. Roy Khan actually had both his highest and lowest in his early Conception days, but overall his voice is trending lower and he no longer has the same upper range - he seems to do more of his higher range in falsetto now. Geoff Tate's lows are more recent live performances and he's losing the high end. Tommy Karevik's voice at age 40 seems to be mysteriously unchanged although he had the smallest range of these 4 to begin with. Freddie of course died before he reached the ages Roy or Geoff are now. Range-wise Michael Mills beats them all with F#1-C6 (4 octaves, 4 notes).
He has such magnificent and beautiful voice
Thanks for this incredible job!
He's awesome!!! 😍😍😍😍 I do hope you'll make a video with the vocal range of Nils Molin...
Great voice
Great baritone voice with high notes. Similar to Roy Khan maybe a bit higher
Tommy Karevik (PelleK) (D2 to C6) 3 octaves, 6 notes
Roy Khan (Bb1 to F#5) 3 octaves, 5 notes
When compared to Geoff Tate (A1 to A5) 4 octaves or Freddie Mercury (F2 to F6) 4 octaves
Source: @t
Pellek is another singer, is not Tommy Karevik. anyway, both of them have similar vocal ranges.
These ranges make no sense. When has Geoff Tate sung an A1, is he doing subharmonics now? And the only way Freddy might reach an F6 is by screeching without any actual control.
Also how did Tommy gain half an octave over this video? Are you including squealing notes again?
Why doesnt Roy get the squealing range boost? In his video in this channel we see C#2-F#5 all with great control, if you let roy squeal I'm sure he easily reaches a C6, even I do, but i dont count these notes as part of my range, neither should anyone.
if the open and close parenthesis means Tommy is PelleK then you are completely wrong. you don't even have to research that much to know that the two of them are completely different person. PelleK has his own RUclips Channel and they have completely different faces.
@@Laxlii no, the parentheses are to state that the analysis was taken when Tommy sang with PelleK.
The Range Planet gives Geoff Tate F#1-G#5 (the F#1 being on a live performance of Silent Lucidity in 2018; the G#5 in full voice, he doesn't really do falsetto). 4 octaves, 1 note.
It gives Freddie Mercury F2 - Eb6 (the Eb6, and everything he did above F#5, being falsetto/whistle notes) 3 octaves 1 semitone in full voice, plus another octave + 1 note in falsetto.
Has Roy Khan as C#2-F#5 (as shown in his video, full voice). 3 octaves 3 notes.
And Tommy Karevik as Eb2 -F#5 (as shown in this video, full voice). 3 octaves 1 note.
Of course, this is over their entire careers. Roy Khan actually had both his highest and lowest in his early Conception days, but overall his voice is trending lower and he no longer has the same upper range - he seems to do more of his higher range in falsetto now. Geoff Tate's lows are more recent live performances and he's losing the high end. Tommy Karevik's voice at age 40 seems to be mysteriously unchanged although he had the smallest range of these 4 to begin with. Freddie of course died before he reached the ages Roy or Geoff are now.
Range-wise Michael Mills beats them all with F#1-C6 (4 octaves, 4 notes).
I wish a transgender woman would sing Sacrimony.