In Rehearsal with Nathalie Stutzmann and the Atlanta Symphony Orchestra

Perhaps you've seen Music Director ‪@nathaliestutzmann‬ in concert with the Atlanta Symphony Orchestra-but what happens behind closed doors during rehearsal? How does she go about preparing the orchestra?
In this mini-documentary, ASO Video Director Hilan Warshaw takes us behind the scenes to find out! 🎥

[@pauldrapiewski6761]

I heard Natalie with the Minnesota Orchestra here in Minneapolis - twice - and two of the most amazing and thrilling concerts we have ever had here.

[@vd867]

We are very lucky and proud to have such a brilliant conductor as Nathalie Stutzmann here in Atlanta. Thanks to all our talented musicians of ASO for bringing us the delight of classical music ❤

[@kalidasmusic1008]

Fabulous!! I love it when a conductor brings a clear and vivid image/ expression to their work.. Bravo Maestro! I look forward to enjoying more of your work with one of my favorite orchestra's.

[@SergejRazinkov]

Freue mich das eine ernsthafte Musikerin Nathalie Stuttzman in den meisten von Männern dominierten Berufe sich als Dirigent durch gesetzt hat. Für Frauen ist es besonders schwer auf Dauer das Erfolg als Dirigent zu haben. Eine Frau muss unbedingt drei Kriterien für dieses Beruf erfüllt haben. 1)Sie muss ein großes Repertoire vollkommen beherrschen.
2 ). Eingeborenen, natürlichen Talent zu haben. 3). Unbedingt (!) eine klare, gute Dirigirtechnik vorweisen. Ohne den dritten Punkt leider ist es fast unmöglich für eine Frau als Dirigent großen Erfolg zu haben.
In diesem Film sieht man das die Frau Stuttzman alle drei Kriterien erfüllt hat.
Recht herzlichen Glückwunsch für frohes Schaffen mit ATLANTA SYMPHONY ORCHESTRA !

[@AndresMartinez-dq2lb]

She is the great and amazing conductor.

[@stevielagan1948]

She is such a talented, incredible musician. Atlanta is lucky to have her but then, it is a beautiful city as well... long may they BOTH reign!!!

[@ruthmcintyre2313]

Thank you for this marvellous behind-the-scenes video🥰

[@balinsky214]

thank you for this very interesting video - insightful - the love of music shines thru

[@user-te9xt4nh2n]

Благодарю, Маэстро! Да, этот вальс так и должен звучать;так звучит счастье!

[@adhardino9781]

Thanks for the insight, how different her approach is. Very interesting.

[@wonder-womyn]

Brilliant ❤

[@gerontius3]

NYPO principal oboe to Otto Klemperer "Hey Klemps - you talka too much"

[@cbr0wn25l]

❤

[@yleetv]

3:51

[@timothymacdonnell9079]

Why is it good that they only have a few rehearsals? Maybe they need more rehearsals and a full-time music director.

[@shawnhampton8503]

It is just standard in unionized major American orchestras - a few rehearsals for each concert are all there are. Nathalie Stutzmann is the full time music director of the ASO.

[@frogmouth]

It's not good that rehearsal time is limited it's just a matter of economics it's the same as in the UK. Conductors need to be very well prepared and clear about what they want and she is singing and body language can be more efficient than purely verbal explanations

[@timothymacdonnell9079]

@@frogmouth thanks. I posted that comment because whenever I hear the ASO, it sounds like they never rehearse it together. Technically it’s good and nobody misses notes, but the musicality and phrasing seems lacking. It’s like just another gig.

[@lyolevrich]

She is a very good performer,we all know.! But to say the truth I find this way of rehearsing with a professional orchestra not at all interesting or appropriate, whereas it might be perfect for children,for kids.With adult musicians as conductor, some cultural elements need to be included; in theory, it is not necessary to explain to them the simplest and most basic elements of a piece of music, especially the repertoire.
Even less than hearing a conductor give examples with the voice....

[@N1TR0REALM]

I think that's a man