Claude Debussy (1862-1918) & Gabriel Pierné (1863-1937) Works for Harp. *Click to activate the English subtitles for the presentation* (00:00-03:22) Claude Debussy 00:00 La fille aux cheveux de lin (The Girl with the Flaxen Hair) 02:05 Valse romantique Danse sacrée et profane pour Harpe et orchestre à cordes / 1962 06:01 I. Danse sacrée 10:26 II. Danse profane Orchestre de Chambre Jean-François Paillard Conductor : Jean-Pierre Rampal Gabriel Pierné Concertstück Op.39 pour Harpe et orchestre / 1967 14:55 I. Allegro moderato 21:15 II. Andante 24:21 III. Allegretto Scherzando 30:25 Impromptu-Caprice Op.9 Orchestre National de l’O.R.T.F. Conductor : Jean Martinon Claude Debussy Sonate pour Flûte, Alto et Harpe / 1974 35:48 I. Pastorale: Lento, dolce rubato 43:04 II. Interlude: Tempo di minuetto 49:14 III. Final: Allegro moderato ma risoluto Flute : Michel Debost / Viola : Yehudi Menuhin Gabriel Pierné 53:58 Variations libres et final Op.51.. .. pour flûte, violon, alto, violoncelle et harpe / 1974 Flute : Alain Marion / Clarinet : Jacques Lancelot Quatuor Via Nova Claude Debussy Danse sacrée et profane pour Harpe et orchestre à cordes / 1968-69 1:04:58 I. Danse sacrée 1:09:29 II. Danse profane Orchestre de Chambre Jean-François Paillard Conductor : Jean-Pierre Rampal Sonate pour Flûte, Alto et Harpe / 1938 1:14:22 I. Pastorale: Lento, dolce rubato 1:21:44 II. Interlude: Tempo di minuetto 1:27:14 III. Final: Allegro moderato ma risoluto Flute : Marcel Moyse / Viola : Alice Merckel Gabriel Pierné 1:31:39 Impromptu-Caprice Op.9 / 1938 1:36:11 Concertstück Op.39 pour Harpe et orchestre / 1935 Orchestre des Concerts Pasdeloup Conductor : Pierre Coppola Bonus: 1:49:02 Paul Bernard ’Ça fait peur aux oiseaux’ / 1933 1:51:10 Anon harm.Ferrari ‘Mon père veut me marier.. Je saute, je danse’ / 1933 Soprano: Mary Marquet Harpe : Lily Laskine Recorded in 1933-74 New mastering in 2021 by AB for CMRR 🔊Find CMRR's recordings on Spotify : spoti.fi/3016eVr 🔊Download CMRR's recordings in High fidelity audio : bit.ly/2M1Eop2 She was nicknamed the "Great Lady of the Harp" because Lily Laskine truly dominated the life of this instrument for over three-quarters of a century. Lily Laskine did not confine herself to her role as an orchestral instrumentalist, but began a career as a soloist, in recital, concerto and chamber music. She thus aroused a new interest in the harp and brought back to life a part of the then forgotten repertoire. The harp owes it to her to have regained its letters of nobility, to have emerged from the role of salon instrument in which it had remained confined in the 19th century to become a solo instrument in its own right. We have added to Debussy's music the beautiful orchestration of Gabriel Pierné, a forgotten composer. Enjoy! Claude Debussy PLAYLIST (references recordings) : ruclips.net/video/svn8cZM6Ygk/видео.html
She was nicknamed the "Great Lady of the Harp" because Lily Laskine truly dominated the life of this instrument for over three-quarters of a century. Lily Laskine did not confine herself to her role as an orchestral instrumentalist, but began a career as a soloist, in recital, concerto and chamber music. She thus aroused a new interest in the harp and brought back to life a part of the then forgotten repertoire. The harp owes it to her to have regained its letters of nobility, to have emerged from the role of salon instrument in which it had remained confined in the 19th century to become a solo instrument in its own right. We have added to Debussy's music the beautiful orchestration of Gabriel Pierné, a forgotten composer. Enjoy!
Her wonderful performance embodies the musical aesthetics of Debussy . She Is a great Alchemist of the harp, and generates impression and comfort and pleasure and admiration
This music is simply thrilling. Exquisite. And I discovered a new musical artist and I discovered some of the history of the harp in recent history. My gratitude to Classical Music / Reference Recording for sharing this to us. My soul is uplifted! Deep bow and all blessings!
This is my introduction to this marvelous harpist. I've read her biography and I am curious if anyone knows how she was able to continue to perform in Nazi-occupied France given Nazi racist policies concerning Jews and the arts.
I'd be interested to learn anything about her tuning approach. I accept that Mme Laskine was super talented and skilled... yet in the opening bars of this recording my (Western/British/21st Century) ears are telling me that something sounds slightly "off" in the lower registers. So I'm assuming that this is an intentional tuning choice (rather than the harp being out of tune) and I'm curious about what others know of this.
