VIDEO: Join professional photographer and author Deborah Sandidge as she guides you through creative techniques for photographing and enhancing long-exposure imagery.
Deborah Sandidge is fantastic and has real talent. I hope one day to have even 1/2 of her skill and creativity. These b&h classes are extremely helpful, thank you very much for doing these!
Join professional photographer and author Deborah Sandidge as she guides you through creative techniques for photographing and enhancing long-exposure imagery!
I've been a photographer / cinematographer for years and hearing her speak wasn't much new info but it doesn't matter, I LOVED THE PRESENTATION! GREAT INFO!
It is frustrating, bc when a person goes to find videos on "how to" we are seeking the specifics, the settings, the know all type of mentality. The images are phenomenal, but to accomplish them we actually need guidance, not just "this is where, this is when" When i came across this video, i was very much relieved , bc it offered those settings that i am desperately trying to learn so, i am very grateful for your willingness to truly teach and not just show your art
Yes, she seemed very nervous at the start of her presentation, but she quickly settled into her groove. I thought she had wonderful shots and the information was helpful too.
As a fellow twilight photography enthusiast, I enjoyed watching this. It provided a few tips and hints that I didn't know of (like combining long exposures) and reaffirmed a few things I already do. For water however, I prefer to do shorter exposures to get that "choppy" look because it's more believable but it all depends I suppose.
I actually live about 20 minutes from that long exposure pier in Sanford Fl and have shot it quite a few times myself also using long exposure ;) very cool job on that !
In the marina picture (around 10 minutes 30 seconds), how do you avoid motion blur of the boats? I get boats that are blurry since they're moving (albeit slightly) in the water.
I think she is sensitive more than nervous. I will show you a nervous sensitive person when confronted with speaking to more than 10 people in public! My jaws muscles lock and I shake uncontrollably! I was happy to see her speak with what I perceived as complete calm.
how do you do such a long exposure and keep moving things such as boats nice and sharp?? are you doing multiple exposures and overlapping? OR..what please??
+mikieson Thank you for your question! Boats generally will have some motion, although I have found with extended exposures, the boats often appear to be relatively sharp if they are in the distance. If you have a specific photo in mind, please contact me through my website www.debsandidge.com/contact Thank you for watching!
Great presentation Deborah!. I can't believe I grew up in/around many of those places in FL that you mentioned and I never thought of photographing them that way. Wish I was more into photography back then. Would have loved to have taken one of your courses. Inspiring stuff.
Deborah shares some incredibly beautiful photos, many taken during blue hour (which I really like). And she shows the technical information for every shot. I think that seeing the f-stop, shutter speed, etc. next to a photo helps it sink in a little better than just being told. I watch a lot of photography tutorial videos, and this is the first time I've seen Deborah. I like the way she talks. She has a pleasant personality, she knows what she's doing and she obviously enjoys doing it and sharing how she did it. Her laugh is really cute. And her hair is very pretty. I love the color of it. And just so you know, I'm a guy and I'm a few years older than she is. So I can appreciate her work as a long-time photographer and as a person who has watched hundreds of hours of photography tutorial videos. This presentation was informational and it was fun to watch. #pretty #woman #hot #blonde #photos #exposure #lipstick #night #exposed #Iwonderhowmuchtrafficwillincreasenow #28,319viewsasof11/19/2014 #timeformetogotobed
this winter i saw a article about stacked photography and started playing with it. this is a link to 3 dozen practice shots i did around spokane and northern idaho. this is just a hobby and i do have a lot of learning to do. i have never really done multiple exposure work but have been watching videos and trying to get ideas then i got to wondering. do you think a person could get the same stacking effect by using multiple exposures and multiple frames? my camera will do up to 9 exposures on one frame and that will push that one RAW image from around 20mp to about 30mp. if you could get the same effect this would be a huge space saver. the weather here really hasnt been the best to go out and do good test shots. it