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Batman - Shirley Walker Theme Suite 2
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- Опубликовано: 28 дек 2019
- The second suite of Batman's theme used for various animated shows and feature films in the DC animated universe, composed by Shirley Walker.
0:00 - The Adventures of Batman & Robin - End Credits (from Batman: The Animated Series)
0:36 - Strange Tries to Run (from Batman: The Animated Series)
0:52 - Batman Rides the Shark (from Batman: The Animated Series)
1:12 - My Life Is A Dream (from Batman: The Animated Series)
2:25 - It's Impossible - Bruce sees Batman (from Batman: The Animated Series)
2:49 - Your Own Private Wonderland - Back To Reality (from Batman: The Animated Series)
3:18 - Batman Chases Croc (from Batman: The Animated Series)
3:39 - Pie in Batman's Face (from Batman: The Animated Series)
4:04 - Hijacked Hand (from Batman: The Animated Series)
4:24 - The Big Chase (from Batman: Mask of the Phantasm)
5:27 - Batman's Destiny (from Batman: Mask of the Phantasm)
I do not own the music or the image used in this video.
I always love when the "DUUUUUN DUUUUUN DUN-DUUUUUN" kicks in.
0:13-0:16 me too.
I like the bit that goes, Duuun Duuuun Du DuuuuuuuN Duun
@@TrueNubinator Which one? the one that's dark and somber? or the one that's heroic and optimistic?
Choose your answer.
@@not.g5758 I think I like the heroic version, but I would say it’s less optimistic, and more steamroller-y like “I’m Driving across Gotham to save these people and there’s nothing anyone’s going to be able to do to stop me from saving them”
@@not.g5758Yes.
This woman was a genius and this is most underrated Batman theme !
5:48-5:58 yes, she is.
i agree, just discovered all she did when watching final destination recently
No
@@godzpeedx7ii75 Yes
@@godzpeedx7ii75 Yes
"The Batman theme has an introduction, and two answers, which can be used interchangeably, a heroic answer(0:12), and a dark somber answer(0:36)"
Our beloved Shirley
A dark , somber answer (0:40) and a heroic , uplifted answer (0:47)*
This show is my spirit animal
Same Here!!!
Rest in Peace Kevin Conroy without Batman Crime has no Punchline 🪦 🌹 😭😢 💔💔🕊️ 🦇🦇🦇 🙏🙏🙏🤲🤲🤲
RIP KEVIN CONROY THANK YOU FOR EVERYTHING
This music is what plays in my head as I get in my car, aka, Batmobile, after my job calls me in.
This music would definitely suit the Batman films
5:37 I AM VENGEANCE! I AM THE NIGHT! I AM BATMAN!
Shirley did her freakin thing with this score.
something I like is that the batman and robin version is much lighter. its not as dark. feels more inspiring. Like robin/dick had a more positive impact on bruce's life and gave him a more friendlier tone
5:30 this should be in live adaptation
Being a 90s kid, this is the music that comes to mind when thinking of Batman.
I am a 2000s kid, and this is my theme as well. It is so iconic that it succeeds generations.
0:08 Kevin conroy RIP 1955-2022 🪦 🥀 😭💔🙏❤️🔥💐🌹🕊Batman 💔🖤🦇💔
I hear this…. And im scared, excited and Full of Hope in a dark world…. SHIRLEY…. You were the BEST. You undestand the Cape Crusader. You know THE BATMAN
another week of brooding and looking out the terrace
My God!
Love it!
imagine if this played in the final Fight in arkham city
Amazing
0:36
Genial.
Genital.
@@FGSRFunLol s
@Red Guy with a Top Hat WOAH didn't expect you here you handsome devil!
Thank you!
The third Batman - Shirley Walker Theme Suite video: ruclips.net/video/zFkEJSTSI5w/видео.html
nice
(A little script I thought of in my head)
(Dialogue is only from thug)
(Batman slowly strides towards the thug)
No no no no NO!
PLEASE DON'T HURT ME! PLEASE!
I'll give ya anything ya want! Tell ya anything ya want! PLEASE!
(Hung outside the window by one arm)
Is it the dock job or airport job?!
Ya gotta be specific man...Batman...Mr.Batman!
(Batman glares)
THEN BOTH! Here here here! This is the address for the dock job meetup! (Slip thrown) The airport job's Bane's guys! I heard it from a...from a...
(Grip loosens)
AHHH PLEASE DON'T LET ME GO! IT'S FROM A CARTER! ANDREW CARTER!
(Tossed to the floor) Oof.
Guh! (Punched out)
A little generic but very entertaining.