It's very possible that it's actually the harp mechanism. Érard harps are extremely difficult to regulate, so it's possible that there was barely anything to be done about it.
Great Lily Laskine, a myth! But, is it only me or there's a tuning problem? I m listening over and over again, but still...Not sure about the tuning, maybe it was done in purpose? I feel it mainly in the higher register...
She always played on Érard harps, and those are very difficult to regulate, so even if the strings were tuned perfectly, it's possible that the natural and sharp register may be out of tune.
Claude Debussy (1862-1918) & Gabriel Pierné (1863-1937) Works for Harp.
*Click to activate the English subtitles for the presentation* (00:00-03:22)
Claude Debussy
00:00 La fille aux cheveux de lin (The Girl with the Flaxen Hair)
02:05 Valse romantique
Danse sacrée et profane pour Harpe et orchestre à cordes / 1962
06:01 I. Danse sacrée
10:26 II. Danse profane
Orchestre de Chambre Jean-François Paillard
Conductor : Jean-Pierre Rampal
Gabriel Pierné
Concertstück Op.39 pour Harpe et orchestre / 1967
14:55 I. Allegro moderato
21:15 II. Andante
24:21 III. Allegretto Scherzando
30:25 Impromptu-Caprice Op.9
Orchestre National de l’O.R.T.F.
Conductor : Jean Martinon
Claude Debussy
Sonate pour Flûte, Alto et Harpe / 1974
35:48 I. Pastorale: Lento, dolce rubato
43:04 II. Interlude: Tempo di minuetto
49:14 III. Final: Allegro moderato ma risoluto
Flute : Michel Debost / Viola : Yehudi Menuhin
Gabriel Pierné
53:58 Variations libres et final Op.51..
.. pour flûte, violon, alto, violoncelle et harpe / 1974
Flute : Alain Marion / Clarinet : Jacques Lancelot
Quatuor Via Nova
Claude Debussy
Danse sacrée et profane pour Harpe et orchestre à cordes / 1968-69
1:04:58 I. Danse sacrée
1:09:29 II. Danse profane
Orchestre de Chambre Jean-François Paillard
Conductor : Jean-Pierre Rampal
Sonate pour Flûte, Alto et Harpe / 1938
1:14:22 I. Pastorale: Lento, dolce rubato
1:21:44 II. Interlude: Tempo di minuetto
1:27:14 III. Final: Allegro moderato ma risoluto
Flute : Marcel Moyse / Viola : Alice Merckel
Gabriel Pierné
1:31:39 Impromptu-Caprice Op.9 / 1938
1:36:11 Concertstück Op.39 pour Harpe et orchestre / 1935
Orchestre des Concerts Pasdeloup
Conductor : Pierre Coppola
Bonus:
1:49:02 Paul Bernard ’Ça fait peur aux oiseaux’ / 1933
1:51:10 Anon harm.Ferrari ‘Mon père veut me marier.. Je saute, je danse’ / 1933
Soprano: Mary Marquet
Harpe : Lily Laskine
Recorded in 1933-74
New mastering in 2021 by AB for CMRR
🔊Find CMRR's recordings on Spotify : spoti.fi/3016eVr
🔊Download CMRR's recordings in High fidelity audio : bit.ly/2M1Eop2
She was nicknamed the "Great Lady of the Harp" because Lily Laskine truly dominated the life of this instrument for over three-quarters of a century. Lily Laskine did not confine herself to her role as an orchestral instrumentalist, but began a career as a soloist, in recital, concerto and chamber music.
She thus aroused a new interest in the harp and brought back to life a part of the then forgotten repertoire. The harp owes it to her to have regained its letters of nobility, to have emerged from the role of salon instrument in which it had remained confined in the 19th century to become a solo instrument in its own right.
We have added to Debussy's music the beautiful orchestration of Gabriel Pierné, a forgotten composer. Enjoy!
Claude Debussy PLAYLIST (references recordings) : ruclips.net/video/svn8cZM6Ygk/видео.html
Thank you!! And thank you for the uploading. This is a gem!! Greetings from Miami. 🏖
Great Debussy too many ads adieu
@@christopherheinig5590 Free content = ads
@@yordankaacosta2849 You're welcome Yorkanda, All best for you :)
@@classicalmusicreference Had to stop listening so many ads interrupting will listen to something else
She was nicknamed the "Great Lady of the Harp" because Lily Laskine truly dominated the life of this instrument for over three-quarters of a century. Lily Laskine did not confine herself to her role as an orchestral instrumentalist, but began a career as a soloist, in recital, concerto and chamber music. She thus aroused a new interest in the harp and brought back to life a part of the then forgotten repertoire. The harp owes it to her to have regained its letters of nobility, to have emerged from the role of salon instrument in which it had remained confined in the 19th century to become a solo instrument in its own right. We have added to Debussy's music the beautiful orchestration of Gabriel Pierné, a forgotten composer. Enjoy!