seems to either be clear blue skies or totally overcast. i thought i would ask a pro before i spent alot of time chasing something that might not work. also if this idea would work maybe you could do multiple long exposures? or do you think that would just turn the sky into one big smear? this is a link to my stacked photos. some are color and some are infared. ervschleufer.slickpic.com/albums/StackedPhotos112214/?wallpaper also i have been shooting infared pow wow pictures around this area and one over by seattle. i have been using canon digital pro to correct the RAW image white balance then CS6 to swap the red blue channels and most of the final work in lightroom5. i just got started on this at home 18 months ago so its sort of all over the map and that brings up.... are you aware of any place to get good infared presets for lightroom? so far all of my work has been done by trial and error and some luck. this is a link to my picture sharing site. if you have any videos on processing infared please let me know. ervschleufer.slickpic.com/gallery/
+Bob Marleyswar - To accentuate the color during twilight, Deborah Sandidge seems to recommend starting out with a White Balance of 4000K or 5000K in order to see how it works with the scene: you can adjust from there. In some of her articles, she mentions that auto white balance can be a bit lack luster for the scene. She also seems to use 4000K and 5000K when using the Hoya FL-W Fluorescent filters to achieve violets and golds in her images. *Christina* AskRUclips@bhphoto.com
Hi Deborah great video very informative, inspiring me to grab the camera and put some of the techniques into practice using my big stopper for the first time with mixed results. The secret is keep trying! Is there any way on getting hold of the fact sheet that you mentioned in the video. Keep up your inspiring work. Donovan
Thanks Deborah and B+H , I spent a very rewarding 1:20 minutes watching the video. The information I have gleaned here is really going to help me hone my long exposure photography skills! I've already bought some filters from B+H the Hoya ND 400, plus 8x, and 32x digital ND's. On my Pentax K5 with limited lenses they work great. Will likely get the Hoya FLW filter. Have the Cokin Graduated, but will upgrade soon to Lee's system. I love the fun and creative approach you present here. All the best for your further photo explorations and your courses, if you doing an seminars in Scandinavia, the Baltic countries I'd likely join the course!
I loved this talk, this is exactly the kind of info I was looking for, thank you Deborah and B&H. PS. 38:43 ahah, seriously, no one laughed? okay... xD
Are you using a full frame or crop frame? Did you mention you shoot IR? If so is your camera converted to IR or are you using IR filters and longer exposure. I'd like to try IR with unconverted camera based on that most stock cameras don't have an IR filter that removes all the IR; so that with longer exposure times and the IR filter good results might be possible. Can you give you recipe for IR? Thanks
+Aqull Because a 24MP full frame will not be quite as sharp as a 24MP crop sensor. More pixels are packed into a crop sensor. Unless you are going to enlarge the pic to poster size... crop sensors can give excellent results. It still depends on the person behind the camera of course. Loads of pro shooters use cropped sensors.
Robert Komarek I've only seen an issue with quality at A2 or larger. A2 is when you start to see a little loss of quality (But still very printable). A1 is not possible. A3 is perfect :)
$1K+ Nikkor lenses, LEE sends her free filters, jetting around the world to shoot...the best of everything...I expected to be blown away. What I got was cliché effects, average composition and another moment of wondering how these people become gurus and brand evangelists.
Is it really still photography when you layer photos and create a completely different image? Why would capturing the river taxi and freezing the moment be a bland photo? To me it would have been a much better story.
Take a shot of vodka every time she says twilight and a shot of tequila every time she uses the FL filter.. Now that is a fun drinking game isn't it???
I think she's an amateur photographer with better than average gear. Those pictures have nothing special; the kind of stuff I took when I first started doing night photography years ago.
dont know why photographers think you need a mac at all to do all your editing when pcs do just as well with the right software getting a mac doesnt result in better pictures or make things easyer
VIDEO: Join professional photographer and author Deborah Sandidge as she guides you through creative techniques for photographing and enhancing long-exposure imagery.
