@@klop4228 I became acquainted with the piece through Hüseyin Sermet's recording which I love ever since. But the one by Olli Mustonen is also great, can be found here on YT.
@@JorgeMorales-fv5cl I find many versions by well-known pianists -- generally male -- to be weighed down by such a sense of solemnity that they fail to reflect the playful ("ludus") element of this great work. A notable exception is the recording by Käbi Laretei, who moreover coached the piece with the composer; she also brings out the lyricism of the music: ruclips.net/p/PLXo1NkbyUD2o4Q2c5KtgeWovrlKmehHNk
It’s nice to see Lee Luvisi get more love on RUclips. He’s one of my favorite pianists ever, and someone all pianists need to know. He has a lovely live recording of Hindemith’s first piano sonata on RUclips, also!
I’m glad this was made, I’m no pianist but ever since I found Mathis Der Maler (my first Hindemith piece) I’ve been a huge fan of his work, this completely meets my standards of a fantastic composition!
I´m not a huge fan of Hindemith... but what a great concerto! The texture of piano and orchestra are just amazing. I´ts true that it sounds like Ravel and Bartok in some parts... but whit the "bachianan-style" of Hindemith and his obsession whit 4ths harmony... Great work. Thanks for the score!
Thanks for posting this! The pianist has a lovely sound and the integration with the orchestra (the performers, conductor and recording technicians) is top notch. Really enjoyed hearing a non-showy piano concerto - will listen again and again. I like the quote (what else can you call it?) from Ravel's piano concerto - a moment of tongue-in-cheek humor?
Hindemith war ein Meister des Kontrapunktes und filigraner Satztechnik, außerdem ein Komponist von außergewöhnlichem rhythmischem Erfindungsreichtum. Auch wenn er Dissonanzen nicht scheut und es zu massiven Klanganballungen kommen lässt, so löst er sie doch immer wieder organisch auf: seine Musik - ein Spiel mit Tönen - atmet. Ich betrachte ihn als "J.S. Bach des 20. Jahrhunderts".
The 2nd movement really stuns the fluteandpicc over trills in strings and melodylines come in and out of keys .I can't believe a German wrote this freely .I don't really get it but it sounds!And Sounds Great! IWonderful !'ve tried for decades and NOW ! Finally I'm awake to the wonders,vicissitudesand beauties of Himdemith's language. Seems like living in America put some jazz into his music .ut Johhny spielt Auf was written in Europe and many partook of jazz before coming to the U's. Must get bioof Hindemith ! He taught everyone like Scalero and Milhaud .
The time signatures written above the staff that only apply to one measure I've only ever seen in Hindemith's works. The time signatures with notes instead of number in the denominator I have seen in other composers' works (I prefer them actually).
@@PLTConductorComposer To be fair they do make compound time signatures way more intuitive for learners, and are good at clearing up ambiguities in how to count uncommon metres
@@Cmaj7 _The Craft of Musical Composition_ is more of an argument for tonality. Serialism had become all the rage; even Aaron Copland and Igor Stravinsky adopted it. It’s an educational book, but it does not provide any instruction for composition.
If you haven’t already, you might want to read up on tone rows and serialism. Even tho it seems like there’s not a pattern here, there are still western forms present (call and response, sequencing) in both harmonic and melodic structure.
I also did not know Hindenburg wrote piano concertos. They are stunning. Did you know he sought refuge at Wells College in Aurora, NY when facing persecution as a Jew in Europe during World War II?
..... с тех пор, как меня сразили "Четыре темперамента" , Хиндемит не оставляет мне и четверти покоя . Возможно я не прав, но ... там где кончается страсть БАРТОКА, начинается холод "атональщиков". Хиндемит кажется наиболее тёплым из них. Шёнберга, по крайней мере я не могу слушать больше десяти минут. СТРАСТИ у нас сейчас востребованы, Привет из Украины ! 💛💙
![Bortkiewicz - Piano Concerto No. 1, Op. 16 (Shadrina, Sukach) [Christmas Special No. 4]](http://i.ytimg.com/vi/sbBrKano384/mqdefault.jpg)
![Bortkiewicz - Piano Concerto No. 1, Op. 16 (Shadrina, Sukach) [Christmas Special No. 4]](/img/tr.png)
I love those time signatures.
