Berlinde De Bruyckere: City of Refuge III

Поделиться
HTML-код
  • Опубликовано: 7 фев 2025
  • Taking its title from a Nick Cave song of the same name, ‘City of Refuge III’ is the third in a series of exhibitions by Berlinde De Bruyckere thematizing art as a place of sanctuary and shelter, reinforced here by the venue’s spiritual intensity. It is realized in collaboration with the Benedicti Claustra Onlus-the non-profit branch of the Benedictine Community-and its director, Carmelo A. Grasso who, alongside Ory Dessau and Peter Buggenhout, form the curatorial team.
    Oscillating between transcendence and material immanence, ‘City of Refuge III’ is based on three new groups of works by the artist which uniquely respond to the church’s monumental architecture, function, symbolism and history. On view will be an installation of Arcangeli sculptures in the nave and side aisles, a large-scale installation in the church’s Sacristy and sculptural wall-vitrine works in the hallway of the Monastery’s Gallery.
    A Collateral Event of the 60th International Art Exhibition-La Biennale di Venezia, the exhibition has been specifically conceived for the Abbazia di San Giorgio Maggiore and is open 20 April - 24 November 2024.
    MB0155U5SEGXE0D
    -
    Hauser & Wirth is an international contemporary and modern art gallery with spaces in Zurich, London, Somerset, New York, Los Angeles, Hong Kong, Gstaad, St. Moritz, Monaco, Menorca and Paris.
    -
    Subscribe to Hauser & Wirth’s RUclips: / @hauserwirth
    Sign up to Hauser & Wirth’s Newsletter: bit.ly/2ZIsYel
    Follow Hauser & Wirth on:
    Instagram: bit.ly/2TJN3gs
    Facebook: bit.ly/3exHrxX
    X: bit.ly/2Agqbyo

Комментарии • 11

  • @Creativeassemblages
    @Creativeassemblages 4 месяца назад +1

    Just amazing and so deeply moving

  • @chenghuacao4792
    @chenghuacao4792 2 месяца назад

    San Giorgio Church, Venice, Italy. As part of Venice biannual, this is the most impressive site specific art installation have ever experienced. It is not about politics or religions, but it invokes the question of our vulnerability, fragility and our need of refuge and caring during searching for transformation, transcendence and reconciliation in face of Motility .

  • @moto_dane
    @moto_dane 7 месяцев назад

    Beautiful

  • @adrianoalvesnunesfilho9464
    @adrianoalvesnunesfilho9464 9 месяцев назад +3

    magnifico

    • @olivierbolton8683
      @olivierbolton8683 5 месяцев назад

      when you see beauty in ugliness...
      your vision of reality is warped!

  • @missinglink9973
    @missinglink9973 9 месяцев назад +2

    Thats some darkness

  • @Safe-and-effective
    @Safe-and-effective 9 месяцев назад +2

    It's hard to determine whether the artist's intentions were to mock, insult or desecrate a sacred space. Even harder to determine what on earth the priest or bishop who gave this modern "art" monstrosity the green light was thinking. Either way, they are both lucky that Catholics will no longer fight to defend their faith and Churches, unlike some other religions who go absolutely berserk at the slightest taunt.

    • @larryaleshire4907
      @larryaleshire4907 3 месяца назад

      🤣

    • @Felix9lives
      @Felix9lives Месяц назад

      A bloodied and crucified man with thorns for a crown is more a monstrosity imo.

  • @olivierbolton8683
    @olivierbolton8683 5 месяцев назад

    when you see beauty in ugliness
    your vision of reality is warped