How are you gonna talk about Englehart and his style without talking about his love for the outrageously convoluted? His revisions to the origins of Vision, Scarlet Witch, and Quicksilver were a thrilling read, and also made it so you can melt a person's brain by just trying to describe their character histories, lol.
I love Steve Englehart, but I’ve never understood his obsession with the Mantis character. I’ve never found her interesting (aside from the Gunn version in Guardians 2). Another great episode from the best comics RUclipsr on the platform!
I agree I’m not understanding the obsession with mantis. I was reading the comics at that time and just found her one of the most annoying characters at Marvel. On the other hand, his and Sal Buscema‘s run on Captain America is my “personal golden-age” for the character
Ouch. I agree with you on the obsession part but it was a pet character he created and developed. But the movie version was defintely one note. Still glad we saw her. I'm not a huge Mantis fan but I did enjoy some of the stuff Engleheart did with her.
@@jorgem.1564 I mean, I don’t actively dislike the character or anything, I’ve just never really cared about her. The Guardians film version is a bit one note, but at least her origins aren’t unnecessarily convoluted.
The Beast's 6-issue miniseries is highly underrated in my opinion. Not only did it introduce Beast as we know him today, but it also showed Marvel that X-Men characters were entertaining during Mutants' darkest days. It is full of action, drama, characters and more that make me revisit that story like few others. I also loved the original Star-Lord stories, and while I enjoyed the story that followed after Englehart left Marvel, I'm curious how his plans for Star-Lord would have been executed. Although I didn't realize it before, I think I have a lot of Englehart in my library.
Thanks for the recommendation! I was about to skip The Beast's run entirely, since the first and last issue didn't impress me. Now that I know good ole Eagleheart wrote some, I'll slap myself and hunker down for a good night read.
Englehart and Brunner's run on Dr Strange has been my favorite comic series ever since I picked them up new when I was 10. Dr Strange's struggle with death itself as an entity and expanding his mind to encompass all of eternity, made abstract spiritual concepts available. Of course I also had a huge crush on Clea, and a love for white/silver hair that still holds true. The Captain America/ Serpent run was the first time I felt the power of comics to reflect current politics that I could recognize concurrent in real life. I owe Steve Englehart(and other great writers + Artists) a great debt at influencing my adult outlook.
I really loved his work on west coast avengers, he was able to bring very real problems and mix them high concept superhero stories, like when Hank Pym was feeling suicidal while the Avengers were dealing with a time travel problem. It brought a human element that I really appreciated
Steve’s Doctor Strange comics were weird as hell, but I really enjoyed them! He did a great job characterizing Strange and making his series feel truly otherworldly.
Steve is one of those guys that you hear his name and you know he did a lot for comics. But when you dig into it and see just how much....Man, it's a lot! He's definitely one of those super influential writers from the 70's who took Marvel from monthly villain fights to the epic, tied-in universe we know and love today! This is one of those cases, like Bill Mantlo and Steve Gerber, that I sometimes forget how many of the books I read and loved as a kid was written by three or four guys. I loved Steve's run on Doctor Strange, as well as Avengers and most of those connecting books. If you're a Captain America reader, his stories not only defined his era, but caused waves that still strongly effect Cap stories. That run where Cap quits, searches for meaning beyond being a symbol, and comes back when he finds a reason to be Cap again, SHOULD be read by modern writers who are hung up on Steve Rogers being obsolete and trying to constantly replace him. I LOVED Steve's version of Doctor Strange. He's kind of what is lacking in the movies. Steve Ditko and Stan had Doc being kind of an arrogant, self-assured Master of the Mystic Arts. Steve brought that fatherly quality to him that we saw him portrayed as mostly until the turn of this century. It was the journey that the Ancient One had told Strange he would have to take. Going from an arrogant Doctor, to an humbled man, to a master magician, but finally to a guardian of the universe....And his friends. Doc was the patient member of the Defenders who knew how to keep the disparate personalities on track with each other. And that is how I always remember him. This return to being an arrogant jerk during the Illuminati story at Marvel just rings false to me until this day. Finally, yes, Steve's ethnic characters could be taken as racist stereotypes. And if you want to see a completely hokey, goofy, so racist he gets in his own way character, you have to read his version of the Red Skull at the tale end of his Captain America run. He's so racist he'll stop what he's doing to torture Gabe Jones and Peggy Carter because he's not into interracial dating. But, in his defense, during the time they came out, these ham-handed attempts at diversity, inclusion, and jabs at racism were important. Someone WAS addressing the situations and trying to bring different kinds of characters into comics in the best way they knew. Sometimes having a person of one ethnic group write a character from another can come across as very stilted. But I believe Steve meant well. It would be like modern readers reading the Remo Williams Destroyer novels. You can take them as racist stereotype trash. Or you can look at them as the writers trying to write about deep situations, but only having a limited amount of pages to do it and doing it in a time when most other depictions of race are totally offensive and hateful. It was a time of change and people with no modern context tend to forget those things and just scream racism. Not realizing the diversity they're so obsessed with now came from those halting steps at writers and artists trying to show there was more to the world than a bunch of white dudes punching each other.
The title of "most influential" is an interesting concept, and I do agree with your "ruling". Others in the comments mention Marv W, Doug M, etc. and I'd add Denny O'Neill to the list of consideration too, though he straddled the '60s/'70s. His work with The Vision and Scarlet Witch has been utilized in that fancy talkies medium too.
Englehart's brief run on 'Detective Comics' was it for me. Clayface... the Laughing Fish story with Joker... the return, revamped Deadshot. I had read an old reprint with Deadshot sometime before, and seeing him fresh and new, as well as the art of Marshall Rogers, was exciting and cool.
Since Doctor Strange is my favorite character I remember those Steve Englehart stories. In fact I have several Doctor Strange stories signed by Marshall Rogers who was working at Neil Adams continuity studio at the time and he was being paid a bonus for illustrating Doctor Strange. It’s a great feeling to see original artwork and this was the first time that I had ever saw a light box table that Marshall Rogers was using he was also working on coyote at the time for eclipse comics this video has brought back some wonderful memories for me and I will continue to check in to see what you will do next thank you
I haven't read much of Englehart's work outside of Batman, but one thing that I thought he really nailed was his characterization of the Joker. He wasn't the first person to do it, but I think he really nailed the fine balance between a Joker that's funny, but still a threat.
