Holland Baroque - Die Kunst der Fuge (J.S. Bach)

Die Kunst der Fuge (BWV 1080) - J.S.Bach.
29 juni 2020 - Grote of Jacobijnerkerk te Leeuwarden
Holland Baroque met Judith Steenbrink Filip Rekieć, Stefano Rossi, Tomasz Pokrzywinski, Tineke Steenbrink.
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www.hollandbar...
Met dank aan:
NPO Radio 4
www.luxaudio.nl
videotonart.de

[@Johannludwigamadeus]

The Dutch know how to perform Bach. A big thank from Germany.

[@frankrault3190]

Een intens en zeer ontroerend moment als deze (fantastisch uitgevoerde!) muziek ineens stopt... in het niets... in stilte...

[@a.lutz-conrad]

rain falls and drips from the branches of a tree into a puddle... see the rings expand in the puddle where clouds are reflected as the sun begins to shine... no it's Bach as wonderfully realized by Holland Baroque

[@frame47]

Verrukkelijke muziek. Dat heb ik in de kloosterkerk van St Agatha live mogen meemaken. Topuitvoering, geweldige arrangementen.

[@hansleewens5392]

Bravo belived Baroque Society. Fine support of the expected 21st century renaissance

[@Verticaldiscourse]

Wat een verbijsterend goed idee om contrapunctus 12a en 12b elk op een andere wijze te 'bestrijken'. Het pizzicato bij 12b klinkt heel apart en zelfs bevreemdend, maar dat is net goed (die Kunst der Fuge is nu eenmaal nauwelijks van deze wereld...). Dank voor deze uitvoering. Hopelijk bezoeken jullie na Corona ook de concertzalen van jullie zuiderburen! Groeten uit België.

[@Szpzer]

Oh, wat is dìt een prachtige uitvoering van deze geniale muziek!

[@mallorga1965]

Purity and clarity in spades. I wish this was on CD.
Thank you.

[@Mary.ua.]

eternity

[@oyvindm1954]

Wonderful and speeds so that we can follow fugue themes all the way through magic musical universe of Johann Sebastian Bach. Thanks a lot. Regards from at tenor in Norway.

[@chambermuses7802]

Exquisite, as ever. Please don't miss Tineke and Judith with their luminous companions in the Brabant 1653 album of neglected motets, centred on Boxmeer. Heart-opening music from a beautiful part of the world, with such a rich culture. I was blessed some years ago to be welcomed by mayor Karl van Soest and his dear family, only to discover a whole corner of the world whose culture and people are as precious and they are "unknown."
Bless Tineke and Judith for allowing us to time travel at the touch of a harpsichord and the stroke of a bow. "Barok is nu" indeed!

[@reneeheijnen7252]

Prachtig, dankjewel Holland Baroque!

[@johdousha]

I was a little dubious about adding the harpsichord to the quartet, but I have to say: that really works. Veele danken voor de heerlijke muziek.

[@dr.ulrichkahmann8267]

Barok is nu. Bedankt!

[@ruivog]

Thank you.

[@thebeautifulabsurd]

21:07 contrapuntal stress tears and repairs spacetime

[@liegesaboya33]

Na minha proxima encarnação serei violinista numa orquestra como essa , tocando Bach , Marais, Luly, Vivaldi o dia Inteiro

[@fabio-yl7md]

Splendida interpretazione.....

[@WigbertTraxler]

So beautiful!!

[@justmusic822]

Just sooo beautiful!

[@frankrault3190]

En wat een parelketting! En ook die verrassende pizzicati!
Voor de hoeveelste keer luister ik nu naar jullie uitvoering? Tiende keer? Het zou zomaar kunnen!

[@ricardobravopavez3554]

Magnífico

[@BelBortolotti2]

Um sonho do fundo da alma de um músico escolhido pelo Espírito Santo de Deus. Interpretação sublime e cristalina. J.S. Bach, que Deus Pai Todo Poderoso o tenha!

[@herrickinman9303]

Since Bach composed the Art of Fugue for keyboard rather than string quartet, it's not surprising that most of the contrapuncti have middle voices that go below the normal range of the violin and viola. E.g., in #1 the 2nd voice goes a whole step below violin's G string; in #2 the 2nd voice goes a whole step below the violin's G string and the 3rd voice goes a minor 3rd below the viola's C string; and in #8 the middle voice goes a half step below the viola's C string. The performers must have tuned their lowest strings down to accommodate those low notes.
Being keyboard fugues, some of the 4-part contrapuntci add extra voices near the end, as is common in keyboard fugues (e.g., #5, #6, #7, #9), which is probably the main reason the keyboard is added.

[@ОльгаБыстрова-ю5б]

👏👏❤️🌹

[@aksuli1]

Great job, but my favourite 4th fugue is missing.

[@christianbrodiez5287]

Une observation intéressante : les instrumentistes à cordes jouent à l'ancienne sans vibrato .

C'est possible grâce aux cordes en boyau qui équipent les violons baroques.

[@accademiastrumentaleitaliana]

Ciao Judith! Bravi! :)
ruclips.net/video/sNsmoH5U2B0/видео.html

[@judithsteenbrink5725]

Ciao Alberto! Die Kunst der Fuge travels the Globe! Bravi!

[@christianbrodiez5287]

Pour les instrumentistes à cordes ,c'est l'orchestration minimaliste idéale .

[@riccardoleone9661]

"io, che al divino da l'umano, /a l'etterno dal tempo era venuto" (Dante).

[@AlecsanderLobjnski-bj8jr]

Магия

[@onnonugteren2935]

Prachtig gespeeld, hemelse muziek van alleen maar noten. Nergens staat hoe het echt moet.
Ha! : Holland Baroque ! 🙃
Wanneer gaan jullie dit opnemen in een minder respectvolle maar meer Swingende, 'Jazzy Way'?
Meer verschillende tempi misschien in een stuk met dezelfde instrumenten of afgewisseld een onsje meer? 🙂 Afgewisseld met zeer respectvolle zang èn dans?

[@bertrandolf9733]

Well as you altered the last original line you could as well have done a completion ending. JK ;) Well played :)

[@DonnaLee-g8q]

Harris Jessica Jones Michelle White Kimberly