There is nothing greater than Händels Organ and Harp-Concertos. And his Oratorios. And his Operas... He is great. He's still alive in his Music! Haendel will never die.
Haendel mi compositor favorito. Había escuchado muchas veces el concierto para arpa y no sabía que formaba parte del Banquete de Alejandro...su melodía percibe no solo en los oidos sino en el cuerpo físico y tiene la virtud de elevar el ánimo sobre todo en un día gris. Muchas gracias a Haendel y NPO Klassiek desde Chile por este aporte a la humanidad
G F Handel is a genius. Never ever have I heard such beautiful music penned by this great composer of the baroque era. What a pleasure was it to hear such a heavenly sound from a world class orchestra , well balanced soloists and a perfect choral outfit! Kenny Montgomery conducted this music with so much ease, intimate connection with the musicians and simple gestures that one was able to appreciate the richness and depth of Handel's compositional wizardry.
It is an ode with music by Händel and libretto by Newburgh Hamilton, which he adapted from the original Power of Music (1697). It was composed in 1736, being presented for the first time at the Convent Garden in February of that year. It consists of three concertos. The libretto describes the banquet offered to Alexander the Great and his lover Thaïs, after the conquest of the Persian city of Persepolis, during which the musician Thimotheus sings to the sound of his lyre, provoking Alexander enough inner strength to set the city on fire, for revenge of his dead Greek soldiers. This work was very successful, leading Händel to transcribe the choral part of his operas in English instead of Italian. The music has the grandeur of this admirable and amazing musician. Gracefulness, elegance and sublime harmony are inherent in the whole work. The voices of the soloists and choir are sublime. The orchestration and direction are magnificent. It is one of the best interpretations of this masterpiece that I heard so far. Bravo!!!
The power of music is permanent in Händel works...Happiness goes along with sorrowful feelings to give life a kind of sense of mystery.Where joy and tears; tears and joy are our daily companions...
hoe meer je haendel beluistert hoe meer je bach op de achtergrond schuift accoord bach is de componist waar de geoefenden aan iedere muzieknoot een muzikale waarde geven bach is als dorre wiskunde haendel is gevoel -klasse-geniaal je oren en je hart voelen de warmte en de liefde die muziek is geschreven voor iedere leek die gek is vanmooie muziek en die geen enkel muziek diploma vereist het is na eeuwen veel te laat maar nog eens proficiat ei bach ween van spijt en werp uw kroon naar haendel.
Magnifica interpretazione di questo bellissimo oratorio di Handel. Magnifico il coro e tutta l'orchestra. Magnifica l'arpa di Gwyneth Wentink che mi ha sorpreso dato che questo concerto per arpa è stato inserito nell'oratorio ma non appartiene all'oratorio.
War, he sung, is toil and trouble, Honour but an empty bubble, Never ending, still beginning, Fighting still, and still destroying; If the world be worth thy winning, Think, oh think it worth enjoying, Lovely Thais sits beside thee, Take the good the Gods provide thee. War he sung. . . da capo
1. A big, profound, overwhelming “Thank you!” to the superb musicians. The soloists are great. The orchestra is just superb. The harp player is extraordinarily good. And NPO Radio 4 are divine for bringing to us this stunning masterpiece played so superbly. 2. To RUclips: Thank you for being the medium for the broadcast of this great concert. But come on! Come on! Ads in the middle of an aria? Really! What’s that all about!? Ads in the middle of the concert?! What’s that all about?!
