Hey! If you're wondering about how my guitar is running into the computer, I suggest you check out this video (if you finished this one): ruclips.net/video/awzXNl30lKg/видео.html (How To Record Guitar)
I was wondering the same thing...did you record these samples using amps and mics like the suggested video?...or is it fully software recording system?. Is it like....guitar to audio interface...Bias Fx 2 capturing and processing the signal...and sending it to a computer speaker ??. BTW...that Bias FX2 software sounds pretty badass. Great video Paul !!. Thanks for sharing. I'm seriously considering buying that Bias FX2.
I’m a bit naive with using computer effects as I’ve always used a Roland Cube or other modulating bedroom amps pretty much. Where would be a good place to start if I want to start getting involved in this use of digital effects?
I know right. That blew my mind. It would have never entered my mind, it seems so obvious now. it's unreal how Paul picked up on it and super cool john did it. That's truly hearing it in you head first.
The Music Guy's I think the slightly de-tuned B string is actually a big part of this riffs magic. It really sweetens the sound to my ear. Wonder if it was intentional or just a happy accident in the studio?!
Smooth - Santana Another Day - Dream Theater Money For Nothing - Dire Straits Shine On You Crazy Diamond - Pink Floyd The Messiah Will Come Again - Gary Moore
Recreating the sound in Money For Nothing is actually impossible :D Not sure, but i think Paul said it once in a Video. And that even Mark Knopfler doesn't know how they made this sound so perfect. Guess they were all drunk as hell and wanted to record, plugged everything in and somehow this magic just happened.
Alex Mercer Knopfler is not that guy. He is a fuckin’ skilled player. Knows all jazz, classicals, music theory, great playing skills. Hendrix, Santana, SRV, Gilmour, etc. Theye are one of a kind players! You’ll never sound like them. Also keep in mind, they could do the magic on your rig(fot those who have the main part of their rig)
@@fabianbjunior I disagree with that statement tbh....I think your sound will only come from your fingers (the small details which make every guitarist unique). But tone?
TONE CHALLENGE 2 Suggestions :) - Soda Stereo: En la Ciudad de la Furia (MTV Unplugged) - John Mayer: I Don't Trust Myself (Live L.A.) - John Mayer: Rosie - Gary Clark Jr.: Bright Lights - Gary Clark Jr.: Numb
Yes, but originally it was an accident/experiment in setup, not a wah. The amp mics were set up pointing all over the room, they were nowhere near where they were supposed to be. They were just naturally out of phase. He had to use a wah to replicate it later.
I know most people like to hammer Line 6 gear, but I love it, their bigger amps and pedals come with this kind of software to dial in the sounds of another amp, effects pedals, delays, wah, you name it, in whichever order you like. You can build your own presets on their spider remote software and really tamper with the entire sound and upload it into the amp.
Your ability to do this is nothing short of amazing. When I hear a song, I can hear the chords, but I cannot for the life of me figure out the tones. (It's part of the reason why I ended up selling my electric and sticking to acoustic.) Just awesome - love it, Paul!
About the john mayer spring reverb. You can actually sidechain the reverb to the dry signal so when you are playing, the notes are loud and clear and the sidechained reverb only acts as a tail instead of sounding off with the guitar. Sidechaining effects makes it sound less washy for the dry signal is heard loud and clear, while the wet signal is compressed and is heard after the dry signal is no longer active. Depending on how you set your compression's attack,release,threshold,ratio and make up gain, you can pretty much play anything without having to sound all washy all the time👊🏻😁. Love your content bro
I heard so many people trying to nail that John Mayer tone and here is Mr.Davids who got the closest in my opinion without busting the bank in under 10 mins. I really am a huge fan of this guy. Probably idolise him more than Mayer.
