0:26 The rest is just the same. Isn't it? 0:33 That doesn't really work. Does it? 0:39 Did you try....? Should be a bit more? Or this? This! Yes. 0:54 Better? What do you think? 1:08 Haha 1:42 Ahahahahahaha
“In his last surviving letter from 14 October 1791, Mozart told his wife that he had picked up Salieri and Caterina Cavalieri in his carriage and driven them both to the opera; about Salieri's attendance at his opera The Magic Flute, speaking enthusiastically: "He heard and saw with all his attention, and from the overture, to the last choir there was not a piece that didn't elicit a 'Bravo!' or 'Bello!' out of him.” -Mozart, a Life
Salieri's pride was flattened. The next scene: in his room, eyes upward to the cross on the wall, grumbling bitterly, "Grazie, Signore!".... the most impressive scene in the movie. Actually the motif is beautiful. Comparison makes one miserable. Grazie, Marco!
Something I learned from my piano teacher is that the little motif mozart plays at 0:39 is one of several ways to check if the piano is in tune, so it's kinda like mozart was thinking maybe it was just the piano making it sound wrong and then it wasn't that so he changed it XD
I think Mozart had perfect pitch so he could tell from the other room which key was not in tune. Maybe you can offer your teacher another view. The march is in C Major. As Salieri explains, Mozart starts his composition by something almost childish, that's the C scale. As you can tell the "childish" C major scales stays on top but gets answers from left hand then it merges with power and new ornaments are added. It finally becomes a complete composition in Mozart style. Another view would be Mozart is letting the full chord breath because Salieri lost it. As you would by inhaling a good whisky before tasting it.
Hmm, I would check for pitch a million other ways, never heard of a c major being played above middle c as a way to check. Most of the time is the strings on an individual note being out of tune with each other before anything gets relatively out of tune and that’s easily just done by ear. But my easiest test is just to play some octaves and see where things start to drift. Then a few fifths (should be mostly in tune regardless of temperament) and then whatever the piece I’m playing calls for. A fun one is G# + G an octave up. Something about those two in equal temperament causes a unique buzz that’s unmistakable.
Amadeus' impact in the pop culture was colossal. It turned Mozart - a beloved classical composer - into a mega-star. This movie alone introduced Mozart's sublime music to millions of people. I was one of them and since then I worship his music as Tchaikovsky once described as "the culminating point of beauty".
@@PortugalZeroworldcup He was a VERY great composer. Master of Beethoven and was revered by every composer in the era and, although I am not sure about this, he was more in demand than Mozart in that era.
The producer or the writer asked someone to write something simple about a Mozar melody, exactly "Non piu andrai" from "La nozze de figaro". In that way, Mozart's theoretical improvisation is actually something he wrote himself. Actually, Salieri's trifle never existed in the past and was only written for the AMADEUS production.
I like to imagine the film version of Salieri wishing so hard for talent like Mozart's that, in his old age, he convinced himself he actually wrote this. Of course, being just as equally convinced he was a mediocre artist, it came out in his mind as being a dull and plodding piece without Mozart's genius.
This song describes Mozart beautifully. He takes a simple melody, that needs some work, and turns it into the perfect March. I always say this about Mozart’s pieces, no matter what you do to them, you can change the piece, but you can never EVER make the piece better or improve it. That’s simply Mozart’s perfection
It heartens me greatly that a 36 year old drama about opera and classical music generates the kind of comments as seen below. Oh, and just FYI: Amadeus - Director's Cut - is available to be purchased on RUclips. Disclaimer: this is not a sponsored message, just telling all fellow Amadus fans where to get it. ;)
Now please this Salieri-piece played by the Emperor. Should take some more brake-signs :-) Thank you for this here. In my head I can still hear Mozart's comments within. Great motionpicture.
The silly march was created for the movie, not by real Salieri. It was made simple on purpose not because Salieri would be so naïve as to compose such a childish music, but because it would be playable by the Emperor, who is portrayed as a mediocre musician, of course. Salieri as a character is intended to represent mediocrity, not retardation ... The play is about conflict between respectable mediocrity and outsider geniality, so apart from Mozart every other character in the film is mediocre.
0:34 "That doesn't really work does it?" 0:45 "Did you try..." 0:50 "Shouldn't it be a bit more..." 0:53 "Or this...this! 0:59 "Yes!" 1:05 "Better? What do you think?