0:50-7:05 PARTE 1 Overtura 7:06-8:10 'Twas at the royal fest, for Persia won by Philip's warlike son 8:10-12:41 Happy pair 12:42-13:09 Timotheus, plac'd on high amid the tuneful quire 13:10-26:45 Sinfonia 27:36-28:34 The song began from Jove 28:35-30:35 The list'ning crowd admire the lofty sound 30:39-33:48 With ravish'd ears the monarch hears 33:48-34:27 The praise of Bacchus then the sweet musician sung 34:27-36:50 Bacchus, ever fair and young 36:50-38:47 Bacchus' blessing are a treasure 38:58-39:46 Sooth'd with the sound 39:46-41:12 He chose a mournful Muse
And here are the lyrics: 'Twas at the royal feast for Persia won By Philip's warlike son- Aloft in awful state The godlike hero sate On his imperial throne; His valiant peers were placed around, Their brows with roses and with myrtles bound (So should desert in arms be crown'd); The lovely Thais by his side Sate like a blooming Eastern bride In flower of youth and beauty's pride:- Happy, happy, happy pair! None but the brave None but the brave None but the brave deserves the fair! Timotheus placed on high Amid the tuneful quire With flying fingers touch'd the lyre: The trembling notes ascend the sky And heavenly joys inspire. The song began from Jove Who left his blissful seats above Such is the power of mighty love! A dragon's fiery form belied the god; Sublime on radiant spires he rode When he to fair Olympia prest, And while he sought her snowy breast, Then round her slender waist he curl'd, And stamp'd an image of himself, a sovereign of the world. The listening crowd admire the lofty sound; A present deity! they shout around: A present deity! the vaulted roofs rebound: With ravish'd ears The monarch hears, Assumes the god; Affects to nod, And seems to shake the spheres. The praise of Bacchus then the sweet musician sung, Of Bacchus ever fair and ever young: The jolly god in triumph comes; Sound the trumpets, beat the drums! Flush'd with a purple grace He shows his honest face: Now give the hautboys breath; he comes, he comes! Bacchus, ever fair and young, Drinking joys did first ordain; Bacchus' blessings are a treasure, Drinking is the soldier's pleasure: Rich the treasure, Sweet the pleasure, Sweet is pleasure after pain. Soothed with the sound, the king grew vain; Fought all his battles o'er again, And thrice he routed all his foes, and thrice he slew the slain! The master saw the madness rise, His glowing cheeks, his ardent eyes; And while he Heaven and Earth defied Changed his hand and check'd his pride. He chose a mournful Muse Soft pity to infuse: He sung Darius great and good, By too severe a fate Fallen, fallen, fallen, fallen, Fallen from his high estate. And weltering in his blood; Deserted at his utmost need By those his former bounty fed; On the bare earth exposed he lies With not a friend to close his eyes. With downcast looks the joyless victor sate, Revolving in his alter'd soul The various turns of chance below; And now and then a sigh he stole, And tears began to flow. The mighty master smiled to see That love was in the next degree; 'Twas but a kindred sound to move, For pity melts the mind to love. Softly sweet, in Lydian measures Soon he soothed his soul to pleasures. War, he sung, is toil and trouble, Honour but an empty bubble; Never ending, still beginning, Fighting still, and still destroying; If the world be worth thy winning, Think, O think, it worth enjoying: Lovely Thais sits beside thee, Take the good the gods provide thee! The many rend the skies with loud applause; So Love was crown'd, but Music won the cause. The prince, unable to conceal his pain, Gazed on the fair Who caused his care, And sigh'd and look'd, sigh'd and look'd, Sigh'd and look'd, and sigh'd again: At length with love and wine at once opprest The vanquish'd victor sunk upon her breast. Now strike the golden lyre again: A louder yet, and yet a louder strain! Break his bands of sleep asunder And rouse him like a rattling peal of thunder. Hark, hark! the horrid sound Has raised up his head: As awaked from the dead And amazed he stares around. Revenge, revenge, Timotheus cries, See the Furies arise! See the snakes that they rear How they hiss in their hair, And the sparkles that flash from their eyes! Behold a ghastly band, Each a torch in his hand! Those are Grecian ghosts, that in battle were slain And unburied remain Inglorious on the plain: Give the vengeance due To the valiant crew! Behold how they toss their torches on high, How they point to the Persian abodes And glittering temples of their hostile gods. The princes applaud with a furious joy: And the king seized a flambeau with zeal to destroy; Thais led the way To light him to his prey, And like another Helen, fired another Troy! Thus, long ago, Ere heaving bellows learn'd to blow, While organs yet were mute, Timotheus, to his breathing flute And sounding lyre Could swell the soul to rage, or kindle soft desire. At last divine Cecilia came. Inventress of the vocal frame; The sweet enthusiast from her sacred store Enlarged the former narrow bounds, And added length to solemn sounds, With Nature's mother-wit, and arts unknown before. Let old Timotheus yield the prize, Or both divide the crown; He raised a mortal to the skies, She drew an angel down! lyricstranslate.com/en/john-dryden-alexanders-feast-or-power-music-lyrics.html
This is the best oratoric piece ever composed by Händel. That has been my opinion for 30 years now. I have heard performances that were more beautiful than this one, but still... bravo for the musicians.