Hi David For the John Mayer sound I would recommend this order: 1/ Compressor (light) 2/ Dumble 3/ Brit Carbon 4/ Gate (I prefer Noise Reduction instead) 5/ Reverb (I prefer Plate over Spring) Sometimes I use just a tiny bit of a very Short Delay (60 - 90ms)
Mayer's main reverb is a bricasti m7. The spring reverb was added on a separate track just for the muted kick. The compression was done before the amp, and a bit after the amp. :) The rest wasn't really that complicated :) P.s. since you can choose the mics, it was prolly recorded with a md421 close, a ribbon and a u87 a feet away (off center)
Hey Paul, hope you're doing fine. One thing I realized having fun with some EQ in bias FX, is that if you boost a little bit in the high mids range (before the amp) it will give a boost to that strat snap, and that could be what's missing to john's tone! Cheers from Brazil! (Hope I'm not talking BS)
I've learned so much about equipment, tone, terminology, and sound dynamics just enjoying these videos. Going to try and use my modeling amp to mess with achieving these tones! Thank you for the effort and time you put into providing these videos for us, Paul!
Both Johns have the same tone imo. Slow Dancing is played in position 4 on the strat. How to get the sound: turn up bass, turn down mids, turn up treble, turn down presence. That's how you get it live. JM's studio version has been mixed, edited, and the EQ has been adjusted.
Maybe try putting the spring reverb before the amp as that is how Fender amps have them in their circuit but you got very close with what you had, great video again Paul.
I dont ever comment on anything. Paul you are my hero. Your so straight and to the point teacher. Perfect for intermediates that are stuck on a hump. Thank you for all the inspiration. When i play in my worship band Im playing inversions of chords to spice things up. Why? Because of you, your a fantastic teacher thanks for putting so much of your time into this. ---Corey
You can create a "Drill recognition software". You record plenty of different sounds. We work to find how you managed to tune the different devices, and we try to recreate your sounds. Then, we get the answers, to correct ourselves and understand our mistakes. We improve. This would develop our ears like mad. Thanks for your very good vlog.
very cool thanks. Gary Clark Jr - When my train pulls in. Quite simple and fuzzy. But tasty. And then a mental one, Tom Morello, Killing in the name. What do you reckon Paul ?
Fascinating! Your video editing skills are top drawer as well as your musicianship and communication style. Great job. I'm so glad to have found your channel.
Wow ok so this was an amazing video. Surprised my cellphone had speaker capability and was blown away by how close you came to Joe Bonamassa's sound--well done.
You get pretty close with the tones, but frusciante uses a marshall silver jubilee and he plays solos with a big muff, boss ds-2, and mxr micro amp. So probably the mxr for scar tissue solos?
Some tone ideas: Hendrix on Little Wing (obviously) Dan Auerbach from The Black Keys Jack White on The White Stripes (Icky Thump maybe ?) The blues god himself, BB King
I’ve been using BIAS FX on the iPad for a few years now. Rehearsals, live and in the studio. I’m super impressed. I use it with the iRig HD 2, BlueBoard and tube amps. Just need need to watch the global EQ and cab settings.
Excellent video! I think a couple of aspects of Frusciante's lead tone was the 'cone cry' overtones of the speaker getting driven hard at high volumes - quite likely as he was using a plexi driven hard during this album. I know UAD factor this in with their cab modelling. Also, on the record Frusciante uses slide for the solo (likely the most prominent effect on his sound) which will create resonant overtones from the string resonating from the slide back to the nut, which in turn colours the pitches being picked up between the slide and the bridge.
Your videos are outstanding as is your playing. Loved hearing your John Mayer adjustments - became a good teaching moment. I use a multi fx pedal by Zoom and this gave me some good perspectives.
As a beginner I challenged myself by tuning the guitar by ear to my liking, after randomly detuming. Turns out everytime a pretty good tuning to 432hz, not the usual 440hz. Sounds sweeter and more melodic. But strangely the B string was allways 2/10th flat...and I like it like that!