A very interesting video about low light photography.
One of the best talks. So helpful and generous of you all. Thank you B&H
Deborah Sandidge is fantastic and has real talent. I hope one day to have even 1/2 of her skill and creativity. These b&h classes are extremely helpful, thank you very much for doing these!
Join professional photographer and author Deborah Sandidge as she guides you through creative techniques for photographing and enhancing long-exposure imagery!
i downloaded this from youtube a few weeks back and i had a great time learning the tips madam sandidge provided...
+B and H I'm hearing impaired and would be nice if your vids feature closed captions. I greatly miss this on your content, thank you.
I've been a photographer / cinematographer for years and hearing her speak wasn't much new info but it doesn't matter, I LOVED THE PRESENTATION! GREAT INFO!
It is frustrating, bc when a person goes to find videos on "how to" we are seeking the specifics, the settings, the know all type of mentality. The images are phenomenal, but to accomplish them we actually need guidance, not just "this is where, this is when" When i came across this video, i was very much relieved , bc it offered those settings that i am desperately trying to learn so, i am very grateful for your willingness to truly teach and not just show your art
Loved the style of this presentation and found the content really inspirational. Thanks Deborah and B&H for putting this together.
Great presentation. Women in outdoor photography are very few.
Yes, she seemed very nervous at the start of her presentation, but she quickly settled into her groove. I thought she had wonderful shots and the information was helpful too.
I love how you explain every situation, and make it easy and simple to understand. Very nice presentation.
As a fellow twilight photography enthusiast, I enjoyed watching this. It provided a few tips and hints that I didn't know of (like combining long exposures) and reaffirmed a few things I already do. For water however, I prefer to do shorter exposures to get that "choppy" look because it's more believable but it all depends I suppose.
Fantastic! Thiw video taught me so so much and introduced me to many new techniques that I was not familiar with. Thank you.
Thank you. Love from Amsterdam🙏🤗
Your London Bridge shot was fabulous! Nice job on making it 'your own'!
Excellent long exposure photos
I actually live about 20 minutes from that long exposure pier in Sanford Fl and have shot it quite a few times myself also using long exposure ;) very cool job on that !
In the marina picture (around 10 minutes 30 seconds), how do you avoid motion blur of the boats? I get boats that are blurry since they're moving (albeit slightly) in the water.
Deborah, very nice presentation. You teach very well. Thank you.
Wow she was super nervous/anxious. hehe. Good on her for stepping up though - great presentation and talk!
+Kirk Bushell Some amazing info tho!
I think she is sensitive more than nervous. I will show you a nervous sensitive person when confronted with speaking to more than 10 people in public! My jaws muscles lock and I shake uncontrollably! I was happy to see her speak with what I perceived as complete calm.
how do you do such a long exposure and keep moving things such as boats nice and sharp?? are you doing multiple exposures and overlapping? OR..what please??
Please contact Deborah directly with your question via deb@deborahsandidge.com
+mikieson Thank you for your question! Boats generally will have some motion, although I have found with extended exposures, the boats often appear to be relatively sharp if they are in the distance. If you have a specific photo in mind, please contact me through my website www.debsandidge.com/contact Thank you for watching!
Great presentation Deborah!. I can't believe I grew up in/around many of those places in FL that you mentioned and I never thought of photographing them that way. Wish I was more into photography back then. Would have loved to have taken one of your courses. Inspiring stuff.
Really enjoyed this presentation! Wonderful pics and good explanations on how the shot was achieved.
Thank you very much, I'm pleased you enjoyed it!
Deborah shares some incredibly beautiful photos, many taken during blue hour (which I really like). And she shows the technical information for every shot. I think that seeing the f-stop, shutter speed, etc. next to a photo helps it sink in a little better than just being told.
I watch a lot of photography tutorial videos, and this is the first time I've seen Deborah. I like the way she talks. She has a pleasant personality, she knows what she's doing and she obviously enjoys doing it and sharing how she did it. Her laugh is really cute. And her hair is very pretty. I love the color of it.