Englehart's run on the Justice League of America was light night and day compared to what came before him. He gave life and characterization to each member of the team. Englehart's Malibu team, Strangers was also a great run in my opinion.
In Hong Kong King Fu movies, martial arts masters had mystical powers, so I don't see a problem with that aspect. It's a trope, not a stereo type. The other stuff like the Asian seductress, I can see where you're coming from. So many Englehart classics that I grew up on. Good episode though. Keep it going!
I think his problem was mainly the generic mystery of it. They just kinda act like it's just a martial arts "thing" and don't really adapt it so it comes off as a bit of a "wacky Asians!" Type deal
The art you're showing here is really fantastic. I had not heard of Frank Brunner before but find his work really exceptional. Thank you for exposing these creators in your videos! It's great to learn more about the creators!
When looking at 70s writers in terms of influence it's either him or Steve Gerber IMO. Englehart also brought back the Silver Surfer in the 80s and dealt with Galactus's ban on him leaving Earth imposed since _Fantastic Four_ #50 in the first issue of volume 3 of his solo series, which wound up been his longest running solo title (which featured Marshall Rogers in the early issues). This was the first time that Marvel let anybody but Stan Lee write him on a regular basis or in a solo book.
Except for him having middle-aged Hal creepily date a 16 year old kid necessitating later DC creators to change her character to try to cover that up. But otherwise I agree - this was a very fun run of GL comics. 'The Predator' reveal was a letdown, IMO, tho.
I love these deep dives on writers & Artists. I prefer it when it's books I don't read, like this, because I get to hear about things that I don't know much about but am aware of.
Steve Engleharts run on Batman came out in my country when I was 13 - 14 and is probably the main reason that I kept reading comics and never gave up on superhero comics either. I still try to keep up.
West Coast Avengers was the first title I ever collected. The Engleheart issues were so great partly due to the referencing of events and villains from the 1970s. It made me want to seek out those older books and read them too, which I wound up doing!
When She Hulk finally comes out, I'd love to see him shine a light on her very fun Savage She Hulk, or even the John Byrne Era. I just really hope he does something on her, she is honestly the most underrated character in Marvel. Just on the cusp of being well known, but still too obscure. I hope this new show inspires people to go back and read her stories, they range from amazing to batshit. as comics should
Englehart is somebody who's work I was always aware of but I haven't read much of. Really glad to have this video. Definitely going to check out his Doctor Strange and Cap
First...I just want to say keep up the great work! I noticed where someone pointed out it was Rutland, Vermont and not Rutledge, Virginia for the "secret" crossover...I caught that one small slip up as well as one other...you stated that Star-Lord's first appearance was in Marvel Premiere...but it was actually Marvel Preview #4 along with artist Steve Gan...that being said...I really enjoyed this episode...looking forward to the next one!!
One of the things I remember about Englehart's writing is his use of dialogue. He made sure that certain characters had a way of speaking and kept it fairly consistent. It is easy to make all characters speak in plain correct english, but it is more interesting if they have certain patterns or vocal mannerisms ( like Terry Pratchett's characters ) and they consistently use them. It make them more believable.
Ah,Starlin. He's a beast !!! Writes,draws,creates characters.like-Pip the Troll,Gamora,the Destroyer,updated/changed characters for the better-Captain Marvel and Adam Warlock. And can I forget big-daddy THANOS ??? Even tho he's a rip-off of Darkseid !!! LOL. His artwork back in the 70s still hold-up today !!! WOW,the man's art is on BEAST-mode !!!
Great video. Thank You. I love "The Defenders", I love Avengers West Coast, I hadn't read anything from "DC" and I willl look for it, but the character I didn't like was how he wrote Silver Surfer. Thank You again.
Great video! I remember reading about mantis back in the day and I was surprised she was not a martial artist in the movies. Thanks for explaining some of the backstory.
I have heard that Roy Thomas was an influential creator on Doctor Strange. If you ever did an episode on him I think that it would be pretty interesting.
I love Englehart and his treatments of Cap, Doc Strange, and Batman. It's a pity his multi-part, Zodiac-influenced storyline for Star-Lord never happened. I also wish he'd been able to do more than three issues of Mister Miracle, since his take on the character (with Marshall Rogers) redefined the hero. He also wrote an interesting arc for Green Lantern just before the Crisis. And his JLA run features one of my all-time favorite panels, with Superman lamenting (to Batman) the seeming collapse of the League while he led them.
I wish that back in 1975, Kirby would have consented to have him write the cap book rather then turn his nose up to his cap. Englehart breathed new life into cap.
I have to agree with the premise. So much of what I loved in comics of the 70s were Englehart creations, especially the Dr. Strange run. I also agree with your premise that one of his greatest qualities was the respect for what went on before. I've always loved it when authors take what would have been a lost character and using them in a new arc that does a major job of developing that character.
Englehart was the best. I was so impressed with his Dr. Strange work that I went and bought his first novel .. which was also good. "The Pointman" if I remember right. Steve is a brilliant writer. What impressed me most as a precocious child was the obvious depth of the occult research he has done to formulate his Shuma Gorath story line and the masterful way he layered his writing. It was very formative and influenced my writing evolution.
I haven't read any of Englehart's Doctor Strange, but I have read all of Steve Ditko's run, and a lot of the characteristics you associate with Englehart were already in place when Ditko was working on the character.
To this day I consider all his 70s work as good as anything anybody’s done sense. His cap, avengers, Doctor Strange, that justice league will run as well. We’re great stuff. I wish today’s writers had the talent and imagination of this guy. My favorite stuff from him by far is his cap run, I was a very lukewarm cat fan who became a cap obsession kind of reader once Inglehart hit the book. His avengers was gonna run as most anybody has ever had, is Doctor Strange outside of Stan and Steve’s original stuff, was better than anybody else’s. This guy is way underrated and deserves a lot more credit than he gets.
discovered him in the 90s with Ultraverse comics. The Strangers wasn't the greatest at that time but it really stuck with me. I went back and saw some of his earlier work and developed the utmost respect for him. Excellent writer!
