Very good explanation! I love your Videos. Full of Inspiration. ❤ Thank you very much made my day after 5 hours Taji yong fa seminar. I like your spirit. Even after talking and teaching all day long I am not tired watching your videos.
thank you❤ "Walking under the opponent's pressure is very challenging as the pelvis balance is easily disrupted. I imagine my pelvis as a vase, with the pressure pouring into it like water, and I focus on keeping it steady so the water doesn’t spill out."
Sometimes it is better to think of the "opponents pressure" as an incoming force that is transient and passing. A force that you can absorb softly like a sponge. Take it through the front of you and into your outer low back, catching it, dissipating it. Do not worry so much about your pelvis balance. That will only create tension. I hope this helps! Thanks for watching and commenting!
Thanks again for this marvellous video Susan. It makes me realise that maybe this might be the key thing which i forget while trying to connect to the joints and go down to the feet to work with the fascia. I guess i simply forget to initiate the movement into my partner. I hope to try it with a partner soon.
Thank you! Initiating from the feet has a really huge impact on the quality of Song. I'll make a sequel to this video that demonstrates the difference. Thanks for the great comment! I appreciate your engagement and insight.
question: how's the mechanic of the kick you demonstrated in this video? do you pour the body weight to the kicking leg first, or directly to the supporting leg? and to make the kick snappy, is the spine involved, or the hips or the supporting leg?
ha ha! That is a great series of questions. I don't even remember doing a kick in the video...so funny. anyway, it is the same mechanism, you release down into the supportive leg, softening the kua, to spring up the other leg. It is really challenging to describe it in written text. I will add it to my list of videos to make! But for now, the principle is the same whether I am simply lifting the leg, or readying it for a kick. Down creates up.
@@outerlast lol.....I guess I was in the zone because I don't even remember doing the kick in the video. It is something I do often so have not given it much thought. I will certainly try to make a video on how to do a kick. It is all about releasing softly into the supportive leg. Make sure you do not push up with the supportive leg or it won't work well.
This question is not really about the video. How do you punch? Is you’re wrist flat , arm to knuckles flat? Or is it aligned wrist, the button arm to wrist is flat?
Thank you very useful! Have a beautiful Sunday!
Thank you! I did have a beautiful day. I hope yours was too. Thanks for watching and commenting!
Really nice!!❤
Thank you! 😊
Very good explanation! I love your Videos. Full of Inspiration. ❤ Thank you very much made my day after 5 hours Taji yong fa seminar.
I like your spirit. Even after talking and teaching all day long I am not tired watching your videos.
Such a great compliment. Thank you! 😊
Thank you so much ❤
You're welcome 😊 Thank you for watching and commenting!
thank you❤
"Walking under the opponent's pressure is very challenging as the pelvis balance is easily disrupted. I imagine my pelvis as a vase, with the pressure pouring into it like water, and I focus on keeping it steady so the water doesn’t spill out."
Sometimes it is better to think of the "opponents pressure" as an incoming force that is transient and passing. A force that you can absorb softly like a sponge. Take it through the front of you and into your outer low back, catching it, dissipating it. Do not worry so much about your pelvis balance. That will only create tension. I hope this helps! Thanks for watching and commenting!
@@InternalTaiChi Taking force from the opponent is a great idea, thank you❤️
Thanks again for this marvellous video Susan. It makes me realise that maybe this might be the key thing which i forget while trying to connect to the joints and go down to the feet to work with the fascia. I guess i simply forget to initiate the movement into my partner. I hope to try it with a partner soon.
Thank you! Initiating from the feet has a really huge impact on the quality of Song. I'll make a sequel to this video that demonstrates the difference. Thanks for the great comment! I appreciate your engagement and insight.
Very beautiful. And helpful in my practice
@JP-tq7ni Thank you! I am glad you found it helpful to your practice. Thanks for commenting and watching.
question: how's the mechanic of the kick you demonstrated in this video? do you pour the body weight to the kicking leg first, or directly to the supporting leg? and to make the kick snappy, is the spine involved, or the hips or the supporting leg?
ha ha! That is a great series of questions. I don't even remember doing a kick in the video...so funny. anyway, it is the same mechanism, you release down into the supportive leg, softening the kua, to spring up the other leg. It is really challenging to describe it in written text. I will add it to my list of videos to make! But for now, the principle is the same whether I am simply lifting the leg, or readying it for a kick. Down creates up.
@@InternalTaiChi well, i was trying to follow along with the video, and then suddenly snap! that kick came along. i was like wait, what, how? :p
@@outerlast lol.....I guess I was in the zone because I don't even remember doing the kick in the video. It is something I do often so have not given it much thought. I will certainly try to make a video on how to do a kick. It is all about releasing softly into the supportive leg. Make sure you do not push up with the supportive leg or it won't work well.
@@InternalTaiChi alright, thank you very much :)
This question is not really about the video. How do you punch? Is you’re wrist flat , arm to knuckles flat? Or is it aligned wrist, the button arm to wrist is flat?