I'll stick my neck out just once (I don't like to criticise composers) and say the problem at 0:34 is that this piece of pseudo-Salieri says the same thing in the same way twice in a row: V4/2 - I - vi, all in same register and voicing. The pauses don't vary it enough. Perhaps I'd try I - III - vi the second time around, perhaps making the metre seem like triple time over duple (a kind of back-to-front hemiola) and at least say hello to the relative minor before going on. But, anyway, it always bothered me that this scene was so unkind to Salieri; the music of his that I have heard sounds beautiful and well written to me, and he did not deserve to be misrepresented. I still love the film though and love to listen to Mozart.
Has anyone ever heard mzarts sonata called Larghetto and Allegretto in E minor? Its my favorite, along with 448 but 448 is very famous. The e minor L&A sonata is barely even known! Its crazy! I only stumbled onto it by luck wben i downloaded mozarts piano sonata duets; its the very last one. Check it out if you arent familiar..its absolutely lovely...I love all of yall by the way...i love anyone that loves mozart...he was the greatest
Am I the only who realized that Salieri’s March turned into “Non piu adrai” from “The Marrige of Figaro” Salieri’s March / 0:05 to “Non piu adrai” from The Marrige of Figaro / 0:46
Salieri is unfortunately horribly represented in the movie and he was more of a story telling vessel rather than a historical figure in it. Salieri and Mozart were actually friends and had great admiration for each other.
Yepp. Salieri is (in the movies) an interesting character and its easy to feel sympathies for him. But in fact Salieri had a better position than Mozart and he was fairly talented as well.
Видеоклипы
0:26 The rest is just the same. Isn't it?
0:33 That doesn't really work. Does it?
0:39 Did you try....? Should be a bit more? Or this? This! Yes.
0:54 Better? What do you think?
1:08 Haha
1:42 Ahahahahahaha
Earl Joseph Fausto
😂 😂 😂
1:48 Grazie Signore
PERFECT!
This should be the pinned comment.
Ahshahahaaaa
“In his last surviving letter from 14 October 1791, Mozart told his wife that he had picked up Salieri and Caterina Cavalieri in his carriage and driven them both to the opera; about Salieri's attendance at his opera The Magic Flute, speaking enthusiastically: "He heard and saw with all his attention, and from the overture, to the last choir there was not a piece that didn't elicit a 'Bravo!' or 'Bello!' out of him.”
-Mozart, a Life
I love how Salieri’s most famous tune is a piece that has been written for a movie
I think it's an adaption of a tune from Marriage of Figaro - but yes, highly ironic
@@whitleypedia yes, only the second part is, but the first i think does not exist
Haha its the other way around this time
@@that1guy910 haha
@@cislak5669 lol
1:42 HAHAHAHAHHA
Grazie, Signore!
😂😂😂😂😂
I love those 3 notes right at the end. It's like Mozart had already stuck the knife in Salieri and that was the final twist.
It sounds like "wah wah".
And the funniest part was he didn't have a clue he was humiliating Salieri the way he was lol
Keep it majesty if you want, it's already here in my head
What?! From one hearing only???
@@gregcioch I think so sire, yes
@@gregcioch *flips coat tails and sits down like a boss*
MDkid1 HAHAHAHAHA
Laadidaoui Omar the rest is just the same is’nt it?
Salieri's pride was flattened. The next scene: in his room, eyes upward to the cross on the wall, grumbling bitterly, "Grazie, Signore!".... the most impressive scene in the movie. Actually the motif is beautiful. Comparison makes one miserable. Grazie, Marco!
You're right, comparison makes one miserable. I know this maybe didn't happen, but it is a great movie!!
And then the cross in the open fire 🔥 next 🤣
Something I learned from my piano teacher is that the little motif mozart plays at 0:39 is one of several ways to check if the piano is in tune, so it's kinda like mozart was thinking maybe it was just the piano making it sound wrong and then it wasn't that so he changed it XD
I think Mozart had perfect pitch so he could tell from the other room which key was not in tune. Maybe you can offer your teacher another view. The march is in C Major. As Salieri explains, Mozart starts his composition by something almost childish, that's the C scale.
As you can tell the "childish" C major scales stays on top but gets answers from left hand then it merges with power and new ornaments are added. It finally becomes a complete composition in Mozart style.
Another view would be Mozart is letting the full chord breath because Salieri lost it. As you would by inhaling a good whisky before tasting it.
Hmm, I would check for pitch a million other ways, never heard of a c major being played above middle c as a way to check. Most of the time is the strings on an individual note being out of tune with each other before anything gets relatively out of tune and that’s easily just done by ear. But my easiest test is just to play some octaves and see where things start to drift. Then a few fifths (should be mostly in tune regardless of temperament) and then whatever the piece I’m playing calls for. A fun one is G# + G an octave up. Something about those two in equal temperament causes a unique buzz that’s unmistakable.
