Sauce Walka REVEALS How He Is TAKING OVER The Music Industry (Catalog Strategy)
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- Опубликовано: 8 сен 2024
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This channel is ran by the founders of No Labels Necessary, Sean "Brandman" Taylor and Jacorey "Kohrey" Barkley. No Labels Necessary is a music-first marketing agency that helps artists impact culture through digital content and marketing.
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One thing you guys didn't mention or at least I didn't hear is that Sauce Walka and TSF did all this without really touring. It was mainly videos and streams.
Great mention. If that's true, it's extremely notable.
@@BrandmanNetwork ruclips.net/video/qKEP9_8ZIUQ/видео.htmlsi=JAhmG3pHqH__yDOQ
@@BrandmanNetwork check his most recent say cheese interview around the 13 and 59 min mark
I work in catalog management and there plenty of money out here from artists that are misinformed
Doing what exactly, you know people can just come up here and make up anything
Can you get a RUclipsr/Creator more money off their catalog?
@@moneysignclubboss First you need to do an audit of all content from the Artist I have one name Japanese from Panama, when we start he had 69K listener on spotify now he have about 580K just about year and half on audit, after that we do the Pub on those songs on his portion and that's another add on incormf or the artist, then soundexchnage, after we compete the full audit we optimize the catalog by partnering with producer to do remixes and EDM project and dot a 70/30 split for those project, we can turn a 30 song catalog easily to 120 in 2 years, hope this helps
@@lucrativetaxpayer you can optimize the content that's already there that's on a case basis.
Thanks for this Guys! This just reaffirms my strategy. Been building my catalog since day one. Building like a mad man.
Sauce is the 🐐 especially out here in the GREAT STATE OF TEXAS 🤘🏾🤘🏾🤘🏾🤘🏾🤘🏾🤘🏾
Texas? Gotta check him out! P.A.Trill!
Outside of Texas he gets no spins.
@@JimmyJump0861 you’re stupid if you think that
@@JimmyJump0861 show the numbers you fool. You just typing. Go get a woman
Spotify’s splits aren’t the same for everyone. Sauce leveraged his own deals so I’m not sure if we should utilize the standard Spotify method with him or certain independent artists who consistently performs well within the streaming world (ie. Brent Faiyaz, PRE, etc).
The independent distributors are definitely packaging their premium services for artists who fit that criteria. They’re connected with Ad Agencies, Sync Companies and Major Corporations. That’s what they do. Empire, UnitedMasters, etc.
Gotta build your own infrastructure and systems. Exactly what Joyner Lucas and his manager is on. There are tons of reference points, even though this is the hardest route. It’s doable but not for everyone.
Sean , game❤ extract the audio of the pod, and send to dsp like is music add a piano low volume in the background. You got 100s of videos.. you will get paid from it.
Love how much I’m hearing the words “Money Comin In” lmao cause I just released a song / music video called that 😂
You know bro is legit when he coming to a interview with nun-chucks around his neck.
Y’all guys are amazing I remember watching this 2days ago on some I wonder what Folks would say
Thank y’all 💎💎💎💎🙏🏾🙏🏾🙏🏾‼️
I have a solid distribution company .. they brought me back a big amount more than expected quartertly now I’m letting them run my sound exchange and foreign coming soon.. my life has definetuly change no cap and thank ful AF!!!
can I know wich distribution company you work with?
@@allblackravenhitman Ayo music group i think the requirement is 10k and up
Quarterly starting but just all depends. Solid team over there from former big wig experts
Where is the company’s “create” website? I’m trying to find them
Great video!
His daily streams on Spotify are like 80000 total, thats less than 2,5 mil a month. Spotify pays around 4k for a million streams so on his catalog, if he owns everything, thats not even 12 thousand.... Thats before paying producers and features they percentage, throw it in RUclips, apple music, whatever you want, thats not more than 20k, if he makes 6 figures every month thats because of all the artists he got signed and owns 50% of they shit so he is not making money of his music, he is making of other people music
Real shit
U do kno its like 150 streaming platforms u name just 1 😂😂😂
@@HerosandVillanz doesnt matter if is 1500 platforms, Spotify is by far the one with most paid subscribers the other are far below
So if he is not making that much from Spotify he definitely not making from fvckin amazon music or pandora lol
@@l.a.6337 that's just sounds like solo stuff, did you include everything from the entire sauce family?
@@CraigTilfordJr thats what i said, he is making 6 figures mostly because of them not his stuff
bro is one of my favorite rappers in the game
Man got real friends in real places doing real things really
My guys be doing good work, just curious, is it the new stylo to not have their mics on the stand? Brandman just put mic on his lap/chair armrest 😅
mic stand connections just broke so we had to go without for a while. They'll be back soon. Lol
Good stuff Gents!!
An Album is Gumble how do you know it might flop instead of building a catalogue with single by gathering database of what funs loves about your music.
Oweeee sauce gonna stop being slept on
Good shit
Really good episode y’all
“Don’t tell everything you know”
Is over 4 mil streams independent on Spotify along with over 300,000 on Apple Music & over 200,000 on RUclips pretty good?? I’ve made a few thou off the music shit but not enough to live off. Mainly just doing it for the love at this point cause im 27 & washed up. But curious if I’d have any leverage based off this conversation?