+Merlin Mijdus Thank you so much! Actually I like this performance, especially Yulia van Doren and Matthew Brook are absolutely brillant. Looking forward to the performance recommended by you. Thanks!
This great Oratorio reminds us that Handel wrote three types of Oratorios: Christian (Messiah, The Resurrection), Jewish (Jeptha, Solomon, Sampson, Saul, Israel in Egypt), and Pagan (Alexander's Feast). This one has always been my favorite, followed by Messiah and Jeptha.
A very great largely unknown work from the great Handel. My god when are people going to start listening to him? This is acually the molst complete performance I have heard. The last chorus is usually not performed.
The work is based on Dryden`s poem describing a banquet given by Alexander The Great and his Mistress. The poet Timotheus sings the the songs as entertainment for the couple and thus indicates the power of music.
Omar Cahbar My friend through Handel, it is starting to happen. The great pianist Alfred Brendel of Haydn, Mozart, Schubert and Beethoven fame in a lecture at Oxford last month stated flatly that his life had changed in the last 10 years because of his discovery of Handel, whom he placed easily as the equal of Bach. With all the interest in the operas alone, since the mid nineties his stock has risen as one of the great dramatic composers in history and one of the greatest melodist in history
Wow the harpist is really great . Perfect balance and clarity. On top of it, i think she adds enough ornamentation in the harp concerto (13:00). I wish i could hear even a more free and open interpretation with maybe a bigger improvisation. Still this a way of playing i already like.
Does anyone who is familiar with various recordings of Alexander's Feast have one in particular that they recommend? I'm looking to buy a CD. Please also tell me why you recommend it. Thanks!
It's too bad he edited the work from its original, fuller form; he even had to eliminate three popular arias: "Lascia ch'io mangia / mia cruda torte / e che sospiri / la rotondità," "Spaghetti, che cantate," and the Largo, "Ombra my food." Thankfully, he was able to recycle those songs into his later smörgåsbord-based operas, "La Pizza di Cici," "Il Recinto d'Oro," and "Lo Sfrigolio," respectively.
(Samuel Coleridge Taylor) In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. ..... A savage place! as holy and enchanted As e’er beneath a waning moon was haunted By woman wailing for her demon-lover! .... Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then reached the caverns measureless to man, And sank in tumult to a lifeless ocean; ... A damsel with a dulcimer In a vision once I saw: It was an Abyssinian maid And on her dulcimer she played, Singing of Mount Abora.
Una de las más brillantes obras de Haendel. Realmente, una fiesta para disfrurar e intentar olvidar por un rato la pandemia que nos está asolando inmisericorde.
A great John Dryden poem which we read at school all those years ago. I often dislike the puting to music of a great poem -gilding the lilly or not adding anything and destroying the rhythm of the poem but Handel gets away with this one.And this perfomance is fantastic.
There are too many conductors who race through both Handel and Bach. Often the concert master has to struggle to keep up and it sounds like hoedowns rather than baroque masterpieces. Ugh!
