Reminds me of something I learned in music history class. During the 1800s an African went to a European concert. Afterwards they asked him what his favorite part was. He really enjoyed the beginning: the warm up when all the strings and winds tune because it was very heterophonic like the music back in his home country.
@@capbarker yeah the Europeans at the time turned up their noses at his review, but the orchestra warmup is low-key iconic. Possibly more iconic than the piece he listened to (idk what piece it was it might be super famous but maybe not in which case the warmup is more iconic)
yes, which is why it's a 3:4:12 polyrhythm. There's a large amount of sides to that shape so I don't think it helps having it visualized. I've seen it graphed before, so I'm not sure why it isn't visualized here, maybe to keep it looking simple
i think adding :12 is unnecessary, because there are 4 equal beats landing on the pulse of 3, so the 12 being heard could rather be heard as a function of the already denoted 4 inside an existing 3:4's pulse of 3. just a thought. it could be visualized, but it's not totally necessary.
@@quibster The 12 is what gives it the "excitement" for lack of a better term. A 3:4 would be boring, but the :12 adds flair as well as staying consistent with the pulse.
@@heatherperleberg7816 It would depend on the musical context, but the point is that generally the 12 is just a given component of the music that doesn't really need to be explicitly named. Like this is very common pattern in 3/4 and it's very common for at least one voice to be doing that accented "1e&a2e&a3e&a" 16th note pulse which is technically both the 3 and 12 here, but realistically people would just refer to it as holding down the 3 of the time signature with the 16th note inner beats being so foundational they don't even need to be discussed. Obviously this isn't true in every context, like you could use this as a giant 12-tuplet filling a bar of 5/4 and in that instance maybe there is value in adding the 12 to the name of the polyrhythm so people can really catch everything that is going on, but very few people are ever going to even think to work with that level of rhythmic complexity so we should probably just assume the simpler case and call it a basic 3 against 4.
I practice 2:3 and 4:3 hands alternation loops on a daily basis as a percussionist. I loved seeing this visualize as the tangents of a square and a triangle inside of a perfect circle.
Poly-Rhythm 2 does conclude with a 2 on 3 polyrhythm, but only for one bar of four, and just those last couple sequences. It's not quite the same ruclips.net/video/Th579elSGLY/видео.html
@@XronoMorph you won't probably won't remember which preset it was - it's a sound I was looking for a long time I check all the preset but didn't find the exact one !! :)
@@leave-a-comment-at-the-door thanks, that makes sense, kind of I think it should be 3 but- 4 -ter at the end though, because it goes through triangle first, and then square
I don't usually like polyrhythms to be honest (I care more about how a song sounds than the complexity of the theory behind it) But this is actually a pretty good one :D
i have literally tried for 3 months straight disliking every math video on youtube that gets recommended, even clicking "NOT INTERESTED", but no matter what i do, math always comes to haunt me...all because my math teacher made us watch a Khan Academy video... CURSE YOU MRS KROLL
When you have to pass the salt and pepper but it's across a really long table and you have a time limit of 20 seconds
Is this a reference to something? If so, what is it?
@@trueblueshamu i mean, it sounds like the type of music you would hear in this situation 💀
@@trueblueshamu "pass the salt and pepper" is a phrase musicians use to help them feel the 3:4 polyrhythm. Though I prefer pass the goddamn butter
@@goatcheese36 wow thank you! I can hear it lol
Lmao. Shut up. I hate those mini games
Sick beat
ye
If you like polyrhythmic beats, listen to Steve Reich. I’d recommend, ‘Clapping Music’. Sum gud shit right there!
@@terdop3755 bfdi fan
@@eMPSynth so what
@@harmonicbox2011 good
Reminds me of something I learned in music history class. During the 1800s an African went to a European concert. Afterwards they asked him what his favorite part was. He really enjoyed the beginning: the warm up when all the strings and winds tune because it was very heterophonic like the music back in his home country.
I always loved the sound of an orchestra preparing and tuning before a performance.
I'm totally on board!
that's very sweet :D
@@capbarker yeah the Europeans at the time turned up their noses at his review, but the orchestra warmup is low-key iconic. Possibly more iconic than the piece he listened to (idk what piece it was it might be super famous but maybe not in which case the warmup is more iconic)
@@capbarker mfw when me playing megalovania while everyone else is practicing
@@ericwu6571 band kid moment
Pass the god damn butter
Oh. My god.