It's just the beginning of the aria "Non più andrai" in Le Nozze di Figaro
Amadeus' impact in the pop culture was colossal. It turned Mozart - a beloved classical composer - into a mega-star. This movie alone introduced Mozart's sublime music to millions of people. I was one of them and since then I worship his music as Tchaikovsky once described as "the culminating point of beauty".
Also solidified the myth about salieri and ruined his reputation
@@Trooman20unless he was actually a great composer
@@PortugalZeroworldcup He was a VERY great composer. Master of Beethoven and was revered by every composer in the era and, although I am not sure about this, he was more in demand than Mozart in that era.
The rest is all just the same, isn't it?
Yes,but that's good
SHUT THE FUCK OFF!!
I remember this line, some would get offended if they didn't know about this.
Felicitades encontrar mi canal
Absolute burn
Who else was hearing Mozart's laughter during the pauses?
Always 😀
Who else went "HA!" at 1:08?
And laugh at the end
I laugh at that spot every single time I hear this piece XD
I did .. went "hoo" 😄
Guilty as charged :)
I imagined it, does that count?
I just see this scene in my head while this is playing. It’s incredible how much I watched and loved this movie
Grazie, Signore...
LOLLLLLLLLLLLLLLLL
*lol*
1:40, I can almost hear the giggle
Best scene in the movie, still gives me chills when I watch this, what a great way to introduce Mozart’s pure genius!
The producer or the writer asked someone to write something simple about a Mozar melody, exactly "Non piu andrai" from "La nozze de figaro". In that way, Mozart's theoretical improvisation is actually something he wrote himself. Actually, Salieri's trifle never existed in the past and was only written for the AMADEUS production.
I like to imagine the film version of Salieri wishing so hard for talent like Mozart's that, in his old age, he convinced himself he actually wrote this. Of course, being just as equally convinced he was a mediocre artist, it came out in his mind as being a dull and plodding piece without Mozart's genius.
Yes, he wouldn't have written something that tragic.
I can heart Mozart's voice. What's wrong with me? O_O
HAHAHAHAAHHHHAHAHHAHA!
Nothing, Mr. dear who appears to be a purine molecule.
Like the rest just same isn't it?
You too much watching amadeus
@@20yearsfromnowyoullknowit37 It burns permanently in brain ya know...
Salieri looks at Mozart: 😡
Emperor looks at Salieri: Salieri: 😇
Loved it! Thank you for posting this.
It’s actually a piece by Mozart from “The Marriage of Figaro” called “Farfallone amoroso”
Sort of. It’s a deconstruction of it in the beginning.
This song describes Mozart beautifully. He takes a simple melody, that needs some work, and turns it into the perfect March. I always say this about Mozart’s pieces, no matter what you do to them, you can change the piece, but you can never EVER make the piece better or improve it. That’s simply Mozart’s perfection
N i c e
A few of them have too many notes.
This is perfect
Grazie senor
Grazie SIGNORE!
Best one I’ve heard so far. Exactly like on the movie. Thank you!
Thank you very much!! :D
@@marcovillalobos9059 You're welcome! I started learning it yesterday too. I will record a video when it's finished and let you know. Wish me luck!
@@OmarNg7X I'm sure you will play it great!!!
@@marcovillalobos9059 Thank you :)
@@marcovillalobos9059 Amazing. Amadeus will always be my all time favorite film.
That was incredibly well done sir!
Such a beautiful piece
thank you for this Marco
I still can hear the laugh at the end !
The left hand is insane 😂
Salieri ´s remix by Mozart
No need to look at this, Sire, It's already here in my head 🙂
El resto es una repetición cierto?
Grazie, Señore.
HA!
Excellent, thanks 😀
1:05 "Ahhh, haaaa ..." :^D
Mozart was above human a different class all together his music surely plays in the elevator in heaven
I love this song
I was half expecting Mozart to laugh at the end
well done, thank you
It heartens me greatly that a 36 year old drama about opera and classical music generates the kind of comments as seen below.
Oh, and just FYI: Amadeus - Director's Cut - is available to be purchased on RUclips.
Disclaimer: this is not a sponsored message, just telling all fellow Amadus fans where to get it. ;)
36
@@LeonardoRozasVillegas Correct, good catch. Guess I will have to keep updating this comment until 2030. :)
I half expected Mozart’s laughter at the end of this video.
....Grazie signore
mozart composed this knowing few years after somebody was gonna use it for the film
Gracias señor
Now please this Salieri-piece played by the Emperor. Should take some more brake-signs :-)
Thank you for this here. In my head I can still hear Mozart's comments within. Great motionpicture.
Da "risoluto" sale il brivido...