Her fabulous and spectacular performance is beyond description , and comfortable to the ear and the mind
Her wonderful performance embodies the musical aesthetics of Debussy .
She Is a great Alchemist of the harp, and generates impression and comfort and pleasure and admiration
I am now on my second time through. Thank you so much. I have never enjoyed the harp so much.
Divine music. Thank you.
This music is simply thrilling. Exquisite. And I discovered a new musical artist and I discovered some of the history of the harp in recent history. My gratitude to Classical Music / Reference Recording for sharing this to us. My soul is uplifted! Deep bow and all blessings!
Try Lily with Jean Pierre Rampal on flute for the G. Faure "Bercuse" It's beyond words, too.
sharing ?? He is SELLING.
Elegance and grace.
Une femme une vraie !!! le talent et l'intelligence en plus de cette délicatesse ! Bref la classe ......... la vraie !!!
Merveilleuse artiste qui nous manquera éternellement
Der durchsichtige und wunderschöne Klang der genialen Soloharfe beherrscht alles. Wahrlich künstlerisch!
Magnifique, elle a etait sublime !
Sublime! Esto necesito para tranquilizar mi alma, en plena pandemia.
Gracias 😗
Wonderful. The harp is totally unknown to. Happy to discover something new for myself. Thanks
Amazing
"Classical Music/ /Reference Recording"! Thank you - greetings from germany :)
Excellent!
predobro za mozak, dapace ljekovito. Bogu hvala za umjetnicu. LP
Gracias por tanta belleza amiga
Merveilleuse!!! 🤩😍💗
La harpe ainsi jouée, c'est quasiment mystique, en tout cas angélique...
Lily Laskine ! Souvenirs d'une grâce, d'une humanité, disparue !....
Que lindo. Gracias!
In France Lily Laskine is very famious.
After all these years playing i bet she's got fingers like toes bless her..x
how is that positive, that's disgusting...
wow !..so beautiful !
Thanks so much !
thanks for this post! this is sooooo beautiful, thanks thanks thanks
FASCINANTE!!!
Fabuleuse Lily Laskine ; nous lui devons une place dans les orchestres symphoniques !
Sweetheart parle vous Francais???? 🤔Merci😘pour le musique🎵🎶🎼😊
Just amazing! Divine!
che meraviglia!!
WOW
fabulosa lily laskine,
Beautiful
Magnífico. Agradecido. Feliz.
Thank you. Masterful interpreter. Lovely selection of melodies
Musique céleste!
TKS!
Quando perfeição toma a forma da música
❤
nice.
La mas grande harpista
This is my introduction to this marvelous harpist.
I've read her biography and I am curious if anyone knows how she was able to continue to perform in Nazi-occupied France given Nazi racist policies concerning Jews and the arts.
👏👏👏👏👏👏💐💐💐❤️
🎵👊
49:14 I love you, lily !
❤️🙏🍓
I'd be interested to learn anything about her tuning approach.
I accept that Mme Laskine was super talented and skilled... yet in the opening bars of this recording my (Western/British/21st Century) ears are telling me that something sounds slightly "off" in the lower registers.
So I'm assuming that this is an intentional tuning choice (rather than the harp being out of tune) and I'm curious about what others know of this.
Also badly articulated and rather laborious.
It's very possible that it's actually the harp mechanism. Érard harps are extremely difficult to regulate, so it's possible that there was barely anything to be done about it.
yes, she play exelente, really, but the tuning is a bit off,
Great Lily Laskine, a myth! But, is it only me or there's a tuning problem? I m listening over and over again, but still...Not sure about the tuning, maybe it was done in purpose? I feel it mainly in the higher register...
She always played on Érard harps, and those are very difficult to regulate, so even if the strings were tuned perfectly, it's possible that the natural and sharp register may be out of tune.
@@orionlavinmartinez3186 sure, thank you :-) Always very touching to listen to her btw
mais j'avais ce disque
💚💐🙏🏿⭐️🕊
26/01/2021.
Gregorio H.
G.H.
@Robert Lee, Countertenor Sure, everything will be forever.
take care!
26/01/2021.
@@gustavopalma9451 27/01/2021 R.L.F, Belo Horizonte, Brazil, Peace and Love and Music !
@@progrunner3094 Gregorio H. Puebla, Mexico. Take care, my dear friend!
27/01/2021.
I seldom listen the harp..that music not too many people to learn that musical instrument.....are u like this music.....
A Lily Laskine.
A Christiane Plaa.
... engelsgleiches Zauberspiel - eine begnadete Künstlerin ...
🇹🇷😍🤗💖💖💖
Miresgarria eta ederra. Bikaina, ezin hobea.
Is it just me or is the harp out of tune? Something feels weird....