- Видео 10
- Просмотров 10 347
Steven Gates
Добавлен 27 авг 2014
Видео
How to Find Prime Form
Просмотров 7183 года назад
A step-by-step demonstration of how to determine the prime form of a set.
Approaching and Resolving V7/V
Просмотров 2563 года назад
A tutorial on the voice leading procedures associated with V7/V chord, both leading into it and resolving out of it. I discuss the cross relation and how to avoid it with chromatic voice exchange.
Guided Analysis: La Cathedrale Engloutie
Просмотров 4,9 тыс.3 года назад
I discuss some of the 20th Century techniques on display in Debussy's "La cathédrale engloutie," including pentatonic collections, modality, and planing.
Modes: Notation and Finding the Center
Просмотров 1453 года назад
I discuss the usage of key signatures in modal music and also talk about ways to determine the central pitch in a modal passage.
Enharmonic Reinterpretation of a Fully-Diminished 7th Chord
Просмотров 7623 года назад
This video demonstrates how enharmonic reinterpretation of a fully-diminished 7th chord works. I discuss how to create your own progression that modulates using this technique, as well as how to recognize (and label) this when analyzing music.
Steal Away Score Video
Просмотров 2334 года назад
Steal Away, composed by Steven Gates, performed by the combined choirs of Pasadena City College. Donald Brinegar, conductor
V7 to I lecture
Просмотров 24110 лет назад
A video explaining the procedures for connect V7-I in root position.
That was a great explanation. Thanks.
Thanks for this. What about when the V7/V does not go to V? Is that just II7 and a borrowed chord form Lydian or a deceptive cadence or interpolated... a substitution of Idim?
I think that depends on context. Often a V/V resolves deceptively, and not directly to V, yet it still feels (functionally) as though it is V/V (meaning, it could have gone to V logically), then I would still label it a V/V. In cases where this chord is not operating in the context of functional tonal harmony, but instead out of some sort of linear voice leading, then perhaps II7 would be appropriate. It's very contextual.
There is a wrong note in 3rd bar: in left hand, the upper note shall be an F (written is G). And I have a question: what about the rhythm? We can clearly hear the quarter notes played equally fast as half notes? The 6/4=3/2 sign in the beginning is explaining ghis, but where exactly do you change?
Very helpful! Thanks💪🏽
hey teach i find your videos quite informative, i was wondering why did you suddenly disappear
It is so beautiful
Definitely Debussy had a love afffair with water in all possible forms. Claire de Lune, La Cathedrale, Broullards, Jardins dans la pluire, Reflèts dans l'eau. Amazing.
There is no interpretation like the one played by Anastasia Huppmann.
De mon point de vue la progression G Pentatonic , B Penta, Eb Penta évoque parfaitement la sortie de la brume lorsqu'on est perdu en mer.
Thank you Dr. Gates! This was very helpful.