Interesting. I once read one "expert" assert that Bach Beethoven and Wagner represent the high points of composition. Who is to know? Think I see you're point about Haydn, especially presaging Mozart. Bach the musical "scientist " and LVB the Janus genius. Either way I'm with you on Brendel's Damascene conversion.So many of the musical intelligentsia seem to engage in " me too " hyperbole on JSB, ignoring( as I suggest elsewhere on your posts) the massive gap in his repertoire i.e. opera .How lucky we are to have you-tube enabling a renaissance of the genius Handel. Onward!
l'être humain est génial c'est un fruit de la nature , mais pour être aussi génial que la nature il ne lui manque que la sagesse . oui l'homme est génial
Modern instruments are just PLAIN BETTER than their earlier versions and counterparts of centuries ago. For clarity - for precision - for definition - for impact. That's why they were developed. I think Handel himself would prefer MODERN instruments. He was constantly searching for the new,the novel,the different - the LOUD. " Englishmen want music that hits them squarely on the ear ! " .
What nonsense! If you want the new and novel listen to the rubbish composed since about 1880. Handel wrote for the instruments at his disposal. I for one am grateful for the 'authentic' style of playing. Unhappily, some people are never satisfied.
was mir - textlich - das alexanderfest vergällt, ist der racheruf des timotheus und das niederbrennen von persepolis,mit thais an der spitze und mit dem beifall der fürsten - ein grund, ein fest zu feiern? und dazu musik zu missbrauchen?
I´m not a fan of Händel.JS Bach did the most job during the first half of 17.th century.Much in the musical style developed between 1790-1810 after the french revolution.
Nobody cares. Handel was the greatest dramatic composer of the Baroque, with many operas, oratorios, serenades and Italian cantatas. One of my favorites
There is nothing greater than Händels Organ and Harp-Concertos. And his Oratorios. And his Operas...
He is great. He's still alive in his Music!
Haendel will never die.
Haendel mi compositor favorito. Había escuchado muchas veces el concierto para arpa y no sabía que formaba parte del Banquete de Alejandro...su melodía percibe no solo en los oidos sino en el cuerpo físico y tiene la virtud de elevar el ánimo sobre todo en un día gris. Muchas gracias a Haendel y NPO Klassiek desde Chile por este aporte a la humanidad
Amazing performance, especially Gwyneth Wentink on the harp and Yulia Van Doren soprano.
G F Handel is a genius. Never ever have I heard such beautiful music penned by this great composer of the baroque era. What a pleasure was it to hear such a heavenly sound from a world class orchestra , well balanced soloists and a perfect choral outfit! Kenny Montgomery conducted this music with so much ease, intimate connection with the musicians and simple gestures that one was able to appreciate the richness and depth of Handel's compositional wizardry.
THIS IS A WONDERFULL COMENT SIR LINDA
The harpist lady truly worked hard to make that instrument express its quiet beauty !
Lately I can't find a work of Händel that I don't like, that man was a TRUE GENIUS.
All his works the best in the world
Yes!! I love his choruses 🙌🏻
The messiah is too christian for me
It is an ode with music by Händel and libretto by Newburgh Hamilton, which he adapted from the original Power of Music (1697). It was composed in 1736, being presented for the first time at the Convent Garden in February of that year. It consists of three concertos. The libretto describes the banquet offered to Alexander the Great and his lover Thaïs, after the conquest of the Persian city of Persepolis, during which the musician Thimotheus sings to the sound of his lyre, provoking Alexander enough inner strength to set the city on fire, for revenge of his dead Greek soldiers. This work was very successful, leading Händel to transcribe the choral part of his operas in English instead of Italian.
The music has the grandeur of this admirable and amazing musician. Gracefulness, elegance and sublime harmony are inherent in the whole work. The voices of the soloists and choir are sublime. The orchestration and direction are magnificent. It is one of the best interpretations of this masterpiece that I heard so far. Bravo!!!
This work is a masterpiece 🙌🏻 Handel was a genius.
Just so .The string introduction to "Happy Pair" alone (8.10) demonstrates Mozart's alleged observation of Handel's mastery of effect.
This performance of the master’s work has given me so much joy, and is so meaningful me. Unbelievable performance by all.
