Building Chords on Guitar: 7, 9, 11 and 13 chords (part2)
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- Опубликовано: 25 июл 2024
- A crystal clear guide to chord theory in 3 parts, showing you how to build chords and how to create chord extensions. Starting in part 1 with thorough understanding of the basic triads like minor, major, augmented and diminished. Get full knowledge of the basis of all chords in the common tertian chord theory. Expand you knowledge in part 2 with a crystal clear explanation of 7th, 9th, 11th and 13th chords. In part 3 we end this chord extravaganza with some alternative, yet awesome and beautiful uncommon shapes to create a whole lot of versatile and ambiguous sounds that can also be deployed to create modal chord sequences and fusion like rock music.
PART 1:
• HOW TO BUILD CHORDS - ...
If you want to dive into the triads used in advanced situations, please take a look at my tutorial about this subject: • Combining TRIAD ARPEGG...
You can support me on my patreon page (also for tabs of the licks played in this video): www.patreon.com/QJamTracks
Artwork: (c) 2020) Rob van Hal
Used:
Ibanez JEM 7vb (www.Ibanez.com)
Ibanez SD GR Bass (www.Ibanez.com)
Takamine GD930 (www.takamine.com)
Castilla Classical Guitars
Samson Concert 99 Wireless system
Rode Microphone
Axe FX II (www.fractalaudio.com)
A chair
Social Media/contact:
www.patreon.com/QJamTracks
QJamTracks
QJamTracks
/ qjamtracks
(c)2020 Rob van Hal, Netherlands 
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Simple, straightforward and easily followed. An effective practical distillation. A wonderful lesson! I am forever your student.
Wonderful and "crystal clear" tutorial. You are a fantastic educational guru.
Finally someone has given a distillation of chord extensions and their usage that is easy to understand. I cannot wait to grab my guitar and implement your teachings into my compositions. You are the best! From Atlanta, Mel.
Thank you for educating us
Excellent video series. Thank you so much! I wish I had seen this 30 years ago. Best explanation I've ever seen.
30 years ago it all seemed so boring , now I think were spoilt for learning and its more interesting and watchable!
Best Teacherrrr on youtube...thanks bro
Fantastic lesson...thank you very much
thx 4 sharing this awsome stuff, sometimes my mind gets overladed
Thankyou for sharing these precious knowledge
Just found this channel - great lessons, thx.
Best Tutorials on RUclips!! Great lessons! Thank you !
Awesome job. One of the best videos I've ever seen on the subject. The infographics are pretty cool. Thx.
Great comprehensive and integrated approach to covering this. Double points for including voicings nested in between the intervals on the scale diagrams. Very well organized. Thank you
Excellent as always Rob!!! Thank you for the knowledge you share and the light you bring!
Hi Jose my friend. Thanks!
You're a great teacher!
Thanks Steve!
Excellent content. Very good explanation
Great lesson Rob as usual, love your channel 🤟🎸
Thanks Paul!
excellent lesson thank you very much
The production quality here is what I would expect from a purchased product... bravo!
This video alone is worth a few hundred bucks at least
Thank you
Rob, you are a terrific teacher. I am so thankful that I found your lessons, and found them at the right time in my own personal development. Thank you! Thank you! Thank you!
I also want to point out one small detail that you might want to fix or point out in this video: at ~ 21:48 the 4th voicing for the C11 (Cdom11) chord - I think the roman numeral should be IX (as opposed to VI).
Thanks Doug for your nice comment! I can't fix the error unfortunately, but I will mentioned it out in the comments. Thanks for pointing this out to me.
@@QJamTracks Hi Rob. After I posted this, I read in the comments of another of your lessons where you mentioned the programs that you use to create these videos. I didn't realize the amount of work you must go through to create these. My comment was minor and I was able to figure it out myself, as I suspect most can. Thank you for your reply and thank you for the knowledge!
The graphics really help a lot, plus all the audio examples you provide. Really enjoy this channel although it’s a bit advanced for me so far. I need to work on actually applying the knowledge I’ve learned. I’ve learned a ton of theory from here.
It take some time to get totally familiar with this, but I'm sure you'll get there. Good luck!
Best advice i can give is to do what i do.
Re watch and take notes several times a week.
You have to ingrain it.
I tryed to build chords with this for around 2 weeks, watched the video, tryed to focus on every notes number. Your way to teach is mindblowing. Thx again and again.
You have an idea for practice ear trainig? I can identify a single note but no chords.
I find matching notes by feeling if a chord is played but i cant say witch notes exaclty in the chord
Thanks! This helps a lot! - I'm currently working on your modes video and this still wasn't completely clear to me. Especially when searching for chord alternatives with conflicting notes.
6:07 Can't find G note in C6 chord, instead I see Am/C chord. G is 5th of C, so we can omit it, but it can be confusing for somebody who are not very experienced yet.
Excellent video can you cover on altered scales
Thanks. The altered scale and altered dominant scale are on my list...
Well well well :) finally
:)
Lekker man!
Dank je Paulo! :)
Hi Rob. Thanks so much! At around 2:40, stacking thirds on the C Maj scale. I did not catch or understand the recipe for when to use M or m thirds when moving to the next note? I understood the first M 3 to E and the subsequent m 3 to G (C Maj chord), but then I don't understand the formula for stacking after that... Thanks again!
Ok, after staring at it a bit. I think I get it. The I chord (C) gets a M3. The II and III chords (D & E) are minor, so they get m3's. IV and V (F & G) are Maj, so M3's for them. VI (A) is minor, so m3 - and finally VII is Bdim, which is a minor quality, so a m3 as well? I need to stare at it a bit more I think...
Awesome and great explained Rob! Can I ask you what drum sampler are you using ? sounds amazing!
Hi Santiago. Thanks for you comment! I use Addictive Drums 2.
you look like the singer from opeth. have a subscribe lad
I disagree with your explanation of the minor 13 being an anomaly because it uses a "major 13." When spelling chords you always use the major scale. The 13 in a minor chord is the 6th degree of a major scale. It's not an anomaly.