A great look at a writer that I had only a passing familiarity with. Nowadays, we take for granted that a character may get reimagined or deconstructed as Englehart did with Dr. Strange and Captain America, but it sounds like he really set the precedent for how that would be done in the 1980s and beyond.
Agree with everything you said here (although I haven't read his DR. STRANGE and am now very anxious to!), but two of Englehart's big contributions not given much mention here are his exploration of the relationship between the Vision and the Scarlet Witch in THE AVENGERS (in my opinion, those characters were ruined by John Byrne in his WEST COAST AVENGERS run and have yet to fully recover) and the humanizing and deepening characterization of the JUSTICE LEAGUE OF AMERICA (which culminated in a brilliant "secret origin" flashback story that heavily influenced Darwyn Cooke's classic NEW FRONTIER many years later).
MP 10, Finally Shuma Gorath is my single favorite comic. It was a seminal story for Doc as you noted and the Brunner art was phenomenal. It was the western hero's journey with an eastern flair, which was also true to the Lee/Ditko roots. But the amount of story and drama and mystical mayhem crammed in that one issue was astounding. Moreso when you realize that a new reader could pick up that book and read it as a self-contained story. Yes, it was the end of a run, but he prefaced the story so well alongside the phenomenal art of the wracked ancient one that the stakes are immediately apparent. Just a 10/10 book. It ultimately changed the character both as SSupreme, but also the Ancient One's death was never really retconned, though Starlin played with the idea later. Great stuff. Thanks so much. Suggestion if you ever want to tackle satire is the Bozo run on Defenders by Gerber. Really original and prophetic. :D
Chris I am so glad you gave Engelhart his due! I was a big fan of his run on Captain America when i read it as a kid, and his run on Batman in detective comics with Marshall Rogers is legendary. There was an interview with him in a fan magazine in the 1980's that i have thinking about lately. In it he was talking about writing female characters. He was of the opinion that female characters were so under rated in the industry, relating that he was told when he was writing the avengers that Scarlet Witch was supposed to be a "second banana" character, she was supposed to cast a hex and fall down and let the male Avengers finish the fights. He rejected that, leading to Wanda becoming much more prominent and he decided to have her study magic with Agatha Harkness. He also talked about how he originally intended for Mantis to come in and flirt with the male Avengers and cause dissent, but then decided that he couldn't do that to Mantis as she needed to be a better character if she was going to be an Avenger. Might I suggest an episode of Comic Tropes dealing with the evolution of Marvel's heroines and how they came to evolve and become more than invisible girls? There is a lot to cover, the Lady Liberators in Avengers, Claremonts run on X-men, Wasp's evolution, the Cat/ Tigra /Hellcat much of this touching on topics you've already done. As Disney + prepares Ms. Marvel, the Marvels Movie and the She-Hulk series, there would be ample reason to touch on these issues. Also I don't know if the outtakes you posted of you stumbling over lines, I never noticed them before today, (I don't always have a chance ot watch you episodes to the end) but they were a fun bonus. You put out good material, sometimes you surprise me with things i never knew about, but the humor is always enjoyable. (Although you often make want to go drinking afterwards... can't imagine why. ;- )
I can't speak to his Marvel stuff, But Englehart clearly had a knack for character interpersonal dynamics. It's very "TV writing" in a way (at least the way TV used to be written). Creating a good "will they/won't they" (like Bruce and Silver(, creating tension within an organization (like the GL Corps), these are great fuel for storytelling situations that deepen the characters and make them feel real.
one of those names I've seen and heard through the years and also remember reading some old stories of his although I'm not totally sure, so it was pretty interesting to finally learn about him and how important he is.
I have collected the three comics in the unofficial DC/Marvel Halloween crossover of 1972 that Englehart et al. engineered: Amazing Adventures 16, JLA 103, and Thor 207. I love that crossover *because* it was unofficial.
I came across Steve Engleheart when I picked my first Shang Chi in Marvel Special Edition 15. I read the Avengers Mantis issues a while back. He is a good writer. He set up the characters to depth and personality. I enjoy your show, Chris.
I have to clear something up on this issue, the Halloween Parade that they all went to was not In Rustiage Virginia. It was in Rutland Vermont. It was my home town, and I remember those guys coming up to the Parade when I was a kid.
Without a doubt. Englehart was my top 70's writer. To this day I still remember his speech about Death in Doctor Strange 4. And as for Fu Manchu, that decision came from above. Neither Englehart nor Starlin planned on using him.
Man, he really did write a ton of famous comics and some great stories. Englehart really is pretty influential, huh? And that Dr. Strange story ending with Sis Eneg. Woah.😧
Great video, I'm a big fan! I love the deep dives on different creators' careers. I'd like to see more videos on your favorite comic runs/collected stories. I found your channel with the fletcher hanks video, and after that I loved the miracle man video. I would have never thought to explore those without the introduction and summary. Knowing where to start with a character can be the hardest part of getting into comics, and you have that knowledge base and great presentation to make the best runs accessible and interesting to newcomers, or in my case an old reader that missed some interesting runs.
9:13 Maybe you just didn't train hard enough!! As an aside, Following your Black Widow video. I recently bought a trade of The Twelve and I was very impressed with what I read. So, thanks Chris!
Wow, I'm surprised I'm not more aware of him as I've read a lot of his classic stories. This was some great insight on a surprisingly influential writer. While I can see the problematic depictions of some of his earlier characters in regards to representation, I'd like to think his heart was in the right place. There weren't really a lot of examples to go on, so it's understandable that the first will prove to be...rough. Ultimately, I'd say it's more good than not. Great episode!
Steve Englehardt was my favorite writer among giants of the industry back then. The Avengers/Defenders war made for a very exciting summer when I was a kid.
The Englehart/Brunner and Englehart/Colan runs on Dr. Strange were among my favorites. His Captain America run was iconic, and I would love to see his take on the 45th president and his followers.