Pass the god damn butter
pass. god. butt.
pass the damn ter
pass god but
@@detriticore pass! the! dam! er!
this is a perfect polyrhythm for a techno track
im going to try a and do that
Ya man do it !
Add a couple non-constant rhythmic parts and you have yourself a crash bandicoot boulder level song
Why in the world is this so unexplainably groovy
It’s actually used quite a bit in certain musical areas
@@theoverseer393 so I've seen, I find it amazing that it's fundaments still carry the same feeling for me, like this just doots and duts lol
Interesting. At first I thought the triangle and square made up all the beats, but there is a quieter beat occurring 12 times.
yes, which is why it's a 3:4:12 polyrhythm. There's a large amount of sides to that shape so I don't think it helps having it visualized. I've seen it graphed before, so I'm not sure why it isn't visualized here, maybe to keep it looking simple
i think adding :12 is unnecessary, because there are 4 equal beats landing on the pulse of 3, so the 12 being heard could rather be heard as a function of the already denoted 4 inside an existing 3:4's pulse of 3. just a thought. it could be visualized, but it's not totally necessary.
@@quibster The 12 is what gives it the "excitement" for lack of a better term. A 3:4 would be boring, but the :12 adds flair as well as staying consistent with the pulse.
@@heatherperleberg7816 It would depend on the musical context, but the point is that generally the 12 is just a given component of the music that doesn't really need to be explicitly named. Like this is very common pattern in 3/4 and it's very common for at least one voice to be doing that accented "1e&a2e&a3e&a" 16th note pulse which is technically both the 3 and 12 here, but realistically people would just refer to it as holding down the 3 of the time signature with the 16th note inner beats being so foundational they don't even need to be discussed.
Obviously this isn't true in every context, like you could use this as a giant 12-tuplet filling a bar of 5/4 and in that instance maybe there is value in adding the 12 to the name of the polyrhythm so people can really catch everything that is going on, but very few people are ever going to even think to work with that level of rhythmic complexity so we should probably just assume the simpler case and call it a basic 3 against 4.
funnily enough, the video just so happens to be titled 3:4:12 polyrythmn, though I have no idea if the two are related
I practice 2:3 and 4:3 hands alternation loops on a daily basis as a percussionist. I loved seeing this visualize as the tangents of a square and a triangle inside of a perfect circle.
Sounds like a music from these question shows when they give you time to answer
lol
True that
This would do great as a ringtone, im gonna try it out.
won't cut through loud sounds tho
Sounds like something you'd hear at a dance club in the 80's
This beat makes me want to throw it back ngl
Just imagine the 4 count as an 808.
why does this make me feel so good
sounds like something bill bruford would play in king crimson
This soothes my soul
This sounds like when toriel makes you walk across the room on your own at the beginning of Undertale
Really reminds me of how Talking Heads applied these polyrhythms in their songs
This is gonna go viral
I swear I always like to randomly drum it out with my hands
isn't this the polyrhythm used in polyrhythm 2 (rhythm heaven GBA) at the climax, where you hit 3 beats with your let hand and 4 with your right?
that’s a 2:3 polyrhythm with an extra beat at the end i think
Poly-Rhythm 2 does conclude with a 2 on 3 polyrhythm, but only for one bar of four, and just those last couple sequences.
It's not quite the same
ruclips.net/video/Th579elSGLY/видео.html
This reminds me strongly of rain world's chase/combat themes.
Pass the salt and pepper
PASS THE GODDAMN BUTTER
great tools, was wondering what instrument is used in this demo ? thx
AAS Chromaphone 2 (it's great!)
@@XronoMorph thank you !
@@XronoMorph you won't probably won't remember which preset it was - it's a sound I was looking for a long time I check all the preset but didn't find the exact one !! :)
@@CtrlZMusic He he you're right, I don't remember. Likely from the Percussions bank -- maybe Arabian Perc and maybe another sound as well?
@@XronoMorph hi. Some of the pulses in this rhythm seem to be accented - is this true? Can Xronomorph do accents? Thanks.
I'm gonna fight'em all
And seven nation army...
Oh it's not going to start
Okay then
Chill asf tbh
The folks at home, explain me what is going on in here
Danny Carey approves
Pass the normal butter
PASS ME THE GODDAMN BUTTER ALERADY
This app is loads of fun. Not sure how to sync audio so I can use the loops in my DAW. Midi sync works fine. Any help would be appreciated. Thanks
What app is this?