Here are some other ideas for TONE CHALLENGE round 2: The Jimi Hendrix Experience - Red House Two door Cinema Club - Sun Zoé - Azul Coldplay - Shiver Kings of Leon - Manhattan Muse - Hysteria Gary Clark Jr. - Outro The Black Keys - Gold on the Ceiling & Lonely Boy Oasis - Champagne Supernova The Strokes - Machu Picchu Radiohead - Bodysnatchers Pearl Jam - Given to fly Queen - We Will Rock You
Paul Davids, I like how you did the panning. You have a nice way of representing the things you teach in more ways that just explaining with words, leveraging the tools you have to reinforce the point you are trying to make. Sorry to hear about the copyright issues, I really appreciate your work and it sucks that you are being stolen from for ridiculous reasons. It also sucks that you practically have to walk on egg shells with nearly everything your do as it could be interpreted as copyright infringement. Hope this issue doesnt deter you from doing what you do. All the best
That’s how I spend my days with my Helix trying to replicate our playlist. Some success but I fined when I go back the next day they need tweaking further. I am waiting on my Positive Grid Spark so I can access the tone cloud and assist with a patch path that maybe will help with any new Helix patches. Thanks for putting your tones up there for us. Excellent video as always.
Hi Paul. I noticed when I use spring reverb on my katana, I get a dial for sensitivity. I almost always turn it to 1 or just zero and it lets me do similar effects to slow dancing without it reacting too heavily to the softer picking but it still does a great twangy spring sound when I do that muted strum! Perhaps that software has a sensitivity option? It’s a bit different than just wet level or effect level because it literally just changes how sensitive the spring itself is. Cheers hope this helps! 👍
Oh and I would LOVE to see a similar tone video for Wind Cries Mary. Especially when he enters the solo section, oh momma, 1.20 into the song, double stop slide, and comes back in with a tone that I just can’t seem to mimic, it’s very mid/warm yet bell like at the same time it’s bloody awe-inspiring!!!
![10 GUITARISTS SOLO OVER THE SAME TRACK! [2023]](http://i.ytimg.com/vi/8Bt3RYy6Y-Y/mqdefault.jpg)
Hey! If you're wondering about how my guitar is running into the computer, I suggest you check out this video (if you finished this one):
ruclips.net/video/awzXNl30lKg/видео.html (How To Record Guitar)
Paul Davids next time try to find like BB king sound,SRV,Jimi Hendrix or Steve Vai,that would be awsom
ps:you have a super great videos👍
I was wondering the same thing...did you record these samples using amps and mics like the suggested video?...or is it fully software recording system?. Is it like....guitar to audio interface...Bias Fx 2 capturing and processing the signal...and sending it to a computer speaker ??. BTW...that Bias FX2 software sounds pretty badass. Great video Paul !!. Thanks for sharing. I'm seriously considering buying that Bias FX2.
Next time Brian May
I’m a bit naive with using computer effects as I’ve always used a Roland Cube or other modulating bedroom amps pretty much. Where would be a good place to start if I want to start getting involved in this use of digital effects?
Why do you play so awesome man???
SRV’s tone
Hendrix tone on little wing
Brian May’s tone
Van Halen
clapton on beano album
Hell yeah
Brian May's tone is literally impossible. You would need his guitar...
@@gi5089 Agreed. It's so magical and unique. I mean there are replicas out there but nothing will ever beat the original or come close to it.
@@gi5089 you'd also need to play with a coin lol
"His B string is a little tuned down"
Excellent ears my friend
I know right. That blew my mind. It would have never entered my mind, it seems so obvious now. it's unreal how Paul picked up on it and super cool john did it. That's truly hearing it in you head first.
The Music Guy's I think the slightly de-tuned B string is actually a big part of this riffs magic. It really sweetens the sound to my ear. Wonder if it was intentional or just a happy accident in the studio?!
Unreal.
He made a whole video about it. He knew already that fruschiante tunes down his B string to make it match the scale better
Tanguy Laloy he made that after this one.
My face lit up when he said John Frusciante
Yesss
YEEES
I just call him "King John"
Me tooooo
that's the only reason I watched the wideo
Smooth - Santana
Another Day - Dream Theater
Money For Nothing - Dire Straits
Shine On You Crazy Diamond - Pink Floyd
The Messiah Will Come Again - Gary Moore
Recreating the sound in Money For Nothing is actually impossible :D
Not sure, but i think Paul said it once in a Video. And that even Mark Knopfler doesn't know how they made this sound so perfect.
