Master Class with Gautier Capuçon - Rachmaninov: Sonata for Cello and Piano in G Minor
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- Опубликовано: 3 апр 2018
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Sergei Rachmaninov: Sonata for Cello and Piano in G Minor, Op. 19
4. Allegro mosso
Kristina Winiarski: Cellist
Gautier Capuçon: Teacher , Cellist
Samuel Parent: Pianist
Master class recorded at the Fondation Louis Vuitton (Paris, France), on April 1, 2018 at 11:30.
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Развлечения
What a lovely movement.
I know it’s his job to correct & perfect but she played beautifully
Such detail, man.
Ella toca hermosoooo
Thougt it was du pré when i saw her
Qui est-elle ? C'est l'excellence.
Maybe 3rd movement andante
I feel Capucon always tells them to do something, but he never explains why they should follow his advice. It seems as if Capucon is more along the lines of du Pre in terms of his musical knowledge, and follows his instincts for a lot of the time without much musical knowledge to back that up, a dangerous path that at times leads to unnatural interpretations.
Right, because it doesn't tell you how YOU can replicate it without him telling you how.
I disagree, he explained that an 'opening' of the sound should go together with a wide and slow vibrato, because using a narrow and fast vibrato when trying to achieve that is incongruent. That advice can be applied to a lot of pieces.
stm666 this is a very basic advice. Vibrato is a an important subject and it is important to have your own vibrato, and choose the good vibrato for each passages of the piece.
With students of this level, he could talk about how to modify the weight on each finger for example...
I completely agree with Saltag, and I personally prefer the lessons of cellists like Gary Hoffman, or Steven Isserlis. They talk about the key, structure, the piano part, the musical context of creation, know very precisely the life of composers...etc.
Capucon plays better than his student, it's obvious (but this student plays really really well). But his lessons really appeared for me like "I play better than you, play as I do". It contributes to uniform the sound of the students...
And I know a little bit what I'm talking about, I watched a lot of masterclasses by Capucon and I even went in Foundation Louis Vuitton to see some masterclasses live.
stm666 so what every student learn? Is that just to play that piece and that piece and that piece...?
What do every student want? Is that to work with Gautier Capucon?
When you watch some masterclasses you feel that some students are absolutely not agree with him, don't like the way he plays (because he plays quite well, but he's clearly not my favorite cellist).
Some students just want to be more famous thanks of him, to have a good contact, not to work with him.
Isn't instinct more natural than going over many different ideas and finding the theoretical reason why it would work or not? In my opinion too much deciding over each phrase is filtered emotion rather than the real thing. Isn't musical instinct what made du Pré so special after all?
0:48 awkward 😬
ure the kid who always lives under peer pressure, learn to not give a fuck