I discuss some of the 20th Century techniques on display in Debussy's "La cathédrale engloutie," including pentatonic collections, modality, and planing.
Definitely Debussy had a love afffair with water in all possible forms. Claire de Lune, La Cathedrale, Broullards, Jardins dans la pluire, Reflèts dans l'eau. Amazing.
There is a wrong note in 3rd bar: in left hand, the upper note shall be an F (written is G). And I have a question: what about the rhythm? We can clearly hear the quarter notes played equally fast as half notes? The 6/4=3/2 sign in the beginning is explaining ghis, but where exactly do you change?
Definitely Debussy had a love afffair with water in all possible forms. Claire de Lune, La Cathedrale, Broullards, Jardins dans la pluire, Reflèts dans l'eau. Amazing.
There is a wrong note in 3rd bar: in left hand, the upper note shall be an F (written is G). And I have a question: what about the rhythm? We can clearly hear the quarter notes played equally fast as half notes? The 6/4=3/2 sign in the beginning is explaining ghis, but where exactly do you change?
That was a great explanation. Thanks.
De mon point de vue la progression G Pentatonic , B Penta, Eb Penta évoque parfaitement la sortie de la brume lorsqu'on est perdu en mer.
It is so beautiful
There is no interpretation like the one played by Anastasia Huppmann.