The power of music is permanent in Händel works...Happiness goes along with sorrowful feelings to give life a kind of sense of mystery.Where joy and tears; tears and joy are our daily companions...
'None but the brave deserve the fair'...What a swindle!
Tanta belleza..........lágrimas de emoción, imposible que no afloren al oir esta maravilla . Gracias !!
hoe meer je haendel beluistert hoe meer je bach op de achtergrond schuift accoord bach is de componist waar de geoefenden aan iedere muzieknoot een muzikale waarde geven bach is als dorre wiskunde haendel is gevoel -klasse-geniaal je oren en je hart voelen de warmte en de liefde die muziek is geschreven voor iedere leek die gek is vanmooie muziek en die geen enkel muziek diploma vereist het is na eeuwen veel te laat maar nog eens proficiat ei bach ween van spijt en werp uw kroon naar haendel.
great music with a wonderful harp solo
Divine music, rising the soul up in the heavens...
Magnifique qu'ils nous reviennent bientôt !
The performance over all is perfect . Gwyneth Wentink is absolute fantastic!
WOw! What an exceptional performance
One of the most underrated works of Handel. I really wish it was played more in places like the LPO and BBC.
Agreed; the Proms needs to reflect Handel's genius and original popularity more regularly.
of course he is the most underrated composer of all time but to me he is the best all time.
Splendid, beautiful, wonderful, prachtig!!!
Magnifica interpretazione di questo bellissimo oratorio di Handel. Magnifico il coro e tutta l'orchestra. Magnifica l'arpa di Gwyneth Wentink che mi ha sorpreso dato che questo concerto per arpa è stato inserito nell'oratorio ma non appartiene all'oratorio.
The extended harp solo is just mesmerizing.
thank God i lived to hear this version.
Thank you
War, he sung, is toil and trouble,
Honour but an empty bubble,
Never ending, still beginning,
Fighting still, and still destroying;
If the world be worth thy winning,
Think, oh think it worth enjoying,
Lovely Thais sits beside thee,
Take the good the Gods provide thee.
War he sung. . . da capo
Most wonderful performance of ANYTHING I've ever heard.
Love Handel....always jolly!!!
What a magic performance! Absolutely gorgeous all round!
🤗🤗lowe must knons what music wonderfu"sl👏👏👏
I love the last chorus its so packed with beauty all round
1. A big, profound, overwhelming “Thank you!” to the superb musicians. The soloists are great. The orchestra is just superb. The harp player is extraordinarily good. And NPO Radio 4 are divine for bringing to us this stunning masterpiece played so superbly.
2. To RUclips: Thank you for being the medium for the broadcast of this great concert. But come on! Come on! Ads in the middle of an aria? Really! What’s that all about!? Ads in the middle of the concert?! What’s that all about?!
0:50-7:05 PARTE 1 Overtura
7:06-8:10 'Twas at the royal fest, for Persia won by Philip's warlike son
8:10-12:41 Happy pair
12:42-13:09 Timotheus, plac'd on high amid the tuneful quire
13:10-26:45 Sinfonia
27:36-28:34 The song began from Jove
28:35-30:35 The list'ning crowd admire the lofty sound
30:39-33:48 With ravish'd ears the monarch hears
33:48-34:27 The praise of Bacchus then the sweet musician sung
34:27-36:50 Bacchus, ever fair and young
36:50-38:47 Bacchus' blessing are a treasure
38:58-39:46 Sooth'd with the sound
39:46-41:12 He chose a mournful Muse
Quue7n u
Thank you so much
@Jean Philippe Goglu The beginning is "Give the Vengeance due"
And here are the lyrics:
'Twas at the royal feast for Persia won
By Philip's warlike son-
Aloft in awful state
The godlike hero sate
On his imperial throne;
His valiant peers were placed around,
Their brows with roses and with myrtles bound
(So should desert in arms be crown'd);
The lovely Thais by his side
Sate like a blooming Eastern bride
In flower of youth and beauty's pride:-
Happy, happy, happy pair!
None but the brave
None but the brave
None but the brave deserves the fair!