I would also add his Green lantern run up to the end of Crisis. Englehart was also the master of making continuity work rather than discarding it like others would.
Now for a post to the point...I'm an Englehart lover. His Cap run might be one of my favorite runs of any comic of all time. That said, it is his Avengers stuff that got me into him. The 90s had not done much for my opinion on traditional titles like Cap and Avengers, but Busiek's praise of his Avengers got me to go back. The stories are certainly dated, but so much of the modern era is built in those very books. I hold him in the same esteem as I do Steve Gerber and Jim Starlin.
Considering the impact of Englehart's run on Justice League of America, it's a disservice that the inclusion of a Mantis pastiche is the only mention made here of it. Besides creating inspired villains like the Manhunters, Privateer and the Construct, adding Red Tornado and Hawkgirl to the ranks and retconning a new origin that served as a love letter to pretty much the entire DC roster of the late 1950s, Englehart gave the title a sense of direction and maturity that was revolutionary for the times. The heroes came across as smarter, called each other by their civilian names, even while in costume, and were allowed to have disagreements without throwing tantrums (in the midst of which, ironically, the previously established Green Arrow-Hawkman feud was defused -- over an abundance of drinks LOL). At one stage or another, Englehart highlighted every member of the League -- including the Phantom Stranger, Martian Manhunter and even Snapper Carr (the latter two having been written out of the series for almost a decade). His depictions of Flash and Wonder Woman were particularly noteworthy: he gave Barry, the ultimate everyman, an inferiority complex; while Diana reminded readers she was a princess from a foreign land, demonstrating haughtiness and more formal dialogue absent from her previous "one of the guys" persona -- every WW writer since has run with variations of the same template. There was no turning back for the JLA. Gerry Conway followed with a long and distinguished run (JLA Detroit notwithstanding) that emulated the Englehart formula.
I agree. I know that this video was 29 minutes long, but maybe devote a minute or so more to Steve's JLA run. I know it's overshadowed by those 8 issues of Detective, but it is considered one of the best eras of the original JLA comic.
I've been a fan of Cap since I was 4 years old and saw the Merry Marvel Marching Society cartoons. It was always a thrill when that one day of the week came and they'd show his cartoon. When I started buying comics in 1974, Cap #176 was the first issue I bought! Imagine buying your first issue (with the money from my paper route!) and in it, Cap quits! Englehart's run on Cap was just incredible. Back then I would have to search out flea markets to find back issues of his run. I loved his work on the Avengers as well. Having said that, he definitely seemed obsessed with Mantis. After reading his Avengers run again I'd have to say that it doesn't hold up as well today. But, I will say that in the almost 50 years of reading comics I have never read a more touching/sad death of a character than when the Swordsman died. That final page in Giant Size Avengers #2 gets me choked up no matter how many times I've read it.
My first exposure to Steve Engelhardt's writing was his novel The Plain Man. Well reading it I couldn't help but feel like it read like a comic book and once I read the about author section it all made sense.
The only Steve Englehart I ever read was Green Lantern. I thought his stuff with John Stewart was great but then it takes a hard turn when the Hal Jordan and Arisia comes up.
I'd like to see someone do a history doc on the formation of Valiant Comics,detailed of course. I think Jim Shooter was a good editor,task-master,etc,etc,...he almost bought Marvel back in the day,came real close. Involved in the formation of Valiant,then helped shape and mold it,I understand he pissed people off with his methods,attitude,etc,etc,.. when dealing with creative folks(artists,writers,etc,etc,..)you have to have good people skills,for they're kinda childess,mercurial,defiant and work in a fantasy world. LOL.
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
It's mind-bending how many of the stories I read as a kid and loved were written by Englehart.
Maybe Matis represents someone from his real life . Who knows. Seems like attachment.
How are you gonna talk about Englehart and his style without talking about his love for the outrageously convoluted? His revisions to the origins of Vision, Scarlet Witch, and Quicksilver were a thrilling read, and also made it so you can melt a person's brain by just trying to describe their character histories, lol.
I love Steve Englehart, but I’ve never understood his obsession with the Mantis character. I’ve never found her interesting (aside from the Gunn version in Guardians 2). Another great episode from the best comics RUclipsr on the platform!
I agree I’m not understanding the obsession with mantis. I was reading the comics at that time and just found her one of the most annoying characters at Marvel. On the other hand, his and Sal Buscema‘s run on Captain America is my “personal golden-age” for the character
He made an OC that he fell in love with. I get that impression anyway.
Ouch. I agree with you on the obsession part but it was a pet character he created and developed. But the movie version was defintely one note. Still glad we saw her. I'm not a huge Mantis fan but I did enjoy some of the stuff Engleheart did with her.
@@jorgem.1564 I mean, I don’t actively dislike the character or anything, I’ve just never really cared about her. The Guardians film version is a bit one note, but at least her origins aren’t unnecessarily convoluted.
@@NerdonFilm I agree about the origin.
The Beast's 6-issue miniseries is highly underrated in my opinion. Not only did it introduce Beast as we know him today, but it also showed Marvel that X-Men characters were entertaining during Mutants' darkest days. It is full of action, drama, characters and more that make me revisit that story like few others. I also loved the original Star-Lord stories, and while I enjoyed the story that followed after Englehart left Marvel, I'm curious how his plans for Star-Lord would have been executed. Although I didn't realize it before, I think I have a lot of Englehart in my library.
who are the artists of the Beast miniseries? (4:19)
@@LQuatorze The pages he showed were all Tom Sutton.
That Beast run was my childhood favorite.
Thanks for the recommendation! I was about to skip The Beast's run entirely, since the first and last issue didn't impress me. Now that I know good ole Eagleheart wrote some, I'll slap myself and hunker down for a good night read.
Steve Englehart is one of my all time favorites. He is one of the four pillars of 1970s Marvel. Englehart, Gerber, Thomas & Starlin.
Starlin????
@@jimmy.r.minnelli yes?
@@TaylorTalksComics ok
You forgot about Reimers
@@jimmy.r.minnelliwhat's wrong with Sstarlin?
