Yah Ribon / יה רבון | Kedmah: The Rising Song Piyyut Project
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- Опубликовано: 2 окт 2024
- Yah Ribon / יה רבון
Music: Mordechai Khalfon / מרדכי כלפון (20th C.)
Lyrics: R' Yisrael Najara / ר׳ ישראל נג'ארה (16th C.)
Arrangement: Yoni Avi Battat
Maqam: Rast
Kedmah: The Rising Song Piyyut Project
Yoni Avi Battat - violin, vocals, music director, producer
Rabbi Yosef Goldman - vocals, rabbinic and literary director, producer
Joey Weisenberg - fretless electric bass, producer
Rabbi Jessica Kate Meyer - vocals
Anat Halevy Hochberg - vocals
Yahala Lachmish - guest vocalist
April Centrone - guest percussionist
Full album Simu Lev coming out April 9, 2024: risingsongreco...
Produced by Rising Song Records
Recorded November 2023 at Rittenhouse Soundworks in Philadelphia, PA
Don Godwin - audio engineer, mixing, and mastering
Shmulie Lowenstein - video
Josh Fleet - on-site support
יָהּ רִבּוֹן עָלַם וְעַלְמַיָּא
אַנְתְּ הוּא מַלְכָּא מֶלֶךְ מַלְכַיָּא
עוֹבָדֵי גְבוּרְתָּךְ וְתִמְהַיָּא
שְׁפַר קֳדָמַי לְהַחֲוַיָּא
שְׁבָחִין אֲסַדֵּר צַפְרָא וְרַמְשָׁא
לָךְ אֱלָהָא קַדִּישָׁא בְּרָא כָל נַפְשָׁא
עִירִין קַדִּישִׁין וּבְנֵי אֱנָשָׁא
חֵיוַת בָּרָא וְעוֹף שְׁמַיָּא
רַבְרְבִין עוֹבָדָךְ וְתַקִּיפִין
מַכִּיךְ רָמַיָּא זַקִּיף כְּפִיפִין
לוּ יְחִי גְבַר שְׁנִין אַלְפִין
לָא יֵעוּל גְּבוּרְתָּךְ בְּחוּשְׁבְּנַיָּא
לְמִקְדָּשָׁךְ תּוּב וּלְקֹדֶשׁ קֻדְשִׁין
אֲתַר דִּי בֵיהּ יֶחֱדוּן רוּחִין וְנַפְשִׁין
וִיזַמְּרוּן לָךְ שִׁירִין וְרֲחֲשִׁין
בִּירוּשְׁלֵם קַרְתָּא דְשֻׁפְרַיָּא
A project of Hadar’s Rising Song Institute, cultivating Jewish spiritual life through song: www.risingsong...
This is incredible.
Beautiful ❤ looking forward to the album release 🙏🏻
Amazing arrangement and performance. You touch my neshama in the deepest way.
לכבוד שבת קודש! הדרן!
I hope Galeet Dardashti knows about this piyyut being so beautifully performed here!
Wow what a beautiful piyut. I feel like it is a mix of the old classic version with a bit of a modern twist.
I am familiar, albeit only a little, with Turkish Makam (en.wikipedia.org/wiki/Turkish_makam, see also en.wikipedia.org/wiki/Maqam) in which - for me - there is more than one "version" of each of the 12 notes of the usual Western Music chromatic scale. I think I hear that in what you're doing. Thank you. Regards to Yosef, with whom I worked in Philadelphia a few years ago, and bravo tutti for shedding light on a tradition many of us know so little about.
You are correct, though I think this one isn't Turkish. I'm no expert but this gives me Syrian vibes.
Like the Turkish Maqam, there are numerous other Maqamat, each for a region
I mentioned Turkish because it's the only one I know something about, not to suggest this was Turkish. I could hear Egyptian, Syrian, Moroccan - all because I know nothing of the differences between them, just a gut reaction.