You play the uper C and B with the thumb only (edit: note that the B is natural in this section oposed to the Bb of the tonic harmony. With the B being natural it's easy to play C and B at the same time using only the thumb )
I dont want to say that he could play something like more expressive... louder i think he should play it like he is feeling the music... sry but this is missing....
I once attended a live performance of this: I can assure that the "visual" part of a pianist facing and winning this monsterpiece is definitely part of it. If you look for feeling and expression you will find it in a live performance rather than simply reading the score or listening to the music. I know that music should not rely mainly on the performer, but Liszt was not only a great composer, but also a terrific performer of his own music, and this should be taken into account. Same as Paganini.
Well, it's supposed to resemble a storm eh? I can agree that it is not quite melodic, nor lyrical, but it's a nice piece to show off even though it might not hit the gusto of most people.
First of all, it's no "musical wasteland", but composition at its best. Of course it is not harmonic and soft and lyrical, but it supposed to ressemble a storm! Second of all, I really don't like Eisenstein's interpretation. Maybe it is because of the bad audio quality on RUclips, but is sou ds as if he is missing every third note somehow.... The interpretation might be good, but if the notes aren't there, that's worth nothing.
And here we have another fucking moronic dilettante, calling this masterful depiction of a violent storm a "shitshow", and a "musical wasteland" as if he could easily do better.
This is music at its best. And the fact that it has harmony and form make it music. I'd love to watch you debate a college professor over your hideous comment!
Obviously you do not know what this is about. Look, just try to think huge waves and a small boat trying to survive, huge wave and a small boat trying to survive, again, and again, and know tell me: Have you ever heard a better way to give this through notes? Do you still think it's noise?!?!?
@@ayhamshaheed7740 Oh absolutely - I do rather feel though that he sacrificed the musical content in favour of showing off the virtuosity of the performer - i.e. himself!
The diminshed sequence at 1:56 is so satisfying
How much do you like octaves ?
Liszt : Yes
Liszt was the world's 1st rockstar
@@Vexalord chromatic thirds like in Don Juan?
@@Vexalord Sounds very interesting! Where can I find this version?
Guns and roses have nothing on my boy Liszt
Omg...crazy octaves and double thirds!
That's way even more insane than Chopin's etude no. 22
those octave sections remind me a lot of similar moments in the Dante sonata
My favorite music of Liszt
@Enescu fact
Amazing...
Hold my beer...
:)
Sir Franz, you are the best!
wow
Briliant!
Genius 😱
Oh my God.
I love 1:56 to 2:07
Obra intocable.
Si aprendes la correcta técnica de octavas, se puede ejecutar! Hoy la tocaré por segunda vez en un recital
0:11
Está canijo!!!
I hear sonata in b minor 1:23
I hear it all over
👏🏻👏🏻
0:11- 0:21 Liszt uses (unconsciously) Messiaen’s 4th Mode, before it was a thing.
Interesting
I figure I'll have to watch this video seven or eight times before I'll be able to play it.
Are you saying that after hearing 7-8 times that you’ll be able to perfect it on the piano?
@@anajllah6027 I said play it. To perfect it would require many more views maybe as many as 20.
@@anajllah6027 i can play it perfectly after hearing it 2 times
@@anajllah6027 on one hearing only?
Just play loud chromatic scales and diminished chords in double octaves. You'll have it!
Sir Franz is the best
リスト特有の「黒い楽譜」。非常に技巧的な作品で他のとは一線を画す。
The very definition of "chaotic"
Does Switzerland suffer from storms? :__:
Oh wait... snowstorms, yeah.
Nice
actually yes, this summer there were plenty of huge storms with lightnings and whatnot.
It literally sounds like my etude on musescore lol especially this part 2:03
오 ㅣ 구 이
ㄱ ㄴ
What an ending
Just a question, how someone could play the left hand at last measures 0:23?
