Developments in Cinematography | Oliver Stapleton
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- Опубликовано: 4 дек 2024
- Oliver Stapleton is the co-head of cinematography at the National Film and Television school. In this episode, he discusses some of the key landmarks in creating a motion picture image since the 1970s.
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Thank you to the British Society of Cinematographers (BSC). www.bscine.com/
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I loved this. Hearing a veteran talk about the old days. I could listen to hours of this.
Go shoot a movie and be on set instead. Much more fun and you will learn much more. I just shot an interview today. Trying to figure out how to not shoot hi key lighting in a super small white walls space. 😂😅
As someone who is working on couple of shortfilms think I will include Cooke Optics TV in the credits. As an upcoming filmmaker, the knowledge and information is what makes me keep coming back.
Amazingly true. They should get points ☕️🥃☕️
It's incredible to have these videos to look back over in the future, these guys are what it's all about, back in the days of limitations and having to commit but it looked soooooo good.
Could listen to this for a long time
happy to be the 1000th like....I'm old and remember the inconsistencies of film ... the days of wonderful accidents and blank reels.
Filmmaking history Knowledge is always wellcomed here could watch a long hour of this!
This is brilliant, thanks for sharing all your knowledge and wisdom. Greatly appreciated!
Great insight into the pros and cons of progress!
Awesome video, thanks. I feel old now.
Thank-you for sharing you thoughts and views on the craft. I love this channel!
Thank You for sharing this beautiful experience 🙏🏻
Love this guy.
Great interview! Thank you!
Great insight!
Thanks for sharing this
Anyone know of any examples of that technique where the film is mounted in reverse?
Not with the exposure compensation, I’ve seen footage of mistakenly loaded backwards, and it’s all red and very underexposed. The very first thing I shoot on film was in 1999, to reshoot some scenes that the cinematographer had loaded backwards.
Nolan tends to put the film in reverse when he wants to shoot something in reverse without sacrificing the quality by doing it in post.
@@alexman378 It’s not the same thing. What they’re talking about here is loading the film with the emulsion in. That means the emulsion facing away from the film gate.
@@alexman378 Tenet is overbearing and pummeling. I'd rather see a Neil Jordan film or a John Torturro film.
@@sclogse1 It’s OK, it’s not for everyone, not e everyone has the attention span to appreciate ambitious and original projects, it’s why we get so many reboots and remakes.
I wonder what lens they filmed this with
Cooke Mini S4i :)
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Fundamentals …. All applied from a PHOTOGRAPHY background. (Just ask Deakins) Every aspiring film maker should be handed a manual camera & taught FILM … BEFORE they get given a digital Cam. The masters know the process … inside out.
Zack SNYDER needs to watch this video.
The curious case of Oliver stapleton.
Hi
Digital is also great because now nobody needs to go to film school. Back to square one!
if I work for someone(wedding, documentaries etc), I'm a cinematographer. if i work for myself (wedding, documentaries etc),I'm a filmmaker. if they don't understand and want me to explain, then I'm a videographer.
this explanation of flashing and bleach by-pass is entirely not understandable
Real filter days were better in this sense: most films on Netflix look like trash.
Great interview! Thank you!