And the music of course!
i've loved his piano sonatas and symphonic works for years (Mathis der Maler ftw), but somehow never knew Hindemith had a piano concerto.. great stuff
He has this concerto, another one (for left hand) and variations for piano and strings (four temperaments, ballet music)
You should also listen to his Ludus Tonalis for piano, although its versions posted on RUclips are not good in general
@@JorgeMorales-fv5cl Do you have a recommendation of what recording of Ludus Tonalis to listen to?
@@klop4228 I became acquainted with the piece through Hüseyin Sermet's recording which I love ever since. But the one by Olli Mustonen is also great, can be found here on YT.
@@JorgeMorales-fv5cl I find many versions by well-known pianists -- generally male -- to be weighed down by such a sense of solemnity that they fail to reflect the playful ("ludus") element of this great work. A notable exception is the recording by Käbi Laretei, who moreover coached the piece with the composer; she also brings out the lyricism of the music:
ruclips.net/p/PLXo1NkbyUD2o4Q2c5KtgeWovrlKmehHNk
It's ridiculous how much our tastes align. And the music you post is always interesting to me. Probably my favorite video - score page on RUclips
@@segmentsAndCurves nah, just a minor 2nd
It’s nice to see Lee Luvisi get more love on RUclips. He’s one of my favorite pianists ever, and someone all pianists need to know. He has a lovely live recording of Hindemith’s first piano sonata on RUclips, also!
The wind section in the first movement reminds me of the first movement of Schoenberg's piano concerto
Hindemith is Bach from another planet. After 500 years, his music will be understood.
3:19 God.... Genuinely hard to find orchestra writing this good in a piano concerto, and the piano entrance after!!!!!! oh my GOD
The second movement in particular is fantastic.
Totally agree, the orchestration is perfect !
absolutely
I’m glad this was made, I’m no pianist but ever since I found Mathis Der Maler (my first Hindemith piece) I’ve been a huge fan of his work, this completely meets my standards of a fantastic composition!
such clever orchestration at the beginning of the 2nd mov. Great concerto, thanks for sharing!
Magnifique concerto
16:40 - 17:09: beautiful tension and release.
Hindemith wrote this concerto for, and dedicated it to the great Puerto Rican pianist Jesús Maria Sanromá, who gave the premiere.
I´m not a huge fan of Hindemith... but what a great concerto! The texture of piano and orchestra are just amazing.
I´ts true that it sounds like Ravel and Bartok in some parts... but whit the "bachianan-style" of Hindemith and his obsession whit 4ths harmony...
Great work. Thanks for the score!
Great! I think I used to possess a Richter recording. BRAVO from San Agustinillo!
長調でも短調でもない時間がすごく長く続く感じがヒンデミットさんの真骨頂かと思います。
ヴァイオリン協奏曲が好きですがこの曲もいいですね。
聴く機会を頂きありがとうございます。
Thanks for posting this! The pianist has a lovely sound and the integration with the orchestra (the performers, conductor and recording technicians) is top notch. Really enjoyed hearing a non-showy piano concerto - will listen again and again. I like the quote (what else can you call it?) from Ravel's piano concerto - a moment of tongue-in-cheek humor?
That 2nd movement 👌
Wonderful! 👍👍👍❤️🧡💚💕 Thank you for posting this!
Hindemith war ein Meister des Kontrapunktes und filigraner Satztechnik, außerdem ein Komponist von außergewöhnlichem rhythmischem Erfindungsreichtum. Auch wenn er Dissonanzen nicht scheut und es zu massiven Klanganballungen kommen lässt, so löst er sie doch immer wieder organisch auf: seine Musik - ein Spiel mit Tönen - atmet. Ich betrachte ihn als "J.S. Bach des 20. Jahrhunderts".