Timotheus placed on high
Amid the tuneful quire
With flying fingers touch'd the lyre:
The trembling notes ascend the sky
And heavenly joys inspire.
The song began from Jove
Who left his blissful seats above
Such is the power of mighty love!
A dragon's fiery form belied the god;
Sublime on radiant spires he rode
When he to fair Olympia prest,
And while he sought her snowy breast,
Then round her slender waist he curl'd,
And stamp'd an image of himself, a sovereign of the world.
The listening crowd admire the lofty sound;
A present deity! they shout around:
A present deity! the vaulted roofs rebound:
With ravish'd ears
The monarch hears,
Assumes the god;
Affects to nod,
And seems to shake the spheres.
The praise of Bacchus then the sweet musician sung,
Of Bacchus ever fair and ever young:
The jolly god in triumph comes;
Sound the trumpets, beat the drums!
Flush'd with a purple grace
He shows his honest face:
Now give the hautboys breath; he comes, he comes!
Bacchus, ever fair and young,
Drinking joys did first ordain;
Bacchus' blessings are a treasure,
Drinking is the soldier's pleasure:
Rich the treasure,
Sweet the pleasure,
Sweet is pleasure after pain.
Soothed with the sound, the king grew vain;
Fought all his battles o'er again,
And thrice he routed all his foes, and thrice he slew the slain!
The master saw the madness rise,
His glowing cheeks, his ardent eyes;
And while he Heaven and Earth defied
Changed his hand and check'd his pride.
He chose a mournful Muse
Soft pity to infuse:
He sung Darius great and good,
By too severe a fate
Fallen, fallen, fallen, fallen,
Fallen from his high estate.
And weltering in his blood;
Deserted at his utmost need
By those his former bounty fed;
On the bare earth exposed he lies
With not a friend to close his eyes.
With downcast looks the joyless victor sate,
Revolving in his alter'd soul
The various turns of chance below;
And now and then a sigh he stole,
And tears began to flow.
The mighty master smiled to see
That love was in the next degree;
'Twas but a kindred sound to move,
For pity melts the mind to love.
Softly sweet, in Lydian measures
Soon he soothed his soul to pleasures.
War, he sung, is toil and trouble,
Honour but an empty bubble;
Never ending, still beginning,
Fighting still, and still destroying;
If the world be worth thy winning,
Think, O think, it worth enjoying:
Lovely Thais sits beside thee,
Take the good the gods provide thee!
The many rend the skies with loud applause;
So Love was crown'd, but Music won the cause.
The prince, unable to conceal his pain,
Gazed on the fair
Who caused his care,
And sigh'd and look'd, sigh'd and look'd,
Sigh'd and look'd, and sigh'd again:
At length with love and wine at once opprest
The vanquish'd victor sunk upon her breast.
Now strike the golden lyre again:
A louder yet, and yet a louder strain!
Break his bands of sleep asunder
And rouse him like a rattling peal of thunder.
Hark, hark! the horrid sound
Has raised up his head:
As awaked from the dead
And amazed he stares around.
Revenge, revenge, Timotheus cries,
See the Furies arise!
See the snakes that they rear
How they hiss in their hair,
And the sparkles that flash from their eyes!
Behold a ghastly band,
Each a torch in his hand!
Those are Grecian ghosts, that in battle were slain
And unburied remain
Inglorious on the plain:
Give the vengeance due
To the valiant crew!
Behold how they toss their torches on high,
How they point to the Persian abodes
And glittering temples of their hostile gods.
The princes applaud with a furious joy:
And the king seized a flambeau with zeal to destroy;
Thais led the way
To light him to his prey,
And like another Helen, fired another Troy!
Thus, long ago,
Ere heaving bellows learn'd to blow,
While organs yet were mute,
Timotheus, to his breathing flute
And sounding lyre
Could swell the soul to rage, or kindle soft desire.
At last divine Cecilia came.
Inventress of the vocal frame;
The sweet enthusiast from her sacred store
Enlarged the former narrow bounds,
And added length to solemn sounds,
With Nature's mother-wit, and arts unknown before.
