What a powerful performance on an upright piano with substandard recording equipment. This should be inspiration for anyone without one of them fancy grand pianos.
That was an amazing performance. If I had to use all the adjectives in the world to describe how amazing that was, I would probably take up millions of comment boxes, or a lot of them. That was stunning.
Paul can you PLEASE consider making a tutorial on this gem? The way you go through the piece in large detail and historical/significance is amazing. I am sure many others are requesting this one as well. 🙏🏼
@@banaantjexx164 Yeah to me it’s so suspicious. Look at the left hand from 1:48 to 1:51, when he does the last rolled chord, the top F doesn’t match with his hand
Hey Paul! All I can say is: you are a great and skilled pianist, and you deserve all the respect your hard work shows... amazing. Congratulations, really.
Such musicality. I love this interpretation, for a piece which is usually just hammered through as an agility course instead of the poetic jewel box it actually is. Though I'm not enamored with the expression of some of the chords on the left hand in the opening/main passage, that's a minor issue. The gentle rest before the final arpeggio of the closing bar is thrilling.
I too would appreciate a tutorial this one. Studying it at the moment and would appreciate hearing what somebody else with this in their repertoire has to say about it.
Hi Mr Barton, I would like that you teach how to play Sonate op 81a, first movement, Allegro..I have problem in playing section with rapid double notes. I do hope you will be kind showing me how to play it succesfully. Sincerely yours
Paul, can you please do tutorial on this at some point? I’m having some trouble with the left hand arpeggios in the exposition at 0:14 and 0:28. I was really surprised how you played them so fat when they are ranging 2 octaves....
Not good idea, you should try to help yourself with your wrist and arm both relaxed, the thumb is a finger which its use in legato represents a lot of movement; that is uncomfortable in this agile etude.
Paul, in my opinion (just my opinion), you play this piece with more dynamics than Valentina Lisitsa. V.interesting. the ending makes me smile--v.beautiful. :) and I prefer your op 10 no 5 on the upright to Horowitz later version!
Love your videos, but this one had way too many shifting camera angles, making it distracting. Please pick one and stick with it. We will watch all the way through, believe me.
Paul, you play better than the majority of first class concert pianists and yet you are quite humble in making youtube video for us etc Thanks!
Thank you for bringing out the melody in the left hand so well
What a powerful performance on an upright piano with substandard recording equipment. This should be inspiration for anyone without one of them fancy grand pianos.
I like him a lot cause he’s just so talented and soooo humble! :D
That was an amazing performance. If I had to use all the adjectives in the world to describe how amazing that was, I would probably take up millions of comment boxes, or a lot of them. That was stunning.
humorous ending! I like it!
Paul can you PLEASE consider making a tutorial on this gem? The way you go through the piece in large detail and historical/significance is amazing. I am sure many others are requesting this one as well. 🙏🏼
it's a blessing to have a pianist of such elite caliber making these tutorials and recordings. thank you!
You made this Yamaha upright piano sounds like worth a million dollar!
Sounds like a midi preset to me...
@@banaantjexx164 lul true
@@banaantjexx164 Yeah to me it’s so suspicious. Look at the left hand from 1:48 to 1:51, when he does the last rolled chord, the top F doesn’t match with his hand
The best rendition I've heard.
I love your touch. It's wonderful!
Beautiful, Paul. Sooo clean. Real pleasure to watch you play, sir!
I'm currently learning this piece and after listening to this recording I finally understand how to play it, thank you.
Fabulous! It's a joy to watch you play!
Thank you always.
Tutorial please!
How beautiful !
Could you please do a tutorial on this piece? Your performance is just out of this world. Thanks always!
bravo! left hand melody very clear and moving!
Hey Paul! All I can say is: you are a great and skilled pianist, and you deserve all the respect your hard work shows... amazing. Congratulations, really.
Such musicality. I love this interpretation, for a piece which is usually just hammered through as an agility course instead of the poetic jewel box it actually is. Though I'm not enamored with the expression of some of the chords on the left hand in the opening/main passage, that's a minor issue. The gentle rest before the final arpeggio of the closing bar is thrilling.
I'd LOVE to see you do a tutorial on this piece! Excellent playing!
difficult etude, on my to do list! great performance
Bravo!
AMAZING. Must have taken years of hard work to reach this level. RESPECT!!
I too would appreciate a tutorial this one. Studying it at the moment and would appreciate hearing what somebody else with this in their repertoire has to say about it.
That was AMAZING!!!
Hi Mr Barton,
I would like that you teach how to play Sonate op 81a, first movement, Allegro..I have problem in playing section with rapid double notes.
I do hope you will be kind showing me how to play it succesfully.
Sincerely yours
"Feurich" release. BRAVISSIMO!!!
Wonderful, one of my favorite etudes of chopin. I have a question dear Paul. Why don't you use pedal at the beginning?
super.. Thank you
I wander how to practice the right hand to get so even of every keystroke
WTF, 现在youtube评论和Google plus自动关联了。。。
Paul, can you please do tutorial on this at some point? I’m having some trouble with the left hand arpeggios in the exposition at 0:14 and 0:28. I was really surprised how you played them so fat when they are ranging 2 octaves....
Bravo !
Really, World Class !!
Please Czerny Op.740 Etude 24,28 And 50
wow, very good
Well played. Didn't you have a tutorial on this etude?
Chopin would have been proud of you sir!
That was nice
Muito genial, maravilhoso!!!
In the middle section, I have been practicing the right hand in some of the figurations: 1235 ...but I am more and more feeling it should be 1215?
Not good idea, you should try to help yourself with your wrist and arm both relaxed, the thumb is a finger which its use in legato represents a lot of movement; that is uncomfortable in this agile etude.
jaw-dropping!!!
How long did it take you to learn+play fast like this?
WHOA! The Horowitz hand raise at the end. :)
TUTORIAL PLEASE!!!!!
Superb!!!!!5***********
깔끔해요😃😃
a tutorial for this piece would be amazing!!
Paul, you are quite the virtuoso! :)
Tutorial? PLEASE!
very precise like it's not difficult.
You are sick Paul 1:00
wow! how hard is this etude compared to others of op.10?
Tutorial please
Paul, in my opinion (just my opinion), you play this piece with more dynamics than Valentina Lisitsa. V.interesting. the ending makes me smile--v.beautiful. :) and I prefer your op 10 no 5 on the upright to Horowitz later version!
tutorial please... :D
Love your videos, but this one had way too many shifting camera angles, making it distracting. Please pick one and stick with it. We will watch all the way through, believe me.
AMAZING interpretation. I can compare you to Horowitz in this Etude.
I second a tutorial :D
Is this not a faint echo of Opus 10 No 1?!?!?!?!?
Hitherto90 this is the drunk version of 10/1 😂😂
Please make a tutorial whenever you find time!
So.. Clean.
Noice
I´m the 2222 how fun!!
I will just repeat: tutorial please
is that a digital piano ??
Oh my gawd i play it terribly!
Gosh your good but classical pieces on a Yamaha just sounds horrible...
Dysjenco Figaroa more they don't at all, I prefer them on yamaha.
i feel like I wanna kiss you Paul LOL!!! amazing
Creo que el mal sonido no es culpa del piano sino de la tensión excesiva que el señor Barton tiene en sus dedos.
Third-class instrument, first-class player.