I find it pretty boring. More the Händel of the 20th century.
@@steinwey Händel boring? 😅
I was not familiar with Hindemith before this, thank you.
I recommend his Symphonic Metamorphosis, Mathis der Maler, and solo cello sonata
I've never seen a note istead of a number in the time signature before!
The 2nd movement really stuns the fluteandpicc over trills in strings and melodylines come in and out of keys .I can't believe a German wrote this freely .I don't really get it but it sounds!And Sounds Great! IWonderful !'ve tried for decades and NOW ! Finally I'm awake to the wonders,vicissitudesand beauties of Himdemith's language. Seems like living in America put some jazz into his music .ut Johhny spielt Auf was written in Europe and many partook of jazz before coming to the U's. Must get bioof Hindemith ! He taught everyone like Scalero and Milhaud .
what happened to your video of messiaen's des canyons?! I can't find it anymore
Seems like all of the Messiaen videos on this channel are privated. I hope they'll be made public again soon.
@@user-hf1jj5xb9m Yeah, such a shame, used to listen to those in the background for hours each day.
back
@@Cmaj7 amazing!
Why have you made private half of your videos?
GUILLOM I second this.
I third this
back
@@Cmaj7 yay!
I've never seen time signatures written like that before? Is that a hindemithism?
Orff time signatures - thankfully rare.
The time signatures written above the staff that only apply to one measure I've only ever seen in Hindemith's works. The time signatures with notes instead of number in the denominator I have seen in other composers' works (I prefer them actually).
@@PLTConductorComposer To be fair they do make compound time signatures way more intuitive for learners, and are good at clearing up ambiguities in how to count uncommon metres
I haven’t seen it in printed music, but it is generally how I introduce time signatures to my students. Interesting he adopts it here
2:45
CMaj7 what happened to the rautavaara etudes video???
back
Why isn’t this performed more often?
1:43 Tombeau de Couperin?!
OMG thats why it sounds so familiar.....
👍
How do you compose this type of music ? It seems really out of shape and non patterned..hard to explain..
Hindemith explains it in his "The Craft of Musical Composition," although I haven't read it myself.
@@Cmaj7 _The Craft of Musical Composition_ is more of an argument for tonality. Serialism had become all the rage; even Aaron Copland and Igor Stravinsky adopted it. It’s an educational book, but it does not provide any instruction for composition.
If you haven’t already, you might want to read up on tone rows and serialism. Even tho it seems like there’s not a pattern here, there are still western forms present (call and response, sequencing) in both harmonic and melodic structure.
I also did not know Hindenburg wrote piano concertos. They are stunning. Did you know he sought refuge at Wells College in Aurora, NY when facing persecution as a Jew in Europe during World War II?
He was not Jewish.
..... с тех пор, как меня сразили "Четыре темперамента" , Хиндемит не оставляет мне и четверти покоя .
Возможно я не прав, но ... там где кончается страсть БАРТОКА, начинается холод "атональщиков". Хиндемит кажется наиболее тёплым из них. Шёнберга, по крайней мере я не могу слушать больше десяти минут.
СТРАСТИ у нас сейчас востребованы, Привет из Украины ! 💛💙
Γιάννενα απογευματάκι παρεα με τον Παυλαρα.Μεγαλος
It seems he never ended his pieces in dissonance.
Oh wow what an ending! It was as if Germany and Turkey switched places!
My like is number 666! 😅
What kind of music is this!? Everything sounds terrible, no artistic sense!
The kind you don't understand ;)
Seems as if you are not ready for this music yet ;)
Thats ok ..you dont have to like everything..may i recommend some Yanni?
@@chadweirick67 Don't worry, I prefer Bach
@@MCMeru Au contraire, you don't know real music yet