Englehart and Brunner's run on Dr Strange has been my favorite comic series ever since I picked them up new when I was 10. Dr Strange's struggle with death itself as an entity and expanding his mind to encompass all of eternity, made abstract spiritual concepts available. Of course I also had a huge crush on Clea, and a love for white/silver hair that still holds true.
The Captain America/ Serpent run was the first time I felt the power of comics to reflect current politics that I could recognize concurrent in real life. I owe Steve Englehart(and other great writers + Artists) a great debt at influencing my adult outlook.
I STILL have a crush on Clea!
I really loved his work on west coast avengers, he was able to bring very real problems and mix them high concept superhero stories, like when Hank Pym was feeling suicidal while the Avengers were dealing with a time travel problem. It brought a human element that I really appreciated
Steve’s Doctor Strange comics were weird as hell, but I really enjoyed them! He did a great job characterizing Strange and making his series feel truly otherworldly.
He managed to out-weird the stories written and drawn by Ditko, which is no easy feat. Some were so weird they lost me, though.
I liked the Nomad storyline from CA. I remember him stepping on his cape during a battle and then ripping it off in frustration.
Steve is one of those guys that you hear his name and you know he did a lot for comics. But when you dig into it and see just how much....Man, it's a lot! He's definitely one of those super influential writers from the 70's who took Marvel from monthly villain fights to the epic, tied-in universe we know and love today!
This is one of those cases, like Bill Mantlo and Steve Gerber, that I sometimes forget how many of the books I read and loved as a kid was written by three or four guys. I loved Steve's run on Doctor Strange, as well as Avengers and most of those connecting books. If you're a Captain America reader, his stories not only defined his era, but caused waves that still strongly effect Cap stories. That run where Cap quits, searches for meaning beyond being a symbol, and comes back when he finds a reason to be Cap again, SHOULD be read by modern writers who are hung up on Steve Rogers being obsolete and trying to constantly replace him.
I LOVED Steve's version of Doctor Strange. He's kind of what is lacking in the movies. Steve Ditko and Stan had Doc being kind of an arrogant, self-assured Master of the Mystic Arts. Steve brought that fatherly quality to him that we saw him portrayed as mostly until the turn of this century. It was the journey that the Ancient One had told Strange he would have to take. Going from an arrogant Doctor, to an humbled man, to a master magician, but finally to a guardian of the universe....And his friends. Doc was the patient member of the Defenders who knew how to keep the disparate personalities on track with each other. And that is how I always remember him. This return to being an arrogant jerk during the Illuminati story at Marvel just rings false to me until this day.
Finally, yes, Steve's ethnic characters could be taken as racist stereotypes. And if you want to see a completely hokey, goofy, so racist he gets in his own way character, you have to read his version of the Red Skull at the tale end of his Captain America run. He's so racist he'll stop what he's doing to torture Gabe Jones and Peggy Carter because he's not into interracial dating. But, in his defense, during the time they came out, these ham-handed attempts at diversity, inclusion, and jabs at racism were important. Someone WAS addressing the situations and trying to bring different kinds of characters into comics in the best way they knew. Sometimes having a person of one ethnic group write a character from another can come across as very stilted. But I believe Steve meant well. It would be like modern readers reading the Remo Williams Destroyer novels. You can take them as racist stereotype trash. Or you can look at them as the writers trying to write about deep situations, but only having a limited amount of pages to do it and doing it in a time when most other depictions of race are totally offensive and hateful. It was a time of change and people with no modern context tend to forget those things and just scream racism. Not realizing the diversity they're so obsessed with now came from those halting steps at writers and artists trying to show there was more to the world than a bunch of white dudes punching each other.
The title of "most influential" is an interesting concept, and I do agree with your "ruling". Others in the comments mention Marv W, Doug M, etc. and I'd add Denny O'Neill to the list of consideration too, though he straddled the '60s/'70s.
His work with The Vision and Scarlet Witch has been utilized in that fancy talkies medium too.
Englehart's brief run on 'Detective Comics' was it for me. Clayface... the Laughing Fish story with Joker... the return, revamped Deadshot. I had read an old reprint with Deadshot sometime before, and seeing him fresh and new, as well as the art of Marshall Rogers, was exciting and cool.
Len wein did clayface. Steve had just bounced.
@@ImYourHuckleberry_29 Okay... time getting dimmed with age
I just got into reading old doctor strange comics online and man the visuals are amazing
Met Englehart at a comic convention in the ‘70s. Nice guy. Enjoyed his work.
Snowflame returned recently in a few fill-in issues of Catwoman written by Sean Murphy 🙂
Since Doctor Strange is my favorite character I remember those Steve Englehart stories.
In fact I have several Doctor Strange stories signed by Marshall Rogers who was working at Neil Adams continuity studio at the time and he was being paid a bonus for illustrating Doctor Strange. It’s a great feeling to see original artwork and this was the first time that I had ever saw a light box table that Marshall Rogers was using he was also working on coyote at the time for eclipse comics this video has brought back some wonderful memories for me and I will continue to check in to see what you will do next thank you
I haven't read much of Englehart's work outside of Batman, but one thing that I thought he really nailed was his characterization of the Joker. He wasn't the first person to do it, but I think he really nailed the fine balance between a Joker that's funny, but still a threat.
His run on Detective Comics really solidified my love for Batman when I was a kid
Englehart's run on the Justice League of America was light night and day compared to what came before him. He gave life and characterization to each member of the team. Englehart's Malibu team, Strangers was also a great run in my opinion.
In Hong Kong King Fu movies, martial arts masters had mystical powers, so I don't see a problem with that aspect. It's a trope, not a stereo type. The other stuff like the Asian seductress, I can see where you're coming from. So many Englehart classics that I grew up on. Good episode though. Keep it going!
This is a good point, lots of Shaw Brothers films have characters flying and shooting beams from their hands.
I think his problem was mainly the generic mystery of it. They just kinda act like it's just a martial arts "thing" and don't really adapt it so it comes off as a bit of a "wacky Asians!" Type deal
The art you're showing here is really fantastic. I had not heard of Frank Brunner before but find his work really exceptional. Thank you for exposing these creators in your videos! It's great to learn more about the creators!