Guess they were all drunk as hell and wanted to record, plugged everything in and somehow this magic just happened.
Alex Mercer Knopfler is not that guy.
He is a fuckin’ skilled player. Knows all jazz, classicals, music theory, great playing skills.
Hendrix, Santana, SRV, Gilmour, etc.
Theye are one of a kind players!
You’ll never sound like them.
Also keep in mind, they could do the magic on your rig(fot those who have the main part of their rig)
@@ston3rsnail Tone is in the fingers right, but then again it is a challenge so, i'd really like to see him try
The only way to emulate Knopfler's sound is to be Knopfler himself. His tone came from his hands
G
David Gilmour Comfortably Numb Live Pulse tone recreation?
I love Pink Floyd so much! second favorite band ever!
@Appie Floyd that’s exactly why it'll make a good video!!
You guy need to see Andrey Korolev cover ;) your welcome
ruclips.net/video/ynSc2oYemsE/видео.html
That tone is only in the Gilmour's fingers...
@@fabianbjunior I disagree with that statement tbh....I think your sound will only come from your fingers (the small details which make every guitarist unique). But tone?
Can you do guitar collection video?
Yep!
@@PaulDavids yes please
Paul Davids awesome!
Oh my gosh I'm excited!! Thank you for teach me and my 8 year old son how to be better.
TONE CHALLENGE 2 Suggestions :)
- Soda Stereo: En la Ciudad de la Furia (MTV Unplugged)
- John Mayer: I Don't Trust Myself (Live L.A.)
-
John Mayer: Rosie
- Gary Clark Jr.: Bright Lights
- Gary Clark Jr.: Numb
José Luis Bremer Gómez pelase
David Gilmour "Shine On" Tone
Mark Knopfler "Brothers In Arms" or "Money For Nothing" Tone
Money For Nothing is a wah pedal in the mid position but don't touch it. Mental
Yes, but originally it was an accident/experiment in setup, not a wah. The amp mics were set up pointing all over the room, they were nowhere near where they were supposed to be. They were just naturally out of phase. He had to use a wah to replicate it later.
9:01 in my head "wicked game" automatically started playing
Exactly dude
And i thought i was the only one who 'heard' that...
Brian May, you should really make this a series and make more of this video, really enjoyed this!
I’m happy Paul included Frusciante in this video. His playing/tone is out of this world. I hope he does future videos on him.
I love how you noticed that Frusciante had his B string tuned down a bit
Hendrix! Little Wing, Purple Haze, Watchtower, so many tones!
I'd like to see a challenge with Steven Wilson, David Gilmour and John Petrucci.
Am I the only one who has no idea how to play guitar but still watch Paul's videos?
yes
start practicing today! it'll be the best decision of your life
M7M777777 i was just going to suggest that!
Great video Paul !
I'd love to see an episode 2 with Matt Bellamy, Mick Taylor and Pete Townshend
Matt Bellamy would be sick !
I would love to see one for Matt Bellamy
Santana, Mark Knopfler, BB King, Slash (Sweet Child Solo) would be fun, Paul!
I know most people like to hammer Line 6 gear, but I love it, their bigger amps and pedals come with this kind of software to dial in the sounds of another amp, effects pedals, delays, wah, you name it, in whichever order you like. You can build your own presets on their spider remote software and really tamper with the entire sound and upload it into the amp.
I’d love to see you recreate Lil Wayne’s tone on his world famous Lollipop live performance
Shine on you crazy diamonds.. especially the third solo pls!!!
SRV's Lenny tone,
Johnny Marr's this charming man
Pete Townshend's Can't explain ?
He won't be able to explain that last one
0:26 “copyright claim” 😂
Just waiting for it... crying in a corner.