Yeah, those numbers are good and making thousands off music streaming is a great start. But that’s all it is “a great start”.
Professional Music Groups primarily make money off of Events, Music Retail, Merch, Sync, and Endorsements (in that order).
So you got a great start in the business but are you hosting your own events? Your events will also open more opportunity for your Merch. That’s how to play the game.
Events, Music Retail, and Merch.
Best of luck out there!
@@legato666 shit my whole crew does shows all the time by themselves and we host them. I just haven't been as active throughout the movement because there's a lotta bs and wack stuff that come along with it. So I guess, based off your response I'm at a war with myself and where I want to go. Cause the decision is mine and it's really up to how much BS I wanna deal with. more money more problems
@@steelokeyYou: “I just haven't been as active throughout the movement because there's a lotta bs and wack stuff that come along with it. So I guess … I'm at a war with myself and where I want to go. Cause the decision is mine and it's really up to how much BS I wanna deal with.”
Me: Yep. The route that most take in this industry usually leads to dealing with a lot of toxic ppl (yep, a lot of unnecessary BS).
My best advice is learning to be tech savvy, embrace being a “one man band” business, create solutions to problems within the industry (there’s a lot of em) and try your best to have fun throughout the entire process.
For Example: I am a professional solo artist who also works part-time as a freelance event organizer (specializing in computer technology).
I host hybrid concerts where the headlining artist livestreams from their music studio TO a real venue where fans gather to enjoy the show (I am at the venue working the AV booth and many times I am also the opening act performing LIVE in-person for the crowd).
The headlining music groups are always way more popular than me because I usually contact my favorite music groups inquiring if they would be interested in performing from their home studio for a LIVE audience thats gathered elsewhere. (Headliners “Work From Home”, I am at the venue where fans also gathered to enjoy the show. Tickets are usually between $15-$25, I don’t want to list any names but let’s just say seeing these music groups LIVE in-person usually cost $75+ per ticket).
Here’s my formula:
Zoom Workplace + ListenTo by Audiomovers + Venue IRL = ‘Moment House’ concerts for a LIVE audience
Also check out COSM in Los Angeles, California to see the Sports Industry’s take on this concept.
Best of luck!
Multiple people/Legends
started at 30
You ain't washed
This strategy of having huge discography just got wiped out by Spotify having the thousand play threshold for each song each year, the bigger your catalog now the more likely you will not get a thousand plays per song per year which will disqualify your entire discography from receiving payment, idk why nobody is talking about this or why labels and artists aren’t scared rn but it’s a problem everyone will be running into
nope just us independents they fake streams and pay themselves and control the whole pool
SAUCE THE GOAT
the homie on the left look like metro boomin undercover
Built a label!!! Signed people and did splits… yup yup yup built the business proper. Not even jus on his own catalogue
Run it up
Pimp y'all probably missing a point he said friends . You probably wonder how he got such a big team pimp.
That Boi Said (im a be rich rap or not.
That's how he got his friends to be apart of his idea they saw the nigga was gone be rich rap or not!!!) That's why the catalog so big
📡👂🏾
The sauce family and Stinc team are the definition of independent success when u own 100% of your music u get paid way more per stream so when I hear people complain it’s like do you own your publishing? Did u pay the producer for rights? It’s all about % you own but must artist don’t own shit!! That’s why u make .0005 per stream no ownership u can’t even buy a lease for the beat so yea the producer taking everything from u or if your signed up probably gave all your points away to the label 😂
I'm struggling to gain listeners. How does that work? I dont care much about the money.
Publishing tracks down your money
Ouiiii
He worth 8mil dammm
Residual Income
You know it
Sauce
💚💚💚💚💚
50 50 split on every record with the artist . Those artists are suckers. Big record labele used to take 50 50 split 20 years ago . with 20 for publishing and 40 points for label and 40 for recordings. That was with major physical distribution and promotion. Now with digital distribution they only take 20 % . How is he taking 50 . And is that 50 after publishing or before
If you looking for new bangers lookup D Lox - Topic💯 Hottest outta Ohio🕴🏾
Artists who desire to be on a label need to watch Shark Tank
GAME
He not trash but man who else tired of people calling other people who do anything noticeable the goat? Sauce sound the same on everything and never says anything profound in my opinion. As far as I know UGK is still the best thing to ever come out of Texas . I like Big X the plug way more than sauce. Edit: Moe 3 light years ahead of sauce rip
brandman dont be listening to shit his parter say , then his parter be lookin like he dgaf while he talkin shits hilarious, great info but holy shit is this bad production
Not everyone postures the same. Not every posture constitutes as a lazy listener.
They did their job. They elaborated on the ideas the podcast speaker was delivering.
Being gossipy messy man is weird.
@@BrandmanNetwork for real.
Good work gentlemen.
@@BrandmanNetwork it’s not weird at all, if that’s how yall communicate like the kid above said, good for yall, that’s not what makes great content though, you guys give great knowledge and insight , but better body language and looking like you care would help your brand Mr Brandman, as the 11 people who liked my comment would agree with.
Awesome video 🎉🎉🎉🎉