Best comics channel-period.
When looking at 70s writers in terms of influence it's either him or Steve Gerber IMO. Englehart also brought back the Silver Surfer in the 80s and dealt with Galactus's ban on him leaving Earth imposed since _Fantastic Four_ #50 in the first issue of volume 3 of his solo series, which wound up been his longest running solo title (which featured Marshall Rogers in the early issues). This was the first time that Marvel let anybody but Stan Lee write him on a regular basis or in a solo book.
Been reading his Silver Surfer run, it’s great.
He had a good run on Green Lantern. Definitely brought a great plot to his run, that pulled on the long history of GL lore.
Except for him having middle-aged Hal creepily date a 16 year old kid necessitating later DC creators to change her character to try to cover that up.
But otherwise I agree - this was a very fun run of GL comics. 'The Predator' reveal was a letdown, IMO, tho.
Loved his runs on Cap and Batman, which I bought in the 70s and still treasure. Thanks for this prog!
It's my birthday so it's a real treat getting a new episode of Comic Tropes today!
I love these deep dives on writers & Artists. I prefer it when it's books I don't read, like this, because I get to hear about things that I don't know much about but am aware of.
My first comic was Englehart's Defenders #7 - and everything he wrote for Marvel in the 70s was my favorite.
Steve Engleharts run on Batman came out in my country when I was 13 - 14 and is probably the main reason that I kept reading comics and never gave up on superhero comics either. I still try to keep up.
It's great to see comic writers actually care about the characters they created. Nowadays creators seem to hate their characters as well as customers.
I really enjoyed his run on West Coast Avengers. Very impressionable time of my childhood. love your content!
Great seeing Steve Englehart getting his due.
I love these creator deep-dives, man, you're really cranking out some amazing content!
West Coast Avengers was the first title I ever collected. The Engleheart issues were so great partly due to the referencing of events and villains from the 1970s. It made me want to seek out those older books and read them too, which I wound up doing!
When She Hulk finally comes out, I'd love to see him shine a light on her very fun Savage She Hulk, or even the John Byrne Era. I just really hope he does something on her, she is honestly the most underrated character in Marvel.
Just on the cusp of being well known, but still too obscure.
I hope this new show inspires people to go back and read her stories, they range from amazing to batshit. as comics should
I loved her stories. I have read some slam them, but I thought they were great.
As usual Chris, you give a good deep dive into comics.
3:19 Interesting choice of words right after the female pen name. Made me chuckle.
Englehart is somebody who's work I was always aware of but I haven't read much of. Really glad to have this video. Definitely going to check out his Doctor Strange and Cap
Fantastic video! I grew up on Englehart's Marvel work. I once got a chance to tell him how much his Avengers work meant to me.
Love the video Chris and glad to
See you touch on Engleharts work.
First...I just want to say keep up the great work! I noticed where someone pointed out it was Rutland, Vermont and not Rutledge, Virginia for the "secret" crossover...I caught that one small slip up as well as one other...you stated that Star-Lord's first appearance was in Marvel Premiere...but it was actually Marvel Preview #4 along with artist Steve Gan...that being said...I really enjoyed this episode...looking forward to the next one!!
As a kid I fell in love with the Avengers issues featuring the Squadron Supreme.
His Detective Comics run is legendary yet also somewhat underrated or obscure with the wider audience.
One of the things I remember about Englehart's writing is his use of dialogue. He made sure that certain characters had a way of speaking and kept it fairly consistent. It is easy to make all characters speak in plain correct english, but it is more interesting if they have certain patterns or vocal mannerisms ( like Terry Pratchett's characters ) and they consistently use them. It make them more believable.
He’s up there, but for me it’s Jim Starlin.
Ah,Starlin. He's a beast !!! Writes,draws,creates characters.like-Pip the Troll,Gamora,the Destroyer,updated/changed characters for the better-Captain Marvel and Adam Warlock. And can I forget big-daddy THANOS ??? Even tho he's a rip-off of Darkseid !!! LOL. His artwork back in the 70s still hold-up today !!! WOW,the man's art is on BEAST-mode !!!
I plan on meeting him at a convention at the end of this month.
Best comic book contet on the internet / youtube. Thank you for each and every video my man. Can't say it enough.
Great video. Thank You.
I love "The Defenders", I love Avengers West Coast, I hadn't read anything from "DC" and I willl look for it, but the character I didn't like was how he wrote Silver Surfer. Thank You again.
Great depth on this unique writer...thanks again Chris!
Great video! I remember reading about mantis back in the day and I was surprised she was not a martial artist in the movies. Thanks for explaining some of the backstory.
I have heard that Roy Thomas was an influential creator on Doctor Strange. If you ever did an episode on him I think that it would be pretty interesting.
Agreed. Roy Thomas was my favorite writer when I was a kid.
If I remember correctly, Roy Thomas introduced Lovecraftian themes into Dr. Strange stories....
Damn, I'm old. I was reading the Cap to Nomad run as they were coming out.
Great video. I've just been having the worst day today but this video was a pleasant surprise. Great Vid👍
I love Englehart and his treatments of Cap, Doc Strange, and Batman. It's a pity his multi-part, Zodiac-influenced storyline for Star-Lord never happened. I also wish he'd been able to do more than three issues of Mister Miracle, since his take on the character (with Marshall Rogers) redefined the hero. He also wrote an interesting arc for Green Lantern just before the Crisis. And his JLA run features one of my all-time favorite panels, with Superman lamenting (to Batman) the seeming collapse of the League while he led them.
I wish that back in 1975, Kirby would have consented to have him write the cap book rather then turn his nose up to his cap. Englehart breathed new life into cap.
Another excellent episode, Chris! This is the reason why this my favorite comics channel.
I have to agree with the premise. So much of what I loved in comics of the 70s were Englehart creations, especially the Dr. Strange run.
I also agree with your premise that one of his greatest qualities was the respect for what went on before. I've always loved it when authors take what would have been a lost character and using them in a new arc that does a major job of developing that character.
