Nice video. I'm composing a few years no, so nothing new to me. Still, I do not get the gist of separating short and long notes. Applying different settings, e.g. reverb, does not make any sense to me because they all should sit in the same room. Ok, for some technical reasons like different delays. But alltogether I find it totally counterintuitive to put a musical phrase onto to separate tracks, one for shorts and one for longs. This is like driving a car on two lanes at the same time 😁
I understand your standpoint, but Legato patches have significant latency, and applying the same settings to both long and short notes could be problematic. In this case, the short notes might arrive too early, creating a disjointed or rushed feel in the music. While orchestral instruments are indeed in the same room, using pre-delay, depth, and high-cut filter (absorption) settings could be a more professional approach from a psychoacoustic perspective than using just one reverb.
If you have questions feel free to leave a comment, or answer this comment! 🙂
Nice video. I'm composing a few years no, so nothing new to me. Still, I do not get the gist of separating short and long notes. Applying different settings, e.g. reverb, does not make any sense to me because they all should sit in the same room. Ok, for some technical reasons like different delays. But alltogether I find it totally counterintuitive to put a musical phrase onto to separate tracks, one for shorts and one for longs. This is like driving a car on two lanes at the same time 😁
I understand your standpoint, but Legato patches have significant latency, and applying the same settings to both long and short notes could be problematic. In this case, the short notes might arrive too early, creating a disjointed or rushed feel in the music. While orchestral instruments are indeed in the same room, using pre-delay, depth, and high-cut filter (absorption) settings could be a more professional approach from a psychoacoustic perspective than using just one reverb.