Use formant instead of pitch. This gives you waaaay more freedom. Increasing the pitch will change the notes of the track and put it into a different key which makes things complicated. Increasing the formant will make it sound like it was pitched up, but keep the note intact and keep it in the same key as it was before. You can make a C sound like it was pitched up to an F, but it'll still *be* a C note. So you can pitch the vocals up to whatever pitch sounds best, but not have to worry about it being out of key, and you won't be restricted to pitching it up by a whole octave. This is how 100 gecs is able to use a bunch of different keys in their songs but the 'pitch' of the vocals stays the same. It's just an effect that sounds like pitch-shifting but doesn't actually change the pitch, so you have more control over how high or low you want something to sound, and you have more control over what key it's in.
this is very true and useful but im pretty sure gecs don't formant shift, i think they just pitch down the instrumental a couple semitones when they record vocals
have faith out now:)
spotify: open.spotify.com/track/6Mb5ScKh3j81hvnmolU2fv?si=1406a5c7cd2941b3
soundcloud: soundcloud.com/thayerperiod/havefaith
Pls drop this on apple music 🙏🙏
Real Christian hyperpop beats be like
@oopert *Me being tempted to say the most brutal and threatening stuff ever.*
@oopert No.I AM!
LOL CHRISTIAN HYPERPOP.
GOTTA SING CHURCH SONGS IN HYPERPOP STYLE IMMA DO IT
Use formant instead of pitch. This gives you waaaay more freedom. Increasing the pitch will change the notes of the track and put it into a different key which makes things complicated. Increasing the formant will make it sound like it was pitched up, but keep the note intact and keep it in the same key as it was before. You can make a C sound like it was pitched up to an F, but it'll still *be* a C note. So you can pitch the vocals up to whatever pitch sounds best, but not have to worry about it being out of key, and you won't be restricted to pitching it up by a whole octave. This is how 100 gecs is able to use a bunch of different keys in their songs but the 'pitch' of the vocals stays the same. It's just an effect that sounds like pitch-shifting but doesn't actually change the pitch, so you have more control over how high or low you want something to sound, and you have more control over what key it's in.
Pitching it up 12 semitones is just an octave jump. Not worth formant shifting on this
this is very true and useful but im pretty sure gecs don't formant shift, i think they just pitch down the instrumental a couple semitones when they record vocals
I love sound design -tuesday- sunday!
have faith is one of the craziest songs i’ve ever heard it has been on straight REPEAT
i’m so hyped for the album gang much love ❤
Dude thanks I might use this
"SAYAYAAAY SAYAYAAAY JUST SAYAYAAA SAYAYAAAY🗣️🗣️🗣️🔥🔥🔥😭😭😭
i love you
i stan the Pieter Bruegel the Elder in the background there
Pls do Realer N Realer by Juice Wrld and Future
love that song!
Hey can you please do this in BandLab? 🛐
The voice likes Deko
Do redlight moments!
What software do you use?
Omg new gecs dropped
Huh by glaive
drums with chords ?
not sure about this one
0:02
Where GMS bank?
made by pierre💜💜💜
у нас есть ризза дома..
о, я уже это писал.
How do you make vocal chops in serum