Englehart was the best. I was so impressed with his Dr. Strange work that I went and bought his first novel .. which was also good.
"The Pointman" if I remember right.
Steve is a brilliant writer. What impressed me most as a precocious child was the obvious depth of the occult research he has done to formulate his Shuma Gorath story line and the masterful way he layered his writing. It was very formative and influenced my writing evolution.
One of the legendary Bronze Age writers , my favorite is his run on Green Lantern in the mid 80s
I haven't read any of Englehart's Doctor Strange, but I have read all of Steve Ditko's run, and a lot of the characteristics you associate with Englehart were already in place when Ditko was working on the character.
To this day I consider all his 70s work as good as anything anybody’s done sense. His cap, avengers, Doctor Strange, that justice league will run as well. We’re great stuff. I wish today’s writers had the talent and imagination of this guy. My favorite stuff from him by far is his cap run, I was a very lukewarm cat fan who became a cap obsession kind of reader once Inglehart hit the book. His avengers was gonna run as most anybody has ever had, is Doctor Strange outside of Stan and Steve’s original stuff, was better than anybody else’s. This guy is way underrated and deserves a lot more credit than he gets.
discovered him in the 90s with Ultraverse comics.
The Strangers wasn't the greatest at that time but it really stuck with me. I went back and saw some of his earlier work and developed the utmost respect for him. Excellent writer!
A great look at a writer that I had only a passing familiarity with. Nowadays, we take for granted that a character may get reimagined or deconstructed as Englehart did with Dr. Strange and Captain America, but it sounds like he really set the precedent for how that would be done in the 1980s and beyond.
His captain america run is amazing, is my favorite cap run of all time
Loved the Captain America run!
I love his run on Batman. Some of my favourite Batman stories
I was really surprised you didn't mention his silver surfer run at all, I love that one
Agree with everything you said here (although I haven't read his DR. STRANGE and am now very anxious to!), but two of Englehart's big contributions not given much mention here are his exploration of the relationship between the Vision and the Scarlet Witch in THE AVENGERS (in my opinion, those characters were ruined by John Byrne in his WEST COAST AVENGERS run and have yet to fully recover) and the humanizing and deepening characterization of the JUSTICE LEAGUE OF AMERICA (which culminated in a brilliant "secret origin" flashback story that heavily influenced Darwyn Cooke's classic NEW FRONTIER many years later).
Enjoyed that. Interesting to hear how characters evolved as a result of his writing.
Thanks!
MP 10, Finally Shuma Gorath is my single favorite comic. It was a seminal story for Doc as you noted and the Brunner art was phenomenal. It was the western hero's journey with an eastern flair, which was also true to the Lee/Ditko roots. But the amount of story and drama and mystical mayhem crammed in that one issue was astounding. Moreso when you realize that a new reader could pick up that book and read it as a self-contained story. Yes, it was the end of a run, but he prefaced the story so well alongside the phenomenal art of the wracked ancient one that the stakes are immediately apparent. Just a 10/10 book. It ultimately changed the character both as SSupreme, but also the Ancient One's death was never really retconned, though Starlin played with the idea later. Great stuff. Thanks so much.
Suggestion if you ever want to tackle satire is the Bozo run on Defenders by Gerber. Really original and prophetic. :D
He's one of those guys when you recognize the name, but can't remember where you've read him last. Thanks for the breakdown, keep up the great work!
Chris I am so glad you gave Engelhart his due! I was a big fan of his run on Captain America when i read it as a kid, and his run on Batman in detective comics with Marshall Rogers is legendary. There was an interview with him in a fan magazine in the 1980's that i have thinking about lately. In it he was talking about writing female characters. He was of the opinion that female characters were so under rated in the industry, relating that he was told when he was writing the avengers that Scarlet Witch was supposed to be a "second banana" character, she was supposed to cast a hex and fall down and let the male Avengers finish the fights. He rejected that, leading to Wanda becoming much more prominent and he decided to have her study magic with Agatha Harkness. He also talked about how he originally intended for Mantis to come in and flirt with the male Avengers and cause dissent, but then decided that he couldn't do that to Mantis as she needed to be a better character if she was going to be an Avenger. Might I suggest an episode of Comic Tropes dealing with the evolution of Marvel's heroines and how they came to evolve and become more than invisible girls? There is a lot to cover, the Lady Liberators in Avengers, Claremonts run on X-men, Wasp's evolution, the Cat/ Tigra /Hellcat much of this touching on topics you've already done. As Disney + prepares Ms. Marvel, the Marvels Movie and the She-Hulk series, there would be ample reason to touch on these issues. Also I don't know if the outtakes you posted of you stumbling over lines, I never noticed them before today, (I don't always have a chance ot watch you episodes to the end) but they were a fun bonus. You put out good material, sometimes you surprise me with things i never knew about, but the humor is always enjoyable. (Although you often make want to go drinking afterwards... can't imagine why. ;- )
I can't speak to his Marvel stuff, But Englehart clearly had a knack for character interpersonal dynamics. It's very "TV writing" in a way (at least the way TV used to be written). Creating a good "will they/won't they" (like Bruce and Silver(, creating tension within an organization (like the GL Corps), these are great fuel for storytelling situations that deepen the characters and make them feel real.
one of those names I've seen and heard through the years and also remember reading some old stories of his although I'm not totally sure, so it was pretty interesting to finally learn about him and how important he is.
I have collected the three comics in the unofficial DC/Marvel Halloween crossover of 1972 that Englehart et al. engineered: Amazing Adventures 16, JLA 103, and Thor 207. I love that crossover *because* it was unofficial.
I came across Steve Engleheart when I picked my first Shang Chi in Marvel Special Edition 15. I read the Avengers Mantis issues a while back. He is a good writer. He set up the characters to depth and personality. I enjoy your show, Chris.
Always love to learn more about the storytellers behind the comics, great video!
"Aids vampire" was not a phrase I expected to hear today. Thanks. Fun vid as well.
Not only is the Hemo-Goblin an AIDS vampire, he was a white supremacist hired to eradicate black people from South Africa by infecting them with AIDS.
Thanks!