@@PaulDavids rofl :D
@@PaulDavids You can always edit that little part out in silence your self, if thats a problem
@@PaulDavids Glenn fricker won his appeal!. Maybe you will too. I hope so
Haha first thing that crossed my mind at that point 😁😂
Your ability to do this is nothing short of amazing. When I hear a song, I can hear the chords, but I cannot for the life of me figure out the tones. (It's part of the reason why I ended up selling my electric and sticking to acoustic.) Just awesome - love it, Paul!
The sound of the second guitar solo in the Eric Clapton version of Autumn Leaves
You need a L5
About the john mayer spring reverb. You can actually sidechain the reverb to the dry signal so when you are playing, the notes are loud and clear and the sidechained reverb only acts as a tail instead of sounding off with the guitar. Sidechaining effects makes it sound less washy for the dry signal is heard loud and clear, while the wet signal is compressed and is heard after the dry signal is no longer active. Depending on how you set your compression's attack,release,threshold,ratio and make up gain, you can pretty much play anything without having to sound all washy all the time👊🏻😁. Love your content bro
Wow. What a great series! It’s honestly the best “sounds like” video I’ve seen. It’s very different as well. Please do more! Please!
-David gilmour(shine on you crazy diamond live at Royal Albert Hall)
-SRV(lenny)
-Jimmy Page(since i've been loving you)
I heard so many people trying to nail that John Mayer tone and here is Mr.Davids who got the closest in my opinion without busting the bank in under 10 mins.
I really am a huge fan of this guy.
Probably idolise him more than Mayer.
Hi David
For the John Mayer sound I would recommend this order:
1/ Compressor (light)
2/ Dumble
3/ Brit Carbon
4/ Gate (I prefer Noise Reduction instead)
5/ Reverb (I prefer Plate over Spring)
Sometimes I use just a tiny bit of a very Short Delay (60 - 90ms)
More tones NOW! No time limit!!!
Mayer's main reverb is a bricasti m7. The spring reverb was added on a separate track just for the muted kick. The compression was done before the amp, and a bit after the amp. :)
The rest wasn't really that complicated :)
P.s. since you can choose the mics, it was prolly recorded with a md421 close, a ribbon and a u87 a feet away (off center)
So much better than Music is Win “attempt”. Good job!
It's a delight to watch, bonamassa tone gave me the chills. Amazing stuff
David Gilmour's tone in Pulse... the top of the tone mountain!
Hey Paul, hope you're doing fine. One thing I realized having fun with some EQ in bias FX, is that if you boost a little bit in the high mids range (before the amp) it will give a boost to that strat snap, and that could be what's missing to john's tone!
Cheers from Brazil!
(Hope I'm not talking BS)
Awesome Paul !!! this is « la crème de la crème » .....
Steve Vai tone video would be awesome! (Tender Surrender, Bad Horsie, and For the Love of God)
Make an episode solely dedicated to the sound, style, and of how he influenced, of The Edge.
...or however you say what Im trying to say.
Please.
I've learned so much about equipment, tone, terminology, and sound dynamics just enjoying these videos. Going to try and use my modeling amp to mess with achieving these tones! Thank you for the effort and time you put into providing these videos for us, Paul!
Hendrix: Little wing
Hetfield: Sanitarium
Satriani: Flying in a Blue Dream
Also Hendrix - Wind cries Mary solo section, it’s like sex mmmmm baby what a tone.
I would like to hear you recreating the prominent tones of Apettite for Destruction, maybe as an example "Nightrain", and Gary Moore´s "Pretty Woman".
Both Johns have the same tone imo. Slow Dancing is played in position 4 on the strat. How to get the sound: turn up bass, turn down mids, turn up treble, turn down presence. That's how you get it live. JM's studio version has been mixed, edited, and the EQ has been adjusted.
Bias FX2 is such a big leap from the first one. Love it. Congrats btw great tones!
How so? I'm interested whether I should upgrade. Can you provide some more information?
Maybe try putting the spring reverb before the amp as that is how Fender amps have them in their circuit but you got very close with what you had, great video again Paul.
Ah! Didn't know that, thanks!