FGM 92 pratice. Nothing more nothing less
You play the uper C and B with the thumb only (edit: note that the B is natural in this section oposed to the Bb of the tonic harmony. With the B being natural it's easy to play C and B at the same time using only the thumb )
Very carefully
also there's fingerings for these chords written in the score lolol
Jayzus!
236
Is it me or does this kinda sound like Chopins Polonaise in A major?
On 1:31
More like middle part in "heroic" polonaise op 53
26/02/2021.
Octave etude
Liszt is monster
Orange
ruclips.net/video/SSeps37NGjs/видео.html
I dont want to say that he could play something like more expressive... louder i think he should play it like he is feeling the music... sry but this is missing....
The music is supposed to resemble a storm. How do you want to have expressiveness and feeling in a storm?
I once attended a live performance of this: I can assure that the "visual" part of a pianist facing and winning this monsterpiece is definitely part of it. If you look for feeling and expression you will find it in a live performance rather than simply reading the score or listening to the music. I know that music should not rely mainly on the performer, but Liszt was not only a great composer, but also a terrific performer of his own music, and this should be taken into account. Same as Paganini.
Silent movie music played by an artist. But, good Lord, how many chromatic scales, diminished chords can we stand?
Artez...
뭐야 이건 치라고 만들어 놓은거야 ㅋㅋㅋ
Liszt - Orange🍊(wut
Wait. Vihar is a Slovenian word
0:01
Bad interpretation...
Faça melhor e poste seu video
Do it better m8
Wow! About as good as junk can get!!
Says the person with no music ability
What a shit show. Always hated that piss piece. Only Eisenstein can bring meaning to this musical wasteland. Hail Eisenstein!
Well, it's supposed to resemble a storm eh? I can agree that it is not quite melodic, nor lyrical, but it's a nice piece to show off even though it might not hit the gusto of most people.
First of all, it's no "musical wasteland", but composition at its best. Of course it is not harmonic and soft and lyrical, but it supposed to ressemble a storm! Second of all, I really don't like Eisenstein's interpretation. Maybe it is because of the bad audio quality on RUclips, but is sou ds as if he is missing every third note somehow.... The interpretation might be good, but if the notes aren't there, that's worth nothing.
It was just played too fast. Tempo mark is Presto but this interpretation is like double of that
And here we have another fucking moronic dilettante, calling this masterful depiction of a violent storm a "shitshow", and a "musical wasteland" as if he could easily do better.
Cziffra is better
Certainly not Liszt at his best. I see only a succession of banal frases and clichés.
I think it's a magnificent programmatic depiction of an *"Orage"* (Storm). What did you expect?
It's a great character piece, even if it's a bit one note
@@AndreiAnghelLiszt i love your channel! Cheers from Brazil
@@nathanwilliam3208 Raro ver brasileiros com bom gosto.
@@kal.9114 verdade mano
Tasteless work, banal and noise without music
What? No! You play this composition?
I can see scores
This is music at its best. And the fact that it has harmony and form make it music. I'd love to watch you debate a college professor over your hideous comment!
Obviously you do not know what this is about. Look, just try to think huge waves and a small boat trying to survive, huge wave and a small boat trying to survive, again, and again, and know tell me: Have you ever heard a better way to give this through notes? Do you still think it's noise?!?!?
Vorpal !!!Music!!! A language between imaginations
What an awful piece
Why then?
I think it's just a terrible noise - a cacophony
@@michaelcorkery3853 I think it was an intent for Liszt to do it cacophonous, yet it is called L'orage (Storm) and storm is not really euphonic
Michael Corkery it was quite intentional. If it sounds like havoc to you, then that makes the piece perfect because it’s fitting the theme.
@@ayhamshaheed7740 Oh absolutely - I do rather feel though that he sacrificed the musical content in favour of showing off the virtuosity of the performer - i.e. himself!
I hear sonata in b minor 1:23
ikr