Broadcast Lab: The Dirty Sample, gbohunmi, and Bjorn Horn Curated by Sergeant x Comrade

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  • Опубликовано: 5 окт 2024
  • Broadcast Lab: The Future Is The Past So The Past Is The Future by The Dirty Sample , Forest, The Kid, Misery and The Dream Girl by gbohunmi and Swoop’n Focus by Bjorn Horn. Curated by Sergeant x Comrade.
    The Future Is The Past So The Past Is The Future by The Dirty Sample
    This has all happened an infinite number of times. None of this has happened an infinite number of times. All of everything is happening now in infinite ways. My universal god has created the chaos and we control it through sound.
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    Forest, The Kid, Misery and The Dream Girl by gbohunmi
    Forest, The Kid, Misery and The Dream Girl are four of ten microfilms I wrote, shot, and edited during the summer of 2022. The ten films take inspiration from cinema of old. They all have limited dialogue, letting music take charge in setting the pace and editing, with only some subtitles and a focus on visual storytelling. The project was an outlet for me to practice efficient storytelling as I limited myself to a 1 minute runtime per film. The filmmaking experience from this project formed the bedrock for my most ambitious film project which begins shooting in June 2023.
    Exhibition Statement:
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    Swoop’n Focus by Bjorn Horn
    A camera captures a moment, and the river flows endlessly; GPS routes your journey, and the mountain trail guides but won't direct: The stage is designed for performance, and nature showcases beauty from sun to dawn. Our modern world is filled with mobile phones, AI, disinformation, misinformation. Our futures are My work explores the analog/lo-fi parts of our environments: capturing mountains, waterfalls, animals and the natural beauty of our world to transport us to a grounding state and reconnect us - past and future generations. As a way to remember where we came from. Our natural environments are an analog space that generations past and present can experience from the same vantage points for the most part

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