@@PaulDavidso problem, I have a Fractal Audio AX8 and am constantly chasing tones to make video's recreating specific tones on records.
Very useful, thanks Paul!
I dont ever comment on anything. Paul you are my hero. Your so straight and to the point teacher. Perfect for intermediates that are stuck on a hump. Thank you for all the inspiration. When i play in my worship band Im playing inversions of chords to spice things up. Why? Because of you, your a fantastic teacher thanks for putting so much of your time into this. ---Corey
More of this! Don't mind who, but Edge might me a good guy to copy, but maybe it's over done... I don't know. But I love the challenge.
Jimi in Little Wing
Clapton in Wonderful Tonight
Jake Kiszka in Edge of Darkness
David Gilmour in Comfortably Numb and The Edge in With or Without You
You can create a "Drill recognition software". You record plenty of different sounds. We work to find how you managed to tune the different devices, and we try to recreate your sounds. Then, we get the answers, to correct ourselves and understand our mistakes. We improve. This would develop our ears like mad. Thanks for your very good vlog.
My goodness, you're a magician. That was awesome to watch you reconstruct.
My favourite guitarists just plugged in to whatever was around and off they went.
I have the original bias fx for some weeks now, it is just amazing and worth every penny. Saving up for fx 2 now 😄
Paul- I really enjoy getting ideas from you. Your teaching methods are very easy to grasp, even when you are covering a very technical topic!
Eric Clapton ( wonderful tonight )
David Gilmour
Jimi Page
Wow the bias fx sound fucking awesome
Very Nice Paul!!👏👏
very cool thanks. Gary Clark Jr - When my train pulls in. Quite simple and fuzzy. But tasty. And then a mental one, Tom Morello, Killing in the name. What do you reckon Paul ?
Early Robin Trower’s Tone is my Favourite, Jimi Hendrix, Yngwie Malmsteen. Gypsy Kings . Frank Marino
Thank You Paul For Your Acknowledgements, Mississauga Ontario Canada 🇨🇦
Fascinating! Your video editing skills are top drawer as well as your musicianship and communication style. Great job. I'm so glad to have found your channel.
More of these please!! So fun to watch you recreate these iconic tunes
Absolutely do more of these!! A lot of great tones to cover! A real treasure trove out there! Good job thanks ♥️
OH man PD, that Joe B tone panned with both amps is so fanfreakingtastic… Thank you sir!
What kind of mind or ears you have man!!!! Really you did this just hearing? Really, respect you!
Very cool video idea Paul, really well done! Cheers brother
Thanks D
Wow ok so this was an amazing video. Surprised my cellphone had speaker capability and was blown away by how close you came to Joe Bonamassa's sound--well done.
2:05 Paul you can just have a reverb under the pedal, then you can increase WET just for "muted hit" :)
Some Muse would be cool! (Knight of cydonia, Plug in Baby or The dark side)
The gear obsession is strong with this one. Amazing tones in almost no time at all. Enjoyed the video.
You get pretty close with the tones, but frusciante uses a marshall silver jubilee and he plays solos with a big muff, boss ds-2, and mxr micro amp. So probably the mxr for scar tissue solos?
Some tone ideas:
Hendrix on Little Wing (obviously)
Dan Auerbach from The Black Keys
Jack White on The White Stripes (Icky Thump maybe ?)
The blues god himself, BB King
I 2nd your sweet choices 👏
die van john mayer was echt super goed! voor de volgende misschien jimmy page, lindsey buckingham en jake kiszka?
I’m definitely going to try this challenge
I’ve been using BIAS FX on the iPad for a few years now. Rehearsals, live and in the studio. I’m super impressed. I use it with the iRig HD 2, BlueBoard and tube amps. Just need need to watch the global EQ and cab settings.
Excellent video! I think a couple of aspects of Frusciante's lead tone was the 'cone cry' overtones of the speaker getting driven hard at high volumes - quite likely as he was using a plexi driven hard during this album. I know UAD factor this in with their cab modelling. Also, on the record Frusciante uses slide for the solo (likely the most prominent effect on his sound) which will create resonant overtones from the string resonating from the slide back to the nut, which in turn colours the pitches being picked up between the slide and the bridge.
