Anatoly Vedernikov plays Prokofiev Sonata no. 5

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  • Опубликовано: 30 ноя 2024

Комментарии • 11

  • @vine2197
    @vine2197 Год назад

    Special perform

  • @Davscomur
    @Davscomur 11 лет назад

    Wonderful. More, please.

  • @punkpoetry
    @punkpoetry 8 лет назад +4

    Love his unique way with Prokofiev. And he chose the works he played very carefully: the 4th concerto, Choses en soi, Pensées... A more intellectual, cerebral Prokofiev, rather than the ludic and demonic (Richter) or dramatic and soulful (Gilels) incarnations.

    • @BarbouTsalada
      @BarbouTsalada Месяц назад

      Is there any chance you've mistaken Choses En Soi for Divertissement, as they have adjacent Op. nos?
      I'd really hope this isn't the case as both Choses En Soi are scarcely recorded, and this particular pianist's input would be very valuable, however I couldn't find anything related to Op. 45 under his name. There's only the Divertissement (Op. 43)

  • @fredericfrancoischopin6971
    @fredericfrancoischopin6971 Год назад +1

    Which used version of sonata no 5 on this recording? Op 38 or op 135

    • @4thMG
      @4thMG Год назад

      Op 135 version

  • @pianopera
    @pianopera  11 лет назад

    Not sure, but I think it was originally a radio broadcast that was put onto CD by the Japanese label Denon, who reissued many of his recordings. Aisan is a big fan of his playing and has the complete series... it's quite incredible that even now, this great pianist is quite unknown outside Russia and Japan, I "discovered" him thanks to truecrypt who started uploading these recordings on RUclips, and now (like Menurella writes) some of these CDs are available/downloadable on the blog "PANOVNIK".

  • @paulprocopolis
    @paulprocopolis 11 лет назад

    Thanks - I'll check it out!

  • @Menurella
    @Menurella 11 лет назад

    From panovnik, I guess? It is a remarkable recording; I especially like the first movement, too. He plays with a great dramatic sense.

  • @paulprocopolis
    @paulprocopolis 11 лет назад +1

    A perhaps underplayed work, more in Prokofiev's 'neo-classical' than 'barbaric' style (though not without it's stormy moments!). I enjoyed Vedernikov's spacious approach to the first movement, reflecting perhaps the composer's 'tranquillo' injunction, and his skittishly rhythmic ('ironic?) 'Andantino'. The quirky finale is presented with great character and persuasiveness. Is this originally a Melodiya recording?

  • @paulprocopolis
    @paulprocopolis 11 лет назад +1

    Woops, that should be "ITS stormy moments". Ashamed!!