@@jocundphoton3152 It's modded Flappy Bird.
@@Bhatt_Hole thanks, much appreciated
This is freakin meta
Welp time to do another heist
PASS ba ba THE GOD ba DAMN ba BUTTER ba ba
feels like one of these crash bandicoot levels
Pass the goddam jelly.
this has been sampled in at least 1000 modern day techno releases
That 12 really makes the 3:4 pretty interesting
ah finally good sounding polyrhythm
This sounds like a medicine add
psytrance babyyyyy
If you keep turning up the speed it sounds like a tense chase scene
Mad zach shadow figures
1 - 1 : Make eggs
Throw eggs
I have no idea why people are talking about salt and pepper and butter
apparently, pass the salt and butter is a phrase that lines up with 3:4 polyrhythms
3/4 pass
4 the
3 salt
4 and
3 but-
4 -ter
@@leave-a-comment-at-the-door thanks, that makes sense, kind of
I think it should be 3 but- 4 -ter at the end though, because it goes through triangle first, and then square
@@olegmoki yes, it should. this is why I need to stop copy-pasting the smallest bits of text, it's a really bad habit
Pass the god damn butter
BUTTER BUTTER BUTTER BUTTER BUTTER BUTTER
pass the salt and pepper:
pass salt pep
pass the and er
Sounds like an old tribe music
this is the countdown theme lol
this is very funky indeed
groovy 😎
Jungle level music
hahahaha this is good perc loop for a background. imma sample this
modern edm
crash bandicoot type beat
Action music from movies be like:
I like this one actually
Why does it sound like Sick Beats?
Can’t believe you just leaked deadmau5’s upcoming song
can i use this
It's either not synced up or there's a lot of beats not represented.
funky
this is the same beat used in donkama2000!
why doez thiz remind me of rain world muzic
Clock clicking down background music.
fire
I don't usually like polyrhythms to be honest (I care more about how a song sounds than the complexity of the theory behind it)
But this is actually a pretty good one :D
no idea what's going on but it sounds cool
3:4 is a polyrhythm 3:4:12 is still not a polyrhythm this is actually just a 12:8 time signature beat that you can make without any tuplets
Blue Monday is composed in this rhythm
Pass the bowl of sugar
please make a 10 hour version!
Where are the 12s visually. I can assume it's the circle. But that doesn't make much sense
Wow! This actually sounds musical.
donkama 2000 be like
Sick
Is there any chance the ball wouldn’t disappear? I’m having a rather hard time figuring out the beats, and I don’t think the visual aid is helping
Where did you come from? Where did you go?
Where did you come from cotton eyed Joe?
This is just different music over a video of a visualisation of a polyrythm
damn
the video and the audio arent synced in the second half the auio is correct idk wha happens to the vidoe you can clearly see it when slowing it down
kanye should samlle this
sounds a bit like Jeremy Olander's remix of It's No Good by Depeche Mode intro part, but there is no polyrhythms there, unfortunately. sick sound!
holy crap, that's why it's so familiar! it's such an awesome remix
i couldnt focus on the video i was jamming out
Camelphat
This fucking slams
So basically 3:4?
Correct!
@@MountMatze Well- lol- yeah, but the 12 is a multiple of 4 (and even 3) so it basically means nothing.
@@MountMatze 😂
True dat. I stand corrected lol
@@MountMatze Lol; nice mullet, Michael.
Look a ball
Bal man
björk
3:5:15
why tho?
ド ン カ マ 2 0 0 0
マジでそれ！！！
KIT
ドンカマ2000と同じリズムだ
What is this
What app is it?
XronoMorph!
3:4*
There's a 12
That did nothing
im gonna cry why is maths sh on my recommended
because of the lagtrain video isnt it :(
@@otchii106 Idk man but this is music not math
@@5742_ aren't they essentially the same?
@@philosofickle fundamentally yes but practically no
@@brightblackhole2442 fair
i have literally tried for 3 months straight disliking every math video on youtube that gets recommended, even clicking "NOT INTERESTED", but no matter what i do, math always comes to haunt me...all because my math teacher made us watch a Khan Academy video... CURSE YOU MRS KROLL
This would work if the beats were only the ones displayed on screen. You're adding more beats to it than what is shown, which makes it pointless.