Your videos are outstanding as is your playing. Loved hearing your John Mayer adjustments - became a good teaching moment. I use a multi fx pedal by Zoom and this gave me some good perspectives.
the sound of polyphia (G.O.A.T) will me amazing
keith richards tele rhythm tone in general
and mick taylors lead tone on sway!
The real challenge is to make the tones with the Standard version... great video, I've just opened my Bias FX2 to see how I do it.
As a beginner I challenged myself by tuning the guitar by ear to my liking, after randomly detuming. Turns out everytime a pretty good tuning to 432hz, not the usual 440hz. Sounds sweeter and more melodic. But strangely the B string was allways 2/10th flat...and I like it like that!
I guess the way you would do it live for slow dancing is to have an extra reverb pedal you would switch on every percussive hit.
Here are some other ideas for TONE CHALLENGE round 2:
The Jimi Hendrix Experience - Red House
Two door Cinema Club - Sun
Zoé - Azul
Coldplay - Shiver
Kings of Leon - Manhattan
Muse - Hysteria
Gary Clark Jr. - Outro
The Black Keys - Gold on the Ceiling & Lonely Boy
Oasis
- Champagne Supernova
The Strokes - Machu Picchu
Radiohead - Bodysnatchers
Pearl Jam - Given to fly
Queen - We Will Rock You
Amazing, Bonamassa is on the spot!!!
I'd like to see you making Brian May' s tone! Your videos are great Paul!
David Gilmour Shine On You Crazy Diamond tones are legendary. You should to them.
Paul your videos are so entertaining and informative. You are such a good well-rounded guitarist. Well done
Ritchie Blackmore's on Made in Japan, Lazy.
Paul Davids, I like how you did the panning. You have a nice way of representing the things you teach in more ways that just explaining with words, leveraging the tools you have to reinforce the point you are trying to make. Sorry to hear about the copyright issues, I really appreciate your work and it sucks that you are being stolen from for ridiculous reasons. It also sucks that you practically have to walk on egg shells with nearly everything your do as it could be interpreted as copyright infringement. Hope this issue doesnt deter you from doing what you do. All the best
Hey paul, part 2 would be legendary too
That software is awesome Paul (and so are you!)... the visuals for the GUI are amazing!
Keep the great videos coming...
Great video idea Paul! Loved the way you got Frusciante's tone all on your own.
That’s how I spend my days with my Helix trying to replicate our playlist. Some success but I fined when I go back the next day they need tweaking further. I am waiting on my Positive Grid Spark so I can access the tone cloud and assist with a patch path that maybe will help with any new Helix patches. Thanks for putting your tones up there for us. Excellent video as always.
David gilmour’s tone on money 2nd solo and time solo
John Mayer's tone on Gravity and Another Kind of Green
Hi Paul. I noticed when I use spring reverb on my katana, I get a dial for sensitivity. I almost always turn it to 1 or just zero and it lets me do similar effects to slow dancing without it reacting too heavily to the softer picking but it still does a great twangy spring sound when I do that muted strum! Perhaps that software has a sensitivity option? It’s a bit different than just wet level or effect level because it literally just changes how sensitive the spring itself is. Cheers hope this helps! 👍
Oh and I would LOVE to see a similar tone video for Wind Cries Mary. Especially when he enters the solo section, oh momma, 1.20 into the song, double stop slide, and comes back in with a tone that I just can’t seem to mimic, it’s very mid/warm yet bell like at the same time it’s bloody awe-inspiring!!!
Mick Mars - Mötley Crüe, Slash - Guns'n'Roses, Eddie Van Halen.
Adds are getting pretty smart nowadays. Loved it!!!
Again, I thoroughly enjoyed your playing and video editing. The 71 broken thumbs are nothing short of shocking!
Fredrik Åkessons's (Opeth) solo at the end of "Hope Leaves" live at Royal Albert Hall :)