And just so you know, I'm a guy and I'm a few years older than she is. So I can appreciate her work as a long-time photographer and as a person who has watched hundreds of hours of photography tutorial videos. This presentation was informational and it was fun to watch.
#pretty #woman #hot #blonde #photos #exposure #lipstick #night #exposed #Iwonderhowmuchtrafficwillincreasenow #28,319viewsasof11/19/2014 #timeformetogotobed
thank you for the tips. can't wait for warmer weather; it's 5 degrees now; too cold for me. i'll try your techniques.
This is fantastic :-) A very detailed and professional presentation.
this winter i saw a article about stacked photography and started playing with it. this is a link to 3 dozen practice shots i did around spokane and northern idaho. this is just a hobby and i do have a lot of learning to do. i have never really done multiple exposure work but have been watching videos and trying to get ideas then i got to wondering. do you think a person could get the same stacking effect by using multiple exposures and multiple frames? my camera will do up to 9 exposures on one frame and that will push that one RAW image from around 20mp to about 30mp. if you could get the same effect this would be a huge space saver. the weather here really hasnt been the best to go out and do good test shots. it seems to either be clear blue skies or totally overcast. i thought i would ask a pro before i spent alot of time chasing something that might not work. also if this idea would work maybe you could do multiple long exposures? or do you think that would just turn the sky into one big smear? this is a link to my stacked photos. some are color and some are infared. ervschleufer.slickpic.com/albums/StackedPhotos112214/?wallpaper
also i have been shooting infared pow wow pictures around this area and one over by seattle. i have been using canon digital pro to correct the RAW image white balance then CS6 to swap the red blue channels and most of the final work in lightroom5. i just got started on this at home 18 months ago so its sort of all over the map and that brings up.... are you aware of any place to get good infared presets for lightroom? so far all of my work has been done by trial and error and some luck. this is a link to my picture sharing site. if you have any videos on processing infared please let me know. ervschleufer.slickpic.com/gallery/
Why did you shoot the Paris pic with a 28-300mm? Nothing else at hand at the time? Why not ISO 50, F11?
With the beach image with the birds and the dock.......how did you get the birds to look so sharp while doing a long exposure?
Deborah Sandidge What tripod do you suggest that is affordable and sturdy to start out with as an amateur?
+Thang Hoang Please send yor question directly to Deborah at: www.deborahsandidge.com
Great Video, Very informative. Great Photographer!!!
I noticed White Balance to be very important during twilight pictures why the choice of 5000k and 4000k?
+Bob Marleyswar - To accentuate the color during twilight, Deborah Sandidge seems to recommend starting out with a White Balance of 4000K or 5000K in order to see how it works with the scene: you can adjust from there. In some of her articles, she mentions that auto white balance can be a bit lack luster for the scene. She also seems to use 4000K and 5000K when using the Hoya FL-W Fluorescent filters to achieve violets and golds in her images. *Christina* AskRUclips@bhphoto.com
+B and H I can't believe B&H answers. So glad I bought my Telescope, and accessories and Wacom Cintiq Companion 2 there. Nice store!
Beautiful presenter and presentation....
Sehr schönes Video! Man lernt immer wieder dazu. :)
Ich danke dir für das Video!
My favourite one of these so far. A bit on background on each shot with the all the info I'd need to achieve the same effect. Thank you.
Amazing work !!!
great low light photography video
Hi Deborah great video very informative, inspiring me to grab the camera and put some of the techniques into practice using my big stopper for the first time with mixed results. The secret is keep trying! Is there any way on getting hold of the fact sheet that you mentioned in the video. Keep up your inspiring work. Donovan
Please send your question directly to Deborah at www.deborahsandidge.com
Enjoyable video! Thanks!