Let old Timotheus yield the prize,
Or both divide the crown;
He raised a mortal to the skies,
She drew an angel down!
lyricstranslate.com/en/john-dryden-alexanders-feast-or-power-music-lyrics.html
This is the best oratoric piece ever composed by Händel. That has been my opinion for 30 years now.
I have heard performances that were more beautiful than this one, but still... bravo for the musicians.
+Merlin Mijdus May I ask, which performance(s) do you prefere?
+TheAbisf - ... English Chamber Orchestra.
+Merlin Mijdus Thank you so much! Actually I like this performance, especially Yulia van Doren and Matthew Brook are absolutely brillant. Looking forward to the performance recommended by you. Thanks!
Brava Gwyneth. Superb ensemble, but Gwyneth Wentink's harp playing stole my. Takes it to the edge like a true musician-artist. Brava
Wonderful rendition.
This great Oratorio reminds us that Handel wrote three types of Oratorios: Christian (Messiah, The Resurrection), Jewish (Jeptha, Solomon, Sampson, Saul, Israel in Egypt), and Pagan (Alexander's Feast).
This one has always been my favorite, followed by Messiah and Jeptha.
A very great largely unknown work from the great Handel. My god when are people going to start listening to him? This is acually the molst complete performance I have heard. The last chorus is usually not performed.
Do you know if this is supposed to be composed for Alexander the Great's work? The warrior Alexander or a different Alexander?
The work is based on Dryden`s poem describing a banquet given by Alexander The Great and his Mistress. The poet Timotheus sings the the songs as entertainment for the couple and thus indicates the power of music.
***** thank you for the clarification :)
***** One day our beloved Handel shall prevail
Omar Cahbar
My friend through Handel, it is starting to happen. The great pianist Alfred Brendel of Haydn, Mozart, Schubert and Beethoven fame in a lecture at Oxford last month stated flatly that his life had changed in the last 10 years because of his discovery of Handel, whom he placed easily as the equal of Bach.
With all the interest in the operas alone, since the mid nineties his stock has risen as one of the great dramatic composers in history and one of the greatest melodist in history
glorious, beauty-full, thank you.
Wow the harpist is really great . Perfect balance and clarity. On top of it, i think she adds enough ornamentation in the harp concerto (13:00). I wish i could hear even a more free and open interpretation with maybe a bigger improvisation. Still this a way of playing i already like.
Having just sung this in Inverness Scotland this recording brings a wonderful sense of how music transforms us all
love this music, Handel my favourite .
Very very beautiful performance....thanx so much
Wonderful
Sublime!
Alexander's Feast had ik nog nooit gehoord, al zaten er verschillende pasages in die ik kende, de harpsolo bv.
Mooi concert
@32:40 The expression on the Cello player says it all :)
Hermosisimo
Божественно!
Does anyone who is familiar with various recordings of Alexander's Feast have one in particular that they recommend? I'm looking to buy a CD. Please also tell me why you recommend it. Thanks!
Dag lieve Kenneth ❤
Fabulous-thanks to all, including post.
How come that, during the harp concerto, the TV logo changes from AVRO to TRASH and then back again?
Is there a recording of this that I can purchase?
"So Love was Crowned but music won the Course"
Music won the CAUSE
Was played at the inauguration of King Willem Alexander of the Netherlands when leaving the big church in Amsterdam
wonderful!
This was originally titled "Alexander's All-You-Can-Eat Buffet," but he couldn't Handel all of that food
Thanks--I just spit out my beer! 80)
So bad.
Oh my 😂😂😂!!!!
It's too bad he edited the work from its original, fuller form; he even had to eliminate three popular arias: "Lascia ch'io mangia / mia cruda torte / e che sospiri / la rotondità," "Spaghetti, che cantate," and the Largo, "Ombra my food." Thankfully, he was able to recycle those songs into his later smörgåsbord-based operas, "La Pizza di Cici," "Il Recinto d'Oro," and "Lo Sfrigolio," respectively.
Sublime ❤️
I denke deller Alfred ist ...besser nicht. Wahr
(Samuel Coleridge Taylor)
In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea. .....
A savage place! as holy and enchanted
As e’er beneath a waning moon was haunted
By woman wailing for her demon-lover! ....
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean; ...
A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid
And on her dulcimer she played,
Singing of Mount Abora.
Genial!
Una de las más brillantes obras de Haendel. Realmente, una fiesta para disfrurar e intentar olvidar por un rato la pandemia que nos está asolando inmisericorde.
Prima muziek van G F Handel. Maar dat zalvende gezever van de introductie is mij teveel. Groeten petrus bagasbas 🤧
A great John Dryden poem which we read at school all those years ago. I often dislike the puting to music of a great poem -gilding the lilly or not adding anything and destroying the rhythm of the poem but Handel gets away with this one.And this perfomance is fantastic.
britain at her best
Magnifique !
Premiered #otd in 1736 💐💐💐
Felicitaciones por esta brillante interpretación con instrumentos modernos y no con instrumentos de museo
zeer goed invoering
which redaction it is?I need to find one with mezzo too,instead of all soprano parts...
Fantástica sonoridad que alcanzan estas obras interpretadas con instrumentos modernos ¡ Basta de instrumentos de época (de museo)!
and now it's back on AVRO
Vraiment grandiose !
Why are they singing about Bacchus? Surely they would be singing about Dionysus instead?
they sing what Dryden wrote
It was common to use Roman names for the Greek gods
This an oratorio I was thinking but like a harp concerto in part one but she was good.
I couldn't agree with you more. SLOW DOWN HANDEL CONDUCTORS, WE CAN'T HEAR THE MUSIC. Montgomery gets it just about right.
There are too many conductors who race through both Handel and Bach. Often the concert master has to struggle to keep up and it sounds like hoedowns rather than baroque masterpieces. Ugh!
22 mins in and it's back on TRASH. Maybe it'll go on to VPRO soon
34:26
There are 3 apex composers they are in no particular order. Handel, Beethoven and Bach. Too bad this recording is executed in dead acoustics
Interesting. I once read one "expert" assert that Bach Beethoven and Wagner represent the high points of composition. Who is to know? Think I see you're point about Haydn, especially presaging Mozart. Bach the musical "scientist " and LVB the Janus genius. Either way I'm with you on Brendel's Damascene conversion.So many of the musical intelligentsia seem to engage in " me too " hyperbole on JSB, ignoring( as I suggest elsewhere on your posts) the massive gap in his repertoire i.e. opera .How lucky we are to have you-tube enabling a renaissance of the genius Handel. Onward!
13:09
1:35:30 ; 1:38:10
l'être humain est génial c'est un fruit de la nature , mais pour être aussi génial que la nature il ne lui manque que la sagesse . oui l'homme est génial
and now it's back on TRASH
Modern instruments are just PLAIN BETTER than their earlier versions and counterparts of centuries ago. For clarity - for precision - for definition - for impact. That's why they were developed. I think Handel himself would prefer MODERN instruments. He was constantly searching for the new,the novel,the different - the LOUD. " Englishmen want music that hits them squarely on the ear ! " .
What nonsense! If you want the new and novel listen to the rubbish composed since about 1880. Handel wrote for the instruments at his disposal. I for one am grateful for the 'authentic' style of playing. Unhappily, some people are never satisfied.
was mir - textlich - das alexanderfest vergällt, ist der racheruf des timotheus und das niederbrennen von persepolis,mit thais an der spitze und mit dem beifall der fürsten - ein grund, ein fest zu feiern? und dazu musik zu missbrauchen?
I´m not a fan of Händel.JS Bach did the most job during the first half of 17.th century.Much in the musical style developed between 1790-1810 after the french revolution.
Nobody cares. Handel was the greatest dramatic composer of the Baroque, with many operas, oratorios, serenades and Italian cantatas. One of my favorites