That’s a good one for the Batman film storyline and dialogue to write in the script
Cool
Yea, I know, Danny Elfman's theme is regarded as THE Batman Theme. But imo Walker's Theme ia the TRUE Batman Theme.
They're both one theme , no literally
They're both used in the show , and they both transition quickly to each other
Joker disliked this.
wrong, i disliked this
RUclips killed Joker
5:39 my favorite part
The first one (AoB&R) sounds a little uneven with the audio.
It actually did, "BtAS" was a bit darker, it became a little lighter when they included Robin in the season 2 of the animation, turning it into "AoB&R", but the final season not only grew darker, but took the darkest possible turn when the infamous two-part final episode came in a showed what Joker was capable of to crush Batman
@@Elcezina I think he meant the audio quality.
there's something wrong with the soundscape of the audio - it keeps switching from stereo to mono.
word why is no one saying nothing about it
5:39-5:44, 5:47-6:00 is that Latin?
BATMAN:THE ANIMATED SERIES WIKI
Batman: Mask of the Phantasm - Complete Original Motion Picture Score Batman MOTP COMPS.jpg
Distributor Warner Bros. Records
Composer(s) Shirley Walker
The sountrack consists 32 tracks composed by Shirley Walker, main composer for Batman: The Animated Series and the song "I Never Even Told You" performed by Tia Carrere, which plays during the ending credits of the film; written by Siedah Garrett and Glen Ballard.
The back cover credits include:
Music Composed by Shirley Walker
Orchestrators: Ian Walker, Lolita Ritmanis, Peter Tomashek, Harvey Cohen, Michael McCuistion and Larry Rench.
Synthesist: Hans Zimmer
Score Mock-ups: Richard Bronskill and Nerida Tyson-Chew
Scoring Mixer: Robert Fernandez
Music Editor: Thomas Milano
Notes
A rather interesting choice was the use of choirs for the opening sequence of the film using the Batman theme composed by Walker.
Regarding this fact, Shirley Walker provided an amusing anecdote about the chorus during an interview with Cinemusic.com:
"As you know, the music team is rushing to the finish line as a film is in its final dub phase. Even the known orchestrators are not always given the credit they so justly deserve for insuring the timely execution (so to speak) of the score. I've become tired of fighting for credits for the support team that helps pull me through the final throes of recording and mixing my scores.
The choir for Masks gave me the opportunity to rectify this terrible situation. I made a chart by number of syllables of every music persons name backwards to use in creating the language you hear. 'Oh Nahlim Mot!', the phrase the score begins with, is Tom Milano, the music editor of most of my features, whom I originally worked with doing the Flash TV series.
You get the idea. It was working so well, I realized that I would need to include some of the film producers and executives at Warner Bros. After all, they were paying for my little inside joke. People do like to be included in these sorts of things. I had to lie to the Warner Bros. legal department person who called to ask me what the language was and what was being said. They certainly didn't want to be a party to me saying "screw Warner Bros." in Danish. I told them it was an obscure nonsensical choral language that existed only in out of print orchestration books.
I think I actually spent more time on my plot than I did on the score during the week I was preparing the choral cues. It was quite fun to see the looks on peoples faces, as they realized what they were hearing. Only two people had deciphered the puzzle by the time we recorded the choir. It was very difficult for the singers to sing the strange words. I'm sure they would have had more fun doing it, had I been able to include them in the joke too.
While I was mixing the score, I had Bobby Fernandez (Zed-nahn-fur E-Bob) record the choir accappella onto a seperate DAT, ostensibly for my sample reel. The look on Tom's face as he began to suspect what I had done was well worth the whole deception. He finally turned to me and said "You didn't do what I think you've done, did you?".
The rest is history. Everyone on the music team has a tape of the singing of their names (we transfered to 1/4" tape and played it backwards; the old "back-masking" trick)."
Fans of the movie have managed to decipher some of the backward names in the chorus. Most of these names can be found in the booklet of the album:
Tom Milano (Music Editor)
Patti Zimmitti (Contractor)
Jean MacCurdy (Producer)
Hans Zimmer (Synthesist)
Mike McCuistion (Orchestrator)
Eric Radomski (Director)
Joel Franklin (Music Preparation)
Richard Bronskill (Score Mock-ups).
So it is basically a big Fuck You to the industry in one sense because they don't credit people.
She passed it off as fake Bullshitese until it was too late to change. It's a huge clutch troll move to make sure THIS choir THIS time gets their names FOREVER stamped on the only part of the movie anyone is going to remember.
Hans Zimmer would later go on to score Pirates of the Carribbean. If you Google the rest of them I bet they form a formidable composite resume.
@The Random Rex Me too.
I know the original comment was made two years ago.
The way I hear it, 5:39 - 5:48, "To ma and pa, he swore commitment."
0:52