Thanks Deborah and B+H , I spent a very rewarding 1:20 minutes watching the video. The information I have gleaned here is really going to help me hone my long exposure photography skills! I've already bought some filters from B+H the Hoya ND 400, plus 8x, and 32x digital ND's. On my Pentax K5 with limited lenses they work great. Will likely get the Hoya FLW filter. Have the Cokin Graduated, but will upgrade soon to Lee's system. I love the fun and creative approach you present here.
All the best for your further photo explorations and your courses, if you doing an seminars in Scandinavia, the Baltic countries I'd likely join the course!
these pics are amazing
I loved this talk, this is exactly the kind of info I was looking for, thank you Deborah and B&H.
PS. 38:43 ahah, seriously, no one laughed? okay... xD
Fantastic!
Great presentation Deb. We have to get together soon when you get back to florida.
I would love that Debra, looking forward to shooting with you soon!
Are you using a full frame or crop frame? Did you mention you shoot IR? If so is your camera converted to IR or are you using IR filters and longer exposure. I'd like to try IR with unconverted camera based on that most stock cameras don't have an IR filter that removes all the IR; so that with longer exposure times and the IR filter good results might be possible. Can you give you recipe for IR? Thanks
Please send your question directly to Deborah at www.deborahsandidge.com
Mike Breler Why the hell would she be using crop frame ? LOL
+Aqull lots of people do - and their photos look just as good.
+mike - IR filters.
+Aqull Because a 24MP full frame will not be quite as sharp as a 24MP crop sensor. More pixels are packed into a crop sensor. Unless you are going to enlarge the pic to poster size... crop sensors can give excellent results. It still depends on the person behind the camera of course. Loads of pro shooters use cropped sensors.
Robert Komarek I've only seen an issue with quality at A2 or larger. A2 is when you start to see a little loss of quality (But still very printable). A1 is not possible. A3 is perfect :)
Great Vid thanks for sharing your knowledge
so inspiring
Yes
This video should be called why you should only shoot at twilight smh
Thanks for sharing
what Camera did you use?
thank you
Very nice video. Really love it.
Very Interesting.
$1K+ Nikkor lenses, LEE sends her free filters, jetting around the world to shoot...the best of everything...I expected to be blown away. What I got was cliché effects, average composition and another moment of wondering how these people become gurus and brand evangelists.
I guess B&H wanted to sell a lot of filters on this day.
Subtitles, please? Could be in english. :)
She sounds very nervous.
Is it really still photography when you layer photos and create a completely different image? Why would capturing the river taxi and freezing the moment be a bland photo? To me it would have been a much better story.
Composites and heavily edited images have been around long before digital and photoshop.
I'm a deaf photographer and very disappointed that your video does not have captioning available :-(
Yeah, because they haven't been done to death by now...I see no satisfaction in an image that has that effect anymore, much like HDR.
awesome:)
Take a shot of vodka every time she says twilight and a shot of tequila every time she uses the FL filter..
Now that is a fun drinking game isn't it???
LOL You Are right.
Or F16!
R.I.P.
Ah it's called the golden hour not blue hour
She's talking about something different - blue hour is darker. It comes before golden hour in the morning, and after golden hour in the evening.
受益匪浅~
I think she's an amateur photographer with better than average gear. Those pictures have nothing special; the kind of stuff I took when I first started doing night photography years ago.
Watch my night photography at Frankfurt am Main: ruclips.net/video/LxPVpZ2S6-k/видео.html
holy smokes does she talk fast!!
she sounds nervous, dont know if that show she talks but good presentation and tips.
She had a few good shots, nothing special...
The Ocean Water shot was inspirational.
I mean aspirational..
I wish people speaking would stop boasting about themselves, their history and just stay on topic. Boring !
Cliche after cliche.
Apple crap lap top !! YUK !!!
dont know why photographers think you need a mac at all to do all your editing when pcs do just as well with the right software getting a mac doesnt result in better pictures or make things easyer
Good photographer. Bad teacher.
Thank you