A wonderful performance of a rather unknown piece in the repertoire for winds and piano. Thank you for digging it up, and giving it a stellar performance!
Gorgeous, I'm going to seek out this recording. Thanks to you from ... the record company! (And me.) I'm also going to recommend it to performers. Thanks to this post, it's an easy recommendation!
Unfortunate we can not ask him... I find it those parentheses 'disturbing'. It is impossible for an instrumentalist, conductor and composer like Previn not to have definite idea of the dynamics.
Disliked the first movement. There are louder discordant bits and other quieter bits with real chords, but never any clue as to where the music is heading, and thus no sense of tension and release. And the frequent changes of time signature seem patternless, and don't serve any discernable purpose --- they merely make the music harder to count. In a few places I noticed that the pianist started a bar slightly late; if such flexibility with the time is acceptable, then perhaps some of the metrical irregularities could be smoothed out with no detriment to the music.
A wonderful performance of a rather unknown piece in the repertoire for winds and piano. Thank you for digging it up, and giving it a stellar performance!
Fantastic!
Wonderful music from Mr Preview!
"Mr Preview"???
There's a lot of interesting repertoire on this channel. Thanks for the sharings.
Gorgeous, I'm going to seek out this recording. Thanks to you from ... the record company! (And me.) I'm also going to recommend it to performers. Thanks to this post, it's an easy recommendation!
Banger
I don't know how I missed this. Andre Previn was so far ahead of his time. What a talent.
Show me where he was so ahead, cause it clearly sounds like he only uses the past, nothing new
Exactly. It just sounds like older stuff, but good
How was he ahead lol?
Do you know when this was written?
I mean, if you have nothing smart to say, better shut up.
@@danal81 -- Gentlemen PLEASE.....Take this Outside....DON'T MAKE ME COME UP THERE!
学生時代に出会いたかったー！
❤
I'm wondering if André Previn didn't include dynamic markings since most of them seem to be in parentheses () as if they were added by an editor.
Unfortunate we can not ask him... I find it those parentheses 'disturbing'. It is impossible for an instrumentalist, conductor and composer like Previn not to have definite idea of the dynamics.
Somewhat Stravinsky esque
Disliked the first movement. There are louder discordant bits and other quieter bits with real chords, but never any clue as to where the music is heading, and thus no sense of tension and release. And the frequent changes of time signature seem patternless, and don't serve any discernable purpose --- they merely make the music harder to count. In a few places I noticed that the pianist started a bar slightly late; if such flexibility with the time is acceptable, then perhaps some of the metrical irregularities could be smoothed out with no detriment to the music.