Very good your Majesty.
When I was not at world, piano pieces would be like that until 21th centry
No, that is Mozart's revamped version of Salieri's march. Mozart used it in Marriage of Figaro.
The silly march was created for the movie, not by real Salieri. It was made simple on purpose not because Salieri would be so naïve as to compose such a childish music, but because it would be playable by the Emperor, who is portrayed as a mediocre musician, of course. Salieri as a character is intended to represent mediocrity, not retardation ... The play is about conflict between respectable mediocrity and outsider geniality, so apart from Mozart every other character in the film is mediocre.
Non più andrai, farfallone amoroso...
0:34 "That doesn't really work does it?"
0:45 "Did you try..."
0:50 "Shouldn't it be a bit more..."
0:53 "Or this...this!
0:59 "Yes!"
1:05 "Better? What do you think?
Well a bit off
I'll stick my neck out just once (I don't like to criticise composers) and say the problem at 0:34 is that this piece of pseudo-Salieri says the same thing in the same way twice in a row: V4/2 - I - vi, all in same register and voicing. The pauses don't vary it enough. Perhaps I'd try I - III - vi the second time around, perhaps making the metre seem like triple time over duple (a kind of back-to-front hemiola) and at least say hello to the relative minor before going on. But, anyway, it always bothered me that this scene was so unkind to Salieri; the music of his that I have heard sounds beautiful and well written to me, and he did not deserve to be misrepresented. I still love the film though and love to listen to Mozart.
THE REST IS ALL THE SAME ISN'T IT
GRAZIE SIGNORE.!!!
I would never imagine a partiture could be so funny
my ringtone
bravo majesty
Perfect
Haha finishing move right there!
와 음표 정확하네요
The music signs are exactive.
I can learn those by this video.
Salieri composed "no più andrai" and didn't know it !!
i can always hear the laugh after that last bit
Grazie senor
Excellent
FELOMENAL.
I was waiting for the final laughter
1:40
I hear Mozart's laugh in my head and I love it
Charming.
So this is how "marsch nach motiven der oper die hochzeit" created
I think so, sire®️
Brilliant
A funny little tune, but it yielded some good things
Fantastica.questa musica Eccellente
awesome.
Thanks for the score! I played this on my yt channel ;)
Your performance is fantastic!!
grazie signore
Work all night on a piece of music and some punk blows it up in a mere seconds.
Nice 👍
è.é ... grazie signore
1:40 in my opinion this is the hardest bar in a diss track
for everyone that dont know The piece name is Non piu andrai
This was actually used in Le nozze di Figaro
Has anyone ever heard mzarts sonata called Larghetto and Allegretto in E minor? Its my favorite, along with 448 but 448 is very famous. The e minor L&A sonata is barely even known! Its crazy! I only stumbled onto it by luck wben i downloaded mozarts piano sonata duets; its the very last one. Check it out if you arent familiar..its absolutely lovely...I love all of yall by the way...i love anyone that loves mozart...he was the greatest
Needs a giggle at the end.
This in the ONLY true to the movie version; played true to time. All that is missing is the laugh at the end of the song.
You don't listen to this and not blurt out the laughter at the end.
Love this scene in the film lol
Am I the only who realized that Salieri’s March turned into “Non piu adrai” from “The Marrige of Figaro”
Salieri’s March / 0:05 to “Non piu adrai” from The Marrige of Figaro / 0:46
"Am I the only one" NOT AT ALL. Every Mozart's lover recognized it !
You know it that you've watched the film many times so that you are able to hear Mozart's laugh at the end...
Goes from Salieri's March to Mozart-Busoni's Figaro fantasy
Measure 57
Salieri is unfortunately horribly represented in the movie and he was more of a story telling vessel rather than a historical figure in it. Salieri and Mozart were actually friends and had great admiration for each other.
Yepp. Salieri is (in the movies) an interesting character and its easy to feel sympathies for him.
But in fact Salieri had a better position than Mozart and he was fairly talented as well.
Excellent performance by Salieri's actor though. And it's good to know Salieri and Mozart were friends in real life.
Ok Salieri and his remix😂
Go ahead internet mock me! But it isn't the internet who is laughing at me. It is GOD!!!
Whenever i hear this music it reminds me of pokemon games
Bad news: you were not blessed by the algorithm
Good news: I searched for your video
I heard the laugh at the end of the piece jajajaja
And he was in Animal House...Toga. Toga ....Toga
How can i hear Mozart's laugh? 😂😂😂😂
"Grazie signore! Grazie!!!!" >:(
:D)))))))))))
*better? what do you think?*
what piano grade would you guys say this ?