Thanks
I have to clear something up on this issue, the Halloween Parade that they all went to was not In Rustiage Virginia. It was in Rutland Vermont. It was my home town, and I remember those guys coming up to the Parade when I was a kid.
Englehart is one of my faves. Great video.
Welcome back.Englehart did some good work with Gene Colan,especially the story when Clea slept with Ben Franklin.
Without a doubt. Englehart was my top 70's writer. To this day I still remember his speech about Death in Doctor Strange 4. And as for Fu Manchu, that decision came from above. Neither Englehart nor Starlin planned on using him.
Man, he really did write a ton of famous comics and some great stories. Englehart really is pretty influential, huh? And that Dr. Strange story ending with Sis Eneg. Woah.😧
Great video, I'm a big fan! I love the deep dives on different creators' careers. I'd like to see more videos on your favorite comic runs/collected stories. I found your channel with the fletcher hanks video, and after that I loved the miracle man video. I would have never thought to explore those without the introduction and summary. Knowing where to start with a character can be the hardest part of getting into comics, and you have that knowledge base and great presentation to make the best runs accessible and interesting to newcomers, or in my case an old reader that missed some interesting runs.
9:13 Maybe you just didn't train hard enough!!
As an aside, Following your Black Widow video. I recently bought a trade of The Twelve and I was very impressed with what I read. So, thanks Chris!
Wow, I'm surprised I'm not more aware of him as I've read a lot of his classic stories. This was some great insight on a surprisingly influential writer. While I can see the problematic depictions of some of his earlier characters in regards to representation, I'd like to think his heart was in the right place. There weren't really a lot of examples to go on, so it's understandable that the first will prove to be...rough. Ultimately, I'd say it's more good than not. Great episode!
Steve Englehardt was my favorite writer among giants of the industry back then. The Avengers/Defenders war made for a very exciting summer when I was a kid.
The Englehart/Brunner and Englehart/Colan runs on Dr. Strange were among my favorites. His Captain America run was iconic, and I would love to see his take on the 45th president and his followers.
I would also add his Green lantern run up to the end of Crisis. Englehart was also the master of making continuity work rather than discarding it like others would.
Now for a post to the point...I'm an Englehart lover. His Cap run might be one of my favorite runs of any comic of all time. That said, it is his Avengers stuff that got me into him. The 90s had not done much for my opinion on traditional titles like Cap and Avengers, but Busiek's praise of his Avengers got me to go back. The stories are certainly dated, but so much of the modern era is built in those very books. I hold him in the same esteem as I do Steve Gerber and Jim Starlin.
Vicky Vale first appeared in Scoop of the Century in Batman #49 in October of 1948 she was a photographer and a reporter.
Englehart was awesome...thanks for the video...how about a video of the titans run by Wolfman and Pérez?...or Marshall rogers?
Considering the impact of Englehart's run on Justice League of America, it's a disservice that the inclusion of a Mantis pastiche is the only mention made here of it.
Besides creating inspired villains like the Manhunters, Privateer and the Construct, adding Red Tornado and Hawkgirl to the ranks and retconning a new origin that served as a love letter to pretty much the entire DC roster of the late 1950s, Englehart gave the title a sense of direction and maturity that was revolutionary for the times. The heroes came across as smarter, called each other by their civilian names, even while in costume, and were allowed to have disagreements without throwing tantrums (in the midst of which, ironically, the previously established Green Arrow-Hawkman feud was defused -- over an abundance of drinks LOL).
At one stage or another, Englehart highlighted every member of the League -- including the Phantom Stranger, Martian Manhunter and even Snapper Carr (the latter two having been written out of the series for almost a decade). His depictions of Flash and Wonder Woman were particularly noteworthy: he gave Barry, the ultimate everyman, an inferiority complex; while Diana reminded readers she was a princess from a foreign land, demonstrating haughtiness and more formal dialogue absent from her previous "one of the guys" persona -- every WW writer since has run with variations of the same template.
There was no turning back for the JLA. Gerry Conway followed with a long and distinguished run (JLA Detroit notwithstanding) that emulated the Englehart formula.
I agree. I know that this video was 29 minutes long, but maybe devote a minute or so more to Steve's JLA run. I know it's overshadowed by those 8 issues of Detective, but it is considered one of the best eras of the original JLA comic.
Engelhart helped me fall in love with comics.
I've been a fan of Cap since I was 4 years old and saw the Merry Marvel Marching Society cartoons. It was always a thrill when that one day of the week came and they'd show his cartoon. When I started buying comics in 1974, Cap #176 was the first issue I bought! Imagine buying your first issue (with the money from my paper route!) and in it, Cap quits!
Englehart's run on Cap was just incredible. Back then I would have to search out flea markets to find back issues of his run.
I loved his work on the Avengers as well. Having said that, he definitely seemed obsessed with Mantis. After reading his Avengers run again I'd have to say that it doesn't hold up as well today. But, I will say that in the almost 50 years of reading comics I have never read a more touching/sad death of a character than when the Swordsman died. That final page in Giant Size Avengers #2 gets me choked up no matter how many times I've read it.
My first exposure to Steve Engelhardt's writing was his novel The Plain Man. Well reading it I couldn't help but feel like it read like a comic book and once I read the about author section it all made sense.
I really liked his novel, The Point Man. Well worth reading.
The only Steve Englehart I ever read was Green Lantern. I thought his stuff with John Stewart was great but then it takes a hard turn when the Hal Jordan and Arisia comes up.
@ 5:00 Isn't it the Halloween Parade in Rutland, Vermont?
I would love to see a breakdown of some of original Valiant Comics series, in particular Harbingers, H.A.R.D. Corps and Armorines.
I'd like to see someone do a history doc on the formation of Valiant Comics,detailed of course. I think Jim Shooter was a good editor,task-master,etc,etc,...he almost bought Marvel back in the day,came real close. Involved in the formation of Valiant,then helped shape and mold it,I understand he pissed people off with his methods,attitude,etc,etc,.. when dealing with creative folks(artists,writers,etc,etc,..)you have to have good people skills,for they're kinda childess,mercurial,defiant and work in a fantasy world. LOL.