This exclusive interview series are a real bomb. It brings out the musician's unheard stories to the world, which is what true fans want to hear. Thanks a million, Billy.
Hawu madoda, uZungu uqobo lwakhe. This guy is a very warm personality, I met him in Gallagher Estate and we shared a stage, he was playing with Makeba s band at the time.
Did he say when he started sessions with the IPCC it was while they were under Gallo when Nick was still there? Because I've been wondering about the Sabata album; it has Nick sound but on some songs I think ntate Ntokozo played. 37:10 It's funny to think ntate Aubrey was once that type of guy😂, from the music videos you wouldn't think about him doing that, hehe. During the time after thami music joined ccp at EMI there was a keyboard player there, that man did wonders I hope you can interview him too, I want to know who he is. From the 2000 to 2006 I think Kemang album 🔥
@@LightningNyembe We sincerely apologize if this fell short of your expectations. However, you weren’t there to experience the situation firsthand. The interview took place at Downtown Studios, and although we were told the space would be available, other people unexpectedly showed up for rehearsals. To clarify, this is not a podcast. While the result may not meet your exacting standards, it’s far better than letting the story go untold. I hope you were able to focus on the value of the narrative, rather than being distracted by the setting. If you review our previous work, you’ll see that we are meticulous and deeply committed to our craft. The essence of this project is that I presented a story with unique significance, one that hasn’t been told before. Please try to overlook minor imperfections like the background door. Perhaps next time, a paid contribution could help us secure a more polished studio experience. What do you think? It could be an opportunity for us to elevate the production. Thank you for your understanding, and God bless.
![Hugh Masekela The Late [Living] Jazz Legend Performs Stimela](http://i.ytimg.com/vi/FE1vSjikzEQ/mqdefault.jpg)
![Hugh Masekela The Late [Living] Jazz Legend Performs Stimela](/img/tr.png)
This exclusive interview series are a real bomb. It brings out the musician's unheard stories to the world, which is what true fans want to hear. Thanks a million, Billy.
Greatly said sir, Manzini omkhulu, much respect Baba, sengathi uMvelinqangi angasigcinela wena njalo 🤝
Hawu madoda, uZungu uqobo lwakhe. This guy is a very warm personality, I met him in Gallagher Estate and we shared a stage, he was playing with Makeba s band at the time.
So,this is the guy who plays Guitar Man👏🏿. The man has killer skills playing octaves👌🏾...dlala guitar man, dlala isonginci🕺🏾🔥🎶
Great one Billy. We really appreciate your content. This legend did wonders on the ipcc albums 👌🏿.
My favorite guitarist
Did he say when he started sessions with the IPCC it was while they were under Gallo when Nick was still there? Because I've been wondering about the Sabata album; it has Nick sound but on some songs I think ntate Ntokozo played.
37:10 It's funny to think ntate Aubrey was once that type of guy😂, from the music videos you wouldn't think about him doing that, hehe.
During the time after thami music joined ccp at EMI there was a keyboard player there, that man did wonders I hope you can interview him too, I want to know who he is. From the 2000 to 2006 I think Kemang album 🔥
Ipcc keyboard player was felani gumbi for most of the albums. Unfortunately he is late.
I think khola phalatsi also played in the later albums
Wow, that's my man, Mr Zungu I will give a call soon my brother. I'll ask Dr Moses Ngwenya for your number
I'm disappointed about the door noises and people disrespectful of the interview, come on man be professional in how you record your podcast
@@LightningNyembe We sincerely apologize if this fell short of your expectations. However, you weren’t there to experience the situation firsthand. The interview took place at Downtown Studios, and although we were told the space would be available, other people unexpectedly showed up for rehearsals. To clarify, this is not a podcast. While the result may not meet your exacting standards, it’s far better than letting the story go untold. I hope you were able to focus on the value of the narrative, rather than being distracted by the setting.
If you review our previous work, you’ll see that we are meticulous and deeply committed to our craft. The essence of this project is that I presented a story with unique significance, one that hasn’t been told before. Please try to overlook minor imperfections like the background door. Perhaps next time, a paid contribution could help us secure a more polished studio experience. What do you think? It could be an opportunity for us to elevate the production.